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Kin Shuzo · Okinawa · Awamori

  • honkaku

Pour this first

Lemon soda (ramune, Sanpellegrino), tall over ice. Lemon with it.

The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.

One part shochu to three or four parts mixer, over plenty of ice. If it tastes thin, go two to three next time.

What it tastes like

Awamori from Kin Shuzo in Okinawa. Producer's tasting notes: citrus, umami, soft, rich. The profile below is built from the tasting notes the producer publishes.

  • rice
  • citrus
  • umami
  • soft
  • rich
  • sweet
Sweet
3/5
Body
4/5
Aroma
3/5
Fruit
1/5
Floral
2/5
Grain
2/5
Earth
2/5
Umami
3/5
Base
rice koji (Thai rice)
ABV
40%

What to mix with it

Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

Explore all 134 pairings
  • Sansho pepper

    Strong match

    A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.

    • Sansho is citrus peel and pepper in one seed
    • Sansho and rice is a Kyoto kitchen
    • Sansho and yuzu are one condiment in Japan
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Hyuganatsu

    Strong match

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Softer acid than lemon, so the rice sweetness stays in the glass
  • Lemon

    Strong match

    Fresh juice, never bottled. It is the whole basis of the lemon sour, and the quickest way to put acid into a spirit that has almost none of its own.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Rice sweetness wants acid, and lemon is the simplest acid there is
  • The shortcut to a sour when there is no fresh lemon. Less sweet is better.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Rice shochu and lemon soda
  • Matcha

    Strong match

    Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

    • The bottle already smells of umami, and this puts more of it in the glass.
    • Rice and matcha agree, which is why the pairing turns up on menus at all
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.
  • Mikan (satsuma)

    Strong match

    Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Mikan juice over rice sweetness is gentle and familiar
  • Sudachi

    Strong match

    A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Squeezed over rice, it is the flavor of a Japanese autumn table
  • Tonic water

    Strong match

    A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Shochu tonic: bitter, sweet, low proof, and better than it sounds
  • Campari, Aperol, or a Japanese bitter like Kina. Shochu is low enough in proof to make an aperitivo you can actually have two of.

    • A negroni built on shochu is a real drink on real menus
    • Bitter orange meets citrus
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Campari, Aperol, or a Japanese bitter like Kina. Shochu is low enough in proof to make an aperitivo you can actually have two of.
  • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.

    • The Umami expression is kelp, shiitake and bonito, aimed straight at the glutamate koji already put there
    • Tokushima yuzu at 27 percent, which is the shochu's own strength, so a dropper moves flavour and not proof
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.
  • Yuzu

    Strong match

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • Doubles the citrus already in the glass
    • The classic pair: rice sweetness under yuzu zest
  • Yuzu kosho

    Strong match

    The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.

    • Fermented peel gives citrus without the acid a fresh yuzu would add
    • The salt in it raises the perceived sweetness of koji
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.
  • Hon-mirin

    Good match

    Mikawa Mirin from Sumiya Bunjiro Shoten, made from glutinous rice, koji and shochu since 1911 with no added sugar. Not the sweetened seasoning sold as mirin-fu chomiryo, which is a different product.

    • The bottle already smells of rice, and this puts more of it in the glass.
    • It adds body and savour where a sugar syrup would only add sugar
    • Mikawa Mirin from Sumiya Bunjiro Shoten, made from glutinous rice, koji and shochu since 1911 with no added sugar. Not the sweetened seasoning sold as mirin-fu chomiryo, which is a different product.
  • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.

    • The bottle already smells of umami, and this puts more of it in the glass.
    • Rice shochu lengthened with a junmai: the same grain, fermented and distilled, in one glass
    • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.
  • Blood orange

    Good match

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Cardamom

    Good match

    A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.
  • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Kabosu

    Good match

    Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Kombu

    Good match

    A small piece steeped in the bottle overnight. Savory depth without salt.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • Kombu is glutamate in a leaf, and koji fermentation puts it in the glass
    • Steeping kombu in alcohol is a real preparation in a Japanese kitchen
  • Kumquat

    Good match

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Orange

    Good match

    Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Shikuwasa

    Good match

    Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.
  • Umeboshi

    Good match

    One salted plum, crushed with a spoon in the glass. Salty, sour, savory.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • Ume and rice is a rice ball
    • Salt and sour pull umami forward
  • Fino sherry

    Good match

    Fino or manzanilla. Savory, salty, bone dry.

    • Fino's salt and yeast meet the savour koji leaves behind
    • Rice shochu and fino, stirred: a bamboo variation
    • Fino or manzanilla. Savory, salty, bone dry.
  • Shiso liqueur

    Good match

    Usually red shiso, so it comes out pink. Sharper and more herbal than it looks, and a little goes a long way.

    • Shiso and rice is an onigiri flavour
    • Red shiso and citrus is the flavour of a summer drink in Japan
    • Usually red shiso, so it comes out pink. Sharper and more herbal than it looks, and a little goes a long way.
  • Black pepper

    Good match

    A few grinds over the top. Aroma more than heat.

    • Pepper wakes up savory bottles
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A few grinds over the top. Aroma more than heat.
  • Cynar, 16.5 percent, which is weaker than the shochu itself, so equal parts lands near 20 percent and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.

    • With only 25 percent under it, the bitterness reads as celery and walnut skin instead of being scorched off
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cynar, 16.5 percent, which is weaker than the shochu itself, so equal parts lands near 20 percent and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.
  • Celery bitters

    Good match

    Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.

    • Koji leaves glutamate in the glass, and salt plus celery seed is what makes glutamate legible
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.
  • Genmaicha

    Good match

    Green tea with popped, toasted rice. Cold-brew it.

    • Toasted rice tea and a rice spirit are the same grain twice
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Green tea with popped, toasted rice. Cold-brew it.
  • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.

    • Gentian and grapefruit
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.
  • Ginger

    Good match

    Fresh juice, a syrup, or a good ginger beer. The spice that makes a low-proof drink feel like it has a backbone.

    • Star anise, chilli and ginger all read as native rather than imported on this base.
    • Ginger and rice: think of the pickled ginger next to sushi
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Ginger ale

    Good match

    The gentle ginger. For bottles that a ginger beer would bully.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • Gentler than ginger beer; right for a soft rice bottle
  • Ginger beer

    Good match

    A spicy one, not a sweet one. The mule format works for every dark shochu, and it is the most forgiving way to serve one.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • A shochu mule, and it is on menus
  • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

    • Water and ice is how awamori is drunk in Okinawa, and with an aged kusu it is the serve that lets the age show instead of burying it under a mixer.
    • Rich bottles are built for warmth
  • Kombucha

    Good match

    A plain or ginger kombucha. Acid, bubbles and a little funk, none of which survive a still.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • Acid and bubbles on rice sweetness
  • Oolong tea

    Good match

    Unsweetened, cold. One part shochu to three or four parts tea, over ice.

    • Oolong and jasmine both belong to the same Chinese-adjacent kitchen awamori grew up in.
    • Rice shochu and oolong is a Kyushu dinner drink
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Pu-erh tea

    Good match

    Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.

    • One of the few mixers that can go under a heavy bottle hot without the drink turning bitter
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.
  • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. Lillet dropped its quinine in 1985, so only the Americano side of the category still tastes of the bark, and equal parts with a shochu is about 21 percent.

    • Quinine and gentian give a measured bitterness where an amaro would take the glass over
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. Lillet dropped its quinine in 1985, so only the Americano side of the category still tastes of the bark, and equal parts with a shochu is about 21 percent.
  • Soda water

    Good match

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • Shochu and soda over ice is the most ordinary drink in Japan
  • Dry cava or crémant. Acid and bubbles in one pour, which is exactly what a distilled spirit has none of.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • Shochu and brut sparkling is a French 75 at lower proof; the acid is the point
  • Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.

    • Water and ice is how awamori is drunk in Okinawa, and with an aged kusu it is the serve that lets the age show instead of burying it under a mixer.
    • Rice shochu mizuwari is a dinner drink in Kumamoto
  • A rim of shichimi, or a slice of fresh chili. Heat on fruit, not on rice.

    • Chili and lime
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A rim of shichimi, or a slice of fresh chili. Heat on fruit, not on rice.
  • Falernum

    Good match

    John D. Taylor's Velvet Falernum, about twenty dollars. At 11 percent it behaves like a syrup, so it sweetens and thickens without raising the drink.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • John D. Taylor's Velvet Falernum, about twenty dollars. At 11 percent it behaves like a syrup, so it sweetens and thickens without raising the drink.
  • Makgeolli

    Good match

    Hana Makgeolli is brewed in Greenpoint, Brooklyn; Makku sells a canned one. Strength varies widely across the category, from around 6 percent in a can to the mid teens for an unfiltered takju, so read the label before deciding how much to pour.

    • The bottle already smells of rice, and this puts more of it in the glass.
    • Hana Makgeolli is brewed in Greenpoint, Brooklyn; Makku sells a canned one. Strength varies widely across the category, from around 6 percent in a can to the mid teens for an unfiltered takju, so read the label before deciding how much to pour.
  • Cold-brewed sencha, unsweetened. The green tea highball is one of the most common ways shochu is actually drunk in Japan.

    • Bitter tea and a sweet bottle argue
    • Ryokucha-hai: rice shochu with green tea is an ordinary Kyushu order
    • Green tea has umami of its own; it meets the bottle's
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • A koji ferment of rice poured into a koji spirit distilled from rice, so the savour is family rather than contrast
  • Miso

    Good match

    White miso whisked into a syrup, a small spoon per drink. Salty, sweet and savory at once.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • Umami on umami
  • A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • Gari sits next to sushi rice; it sits next to a rice spirit for the same reason
  • Sea salt

    Good match

    A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • Salt is the fastest way to make umami louder
  • Shiitake

    Good match

    A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • Dried shiitake is the umami bomb of the Japanese pantry
  • Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.

    • Flor leaves a savoury edge behind it, and koji leaves the same one
    • Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.
  • Aquavit

    Good match

    Linie, around thirty-five dollars, rested in oloroso casks at sea so it brings a little wood as well. A quarter ounce as a split base.

    • It reads as seasoning rather than as perfume, which is what a savoury bottle wants
    • Linie, around thirty-five dollars, rested in oloroso casks at sea so it brings a little wood as well. A quarter ounce as a split base.
  • A bar spoon. Cassis-oolong is one of the most common izakaya orders in Japan.

    • A kir at half the proof: rice shochu and a spoon of cassis
    • A bar spoon. Cassis-oolong is one of the most common izakaya orders in Japan.
  • Chamomile

    Good match

    Cold-brewed chamomile as a lengthener, or steeped in the spirit.

    • Gentle flower, gentle bottle
    • Cold-brewed chamomile as a lengthener, or steeped in the spirit.
  • St-Germain or similar. A half ounce is enough.

    • Shochu, elderflower liqueur, lemon: a sour that tastes like spring
    • St-Germain or similar. A half ounce is enough.
  • Sweeter and rounder than brewing your own matcha, and it dissolves properly, which matcha powder in a cold drink does not.

    • Rice and green tea is an ordinary Japanese meal, not a novelty
    • Sweeter and rounder than brewing your own matcha, and it dissolves properly, which matcha powder in a cold drink does not.
  • Hibiscus

    Good match

    Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

    • Hibiscus is an Okinawan flower and this is an Okinawan spirit, and the acid in the flower meets the citric edge black koji leaves behind.
    • Its acid is what rice bottles need
  • Young sansho leaves, clapped between the palms and floated. Hard to find outside Japanese markets in spring, worth the hunt.

    • The classic spring garnish for rice dishes; it belongs on rice wine too
    • Kinome tastes of citrus peel and pepper at once
  • Melon liqueur

    Good match

    Midori, or a drier Japanese one if you can find it. Half an ounce is plenty; this is a flavour, not a base.

    • Ginjo-scented rice shochu and melon are the same aroma family
    • Midori, or a drier Japanese one if you can find it. Half an ounce is plenty; this is a flavour, not a base.
  • Orange liqueur

    Good match

    Cointreau or a dry curaçao. The sweet-and-citrus half of any sour.

    • Awamori has enough of its own character to be the base of a cocktail rather than the neutral part of one, which is why an orange liqueur or a mezcal sits beside it instead of covering it.
    • Orange on citrus
  • Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.

    • Salt-pickled blossoms in a rice drink is a Japanese spring
    • Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.
  • Buy the drinking grade from a shop with a liquor licence, not the salted cooking bottle, which will wreck the drink. A bar spoon is enough.

    • Two savoury ferments, one brewed and one distilled
    • Buy the drinking grade from a shop with a liquor licence, not the salted cooking bottle, which will wreck the drink. A bar spoon is enough.
  • Carpano Antica or Cocchi. A quarter of the shochu's volume, stirred cold, is a manhattan at well under half the usual proof.

    • There is enough weight here to carry vermouth without being flattened
    • Carpano Antica or Cocchi. A quarter of the shochu's volume, stirred cold, is a manhattan at well under half the usual proof.
  • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

    • Ume sour: the second most ordered shochu drink in Japan after lemon
    • Ume's salt and sourness pull umami forward
  • Umeshu

    Good match

    Sweet, sour, almondy. A splash does the work of both syrup and citrus.

    • Umeshu is usually built on shochu in the first place, so adding it back is coherent
    • Sweet, sour, almondy. A splash does the work of both syrup and citrus.
  • The Korean-style yuzu preserve sold in jars. A spoon in hot water with shochu, or shaken cold.

    • Yuzu peel, sweetened, on a citrus bottle
    • Hot water, rice shochu, a spoon of yuzu tea
  • Sweet yuzu liqueur, usually on a sake or shochu base. A shortcut to yuzu when the fruit is out of season.

    • Yuzu liqueur on a citrus bottle
    • Sweet yuzu liqueur, usually on a sake or shochu base. A shortcut to yuzu when the fruit is out of season.
  • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.
  • Amaro

    Good match

    Montenegro, Nonino, Averna. Equal parts with a dark shochu over ice is a whole drink.

    • Aged kusu is intense enough to meet amaro without either one winning.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Angostura or a Japanese aromatic. Two dashes.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Angostura or a Japanese aromatic. Two dashes.
  • Banana

    Good match

    Ripe banana, muddled or as a syrup. Isoamyl acetate, the ester behind a ginjo aroma, is the same compound that makes a banana smell of banana.

    • Ripe banana, muddled or as a syrup. Isoamyl acetate, the ester behind a ginjo aroma, is the same compound that makes a banana smell of banana.
  • Cinnamon

    Good match

    A stick in hot water with the spirit, or a light syrup. Winter.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A stick in hot water with the spirit, or a light syrup. Winter.
  • Coconut

    Good match

    Coconut water for lengthening, coconut milk or cream for weight.

    • Coconut water for lengthening, coconut milk or cream for weight.
  • Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a daiginjo.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a daiginjo.
  • Fernet

    Good match

    A quarter ounce. Menthol and bitterness, for the darkest bottles.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A quarter ounce. Menthol and bitterness, for the darkest bottles.
  • Hojicha

    Good match

    Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.
  • Hoppy Beverage Co. has made it in Tokyo since 1948; at 0.8 percent it is legally a soft drink, and it is hard to find outside Japan. Chill the bottle, the shochu and the mug and no ice is needed.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
  • Jasmine tea

    Good match

    Cold-brewed. Floral without sugar. The jasmine highball is a real menu item in Japan.

    • Oolong and jasmine both belong to the same Chinese-adjacent kitchen awamori grew up in.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Kiwi

    Good match

    Muddled with the seeds. Green, sour and refreshing, and cheap year round.

    • Muddled with the seeds. Green, sour and refreshing, and cheap year round.
  • Lychee

    Good match

    Fresh in early summer, canned in syrup the rest of the year (drain it). The signature aroma of a whole school of imo shochu.

    • Fresh in early summer, canned in syrup the rest of the year (drain it). The signature aroma of a whole school of imo shochu.
  • Mango

    Good match

    Ripe mango puree. Needs lime beside it or it goes flat.

    • Ripe mango puree. Needs lime beside it or it goes flat.
  • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.
  • Passion fruit

    Good match

    The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

    • Okinawa grows the pineapple, the passion fruit and the shikuwasa, and distils the spirit. The pairing is geography.
  • Cappelletti Sfumato, where sfumato means smoked and the smoke is the point, or the sweeter Zucca. At 20 percent it can take a third of the glass and still leave the drink under 22.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cappelletti Sfumato, where sfumato means smoked and the smoke is the point, or the sweeter Zucca. At 20 percent it can take a third of the glass and still leave the drink under 22.
  • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.
  • Star anise

    Good match

    One star, steeped, for the dark bottles.

    • Star anise, chilli and ginger all read as native rather than imported on this base.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Vanilla

    Good match

    A split bean in a syrup, or a good extract, in small amounts.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A split bean in a syrup, or a good extract, in small amounts.
  • Dashi

    Good match

    Warm kombu-and-bonito stock, lightly seasoned, mixed with the spirit. It sounds strange and tastes like an oden counter.

    • Dashi and sweetness do not agree
    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • Dashi-wari, shochu cut with warm dashi, is a real order in a Kyushu izakaya
    • Warm junmai and warm dashi is a savory glass
  • Grapefruit

    Good match

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • On an already sweet bottle it turns to grapefruit candy
    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Lime

    Good match

    Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • Lime's green edge can read metallic against soft rice sweetness
    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Olive brine

    Good match

    A bar spoon, no more. Salt, and the savory note that comes with it.

    • Brine and sweetness do not agree
    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • Dirty, on a rice base: the sweetness and the brine argue in a good way
    • Salt brings umami forward
  • Soy sauce

    Good match

    A drop. Think of it as salt with depth, for the savory glass only.

    • Sweet and soy is teriyaki, not a drink
    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • A drop of soy in a savoury glass is seasoning rather than flavouring
    • Soy and rice
  • Dry vermouth

    Good match

    Dolin dry or Noilly Prat. A quarter of the shochu's volume, stirred cold.

    • Dry vermouth and a sweet bottle argue
    • Rice shochu and dry vermouth, stirred, is the martini bars actually serve at this proof
    • Rice shochu, dry vermouth, a lemon twist
    • Dolin dry or Noilly Prat. A quarter of the shochu's volume, stirred cold.
  • Lemongrass

    Good match

    Bruised stalks steeped in the spirit, or a syrup. Citrus without acid, which is useful when you want aroma but not sourness.

    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Torn leaves steeped briefly. Perfumed citrus without juice.

    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Toasted sesame

    Worth trying

    A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
  • Eden Foods sells it as Ume Plum Vinegar in most US supermarkets, and it is one of the cheapest things on this list. A bar spoon, and unlike a crushed umeboshi it can go into a shaken drink.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
  • Wasabi

    Worth trying

    A rice-grain amount, dissolved. For the savory, cucumber glass, not the fruit one.

    • Wasabi and sweetness do not agree
    • Wasabi and rice is sushi
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A rice-grain amount, dissolved. For the savory, cucumber glass, not the fruit one.
  • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.

    • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.
  • Agave syrup

    Worth trying

    The neutral sweetener. Use when you want to balance acid without adding a flavor.

    • Agave, lime and a spirit is a sour
  • Allspice dram

    Worth trying

    St. Elizabeth, in 375ml. A bar spoon is the whole dose: concentrated enough to flavour a low-proof drink without diluting it or raising it.

    • St. Elizabeth, in 375ml. A bar spoon is the whole dose: concentrated enough to flavour a low-proof drink without diluting it or raising it.
  • Amaretto

    Worth trying

    A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.

    • A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.
  • Apricot liqueur

    Worth trying

    Rothman and Winter, or a Japanese anzu liqueur. Closer to umeshu than to a candy liqueur if you buy a good one.

    • Rothman and Winter, or a Japanese anzu liqueur. Closer to umeshu than to a candy liqueur if you buy a good one.
  • Basil

    Worth trying

    Muddled gently with citrus. Thai basil brings anise, Italian basil brings pepper.

    • Basil and citrus is a smash
  • Bénédictine

    Worth trying

    D.O.M. Bénédictine, on most back bars. Rounder and much sweeter than the alpine liqueurs, so it suits bottles that already lean sweet rather than clean.

    • D.O.M. Bénédictine, on most back bars. Rounder and much sweeter than the alpine liqueurs, so it suits bottles that already lean sweet rather than clean.
  • Blanc vermouth

    Worth trying

    Dolin blanc or Lillet. Sweeter and more floral than dry; for the aromatic bottles.

    • Dolin blanc or Lillet. Sweeter and more floral than dry; for the aromatic bottles.
  • Blueberry

    Worth trying

    Muddled, or as a syrup. Mild; bring acid from elsewhere.

    • Gentle fruit for a gentle bottle
  • Cranberry

    Worth trying

    Unsweetened juice. Sharp and a little tannic, useful for cutting sweetness.

    • Tart cranberry gives soft rice sweetness structure
  • Tempus Fugit or Giffard. Clear, so the drink stays pale, and at about the shochu's own strength, so an ounce lengthens rather than fortifies.

    • Tempus Fugit or Giffard. Clear, so the drink stays pale, and at about the shochu's own strength, so an ounce lengthens rather than fortifies.
  • Cucumber

    Worth trying

    Ribbons or muddled slices. Cucumber is what turns a serious glass into something you drink outside without thinking about it.

    • Cucumber and rice is the flavor of a Japanese summer lunch
  • Elderflower

    Worth trying

    Cordial or the liqueur. Muscat, lychee and honey in one flower.

    • Cordial or the liqueur. Muscat, lychee and honey in one flower.
  • Genever

    Worth trying

    Bols Genever, around thirty-five dollars. The split base for a grain shochu, in a way plain gin is not.

    • Bols Genever, around thirty-five dollars. The split base for a grain shochu, in a way plain gin is not.
  • Ginger liqueur

    Worth trying

    Barrow's Intense, made in Brooklyn, is the one to look for: much more ginger and much less sugar than most, so it works as the spice in a drink rather than as the sweetener. Domaine de Canton is the easier one to find and the sweeter one. Either gets you the mule flavour without the sugar load of a ginger beer, and both work hot as well as cold. They carry their own alcohol, so they lengthen a shochu less than a juice or a syrup would.

    • Barrow's Intense, made in Brooklyn, is the one to look for: much more ginger and much less sugar than most, so it works as the spice in a drink rather than as the sweetener. Domaine de Canton is the easier one to find and the sweeter one. Either gets you the mule flavour without the sugar load of a ginger beer, and both work hot as well as cold. They carry their own alcohol, so they lengthen a shochu less than a juice or a syrup would.
  • Honey

    Worth trying

    Diluted one to one with warm water so it mixes cold. A little goes far; taste before adding more.

    • Honey, lemon and a spirit is a sour
  • Jasmine

    Worth trying

    A syrup or a few dried blossoms steeped. See jasmine tea for the long drink.

    • A syrup or a few dried blossoms steeped. See jasmine tea for the long drink.
  • Ayagiku's, on a shochu base, or Kikusui's. Raw quince is inedible and gives up its scent only in alcohol, so the liqueur is the only practical form; it opens up in hot water.

    • Ayagiku's, on a shochu base, or Kikusui's. Raw quince is inedible and gives up its scent only in alcohol, so the liqueur is the only practical form; it opens up in hot water.
  • Zuiyo's Kuririn, from Japanese chestnuts at 11 percent, or Dover's wa-shu kuri, which is on a rum base. A dessert direction, and not the same thing as kuri shochu, which is a base spirit.

    • Zuiyo's Kuririn, from Japanese chestnuts at 11 percent, or Dover's wa-shu kuri, which is on a rum base. A dessert direction, and not the same thing as kuri shochu, which is a base spirit.
  • Lychee liqueur

    Worth trying

    Kwai Feh or Dita. Perfumed and quite sweet, so treat it as the aroma and let the shochu stay the drink.

    • Kwai Feh or Dita. Perfumed and quite sweet, so treat it as the aroma and let the shochu stay the drink.
  • Blandy's or Barbeito, ten year. It is the one fortified wine that brings real acid, so it can do the lemon's job on a bottle where fresh citrus reads harsh.

    • Blandy's or Barbeito, ten year. It is the one fortified wine that brings real acid, so it can do the lemon's job on a bottle where fresh citrus reads harsh.
  • Mezcal

    Worth trying

    A quarter ounce as a rinse or a split base. Smoke for the earthy bottles.

    • Awamori has enough of its own character to be the base of a cocktail rather than the neutral part of one, which is why an orange liqueur or a mezcal sits beside it instead of covering it.
  • Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

    • Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.
  • Peach liqueur

    Worth trying

    A good one (Giffard, Merlet). A shortcut to the bellini when peaches are out of season.

    • A good one (Giffard, Merlet). A shortcut to the bellini when peaches are out of season.
  • Pear

    Worth trying

    Ripe pear, muddled or as nectar. Delicate, so it belongs with delicate bottles.

    • Soft bottles and pear are quiet together, which is the point
  • Lustau San Emilio. Effectively a raisin syrup that happens to be wine, so a bar spoon sweetens and adds body where sugar syrup would only add sugar.

    • Lustau San Emilio. Effectively a raisin syrup that happens to be wine, so a bar spoon sweetens and adds body where sugar syrup would only add sugar.
  • Raspberry

    Worth trying

    Sour enough to be useful. Muddle a handful, or use a good puree.

    • Its acidity is what soft rice bottles need
  • Rose

    Worth trying

    A drop of rose water, or a rose syrup. A drop; it takes over.

    • A drop of rose water, or a rose syrup. A drop; it takes over.
  • Shiso

    Worth trying

    Green shiso leaves, slapped or muddled gently. Red shiso as a syrup. Japan already makes shiso shochu, which tells you it works.

    • Shiso and rice is an onigiri flavour, and rice shochu is rice
  • Dewazakura's from Yamagata plums, or Machida Shuzo's on Amami kokuto shochu. It does umeshu's job and leaves the glass drier, which matters when the bottle is already sweet.

    • Dewazakura's from Yamagata plums, or Machida Shuzo's on Amami kokuto shochu. It does umeshu's job and leaves the glass drier, which matters when the bottle is already sweet.
  • Thyme

    Worth trying

    Gentler than rosemary. Steep a sprig, or use a thyme syrup.

    • Thyme, lemon and a spirit is a sour with a garden in it
  • Watermelon

    Worth trying

    Fresh juice, strained. Add a pinch of salt.

    • Rice shochu and watermelon juice is a Kumamoto summer
  • Yellow peach

    Worth trying

    Bolder than white peach, closer to apricot. For bottles with more weight.

    • A richer peach for a richer bottle
  • Tomato

    Worth trying

    Good tomato juice, or a ripe tomato muddled and strained. The savour koji leaves behind and the savour in a tomato are the same glutamate.

    • Sweet bottles make tomato taste like ketchup
    • Tomato is the umami vegetable and koji is the umami mould. Same glutamate
    • Tomato juice and a savory junmai is a Japanese bloody mary

Ways to serve it

  • On the rocks
  • Mizuwari (with water)

Awamori is older than mainland shochu, and what defines it is black koji and an all-koji mash rather than the Thai rice nearly every distillery happens to use. The black koji leaves citric acid behind, which is why it wants citrus and tropical fruit and why it will split milk.

Cocktails other people made

Nobody has published a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 8 more
  • Just One Cookbook

    Japanese Yuzu Cocktail (Yuzu Chuhai)

    Written for shochu generally

    • ½ cup club soda (soda water)
    • ¼ cup shochu (any brand or type)
    • 1 tbsp homemade simple syrup
    • 1 tsp yuzu juice (extract)
    • ice cubes
    • 1, 2 tsp korean citron tea (yuja cha) (optional)
    • lime (optional; can use lemon)

    Built in the glass, topped with soda.

    Full method at Just One Cookbook →
  • Pickled Plum

    Umeboshi Sour (Pickled Plum Cocktail)

    Written for shochu generally

    • ice cubes
    • 1/4 cup shōchū (such as iichiko)
    • 3/4 cup sparkling water
    • 1 1/2 tablespoon umezu (plum vinegar)
    • 1/2 teaspoon plain rice vinegar
    • 1/2 teaspoon honey (optional)
    • 1 large soft umeboshi (japanese pickled plum)
    • 1 shiso leaf, whole or shredded, for garnish (optional)

    Built in the glass.

    Full method at Pickled Plum →
  • punchdrink.com · Brian Evans and George Padilla, Brooklyn, New York

    The Rule of Thirds Chu-Hai

    Written for shochu generally

    • 1 1/2 ounces shochu
    • 1 1/4 ounce grapefruit juice
    • 3/4 ounce sweetened hojicha tea (see editor's note)
    • club soda, to top

    Built in the glass, topped with soda.

    Full method at punchdrink.com →
  • Pickled Plum

    Lemon Sour (Japanese)

    Written for shochu generally

    • juice of 1/2 lemon
    • 1/4 cup shōchū (or soju)
    • 1/2 cup soda water
    • 1 tablespoon simple syrup (1 tablespoon sugar mixed with 1 tablespoon water)
    • ice cubes

    Built in the glass, topped with soda.

    Full method at Pickled Plum →
  • punchdrink.com · Tokyo Record Bar, New York

    Miso Dark 'n' Stormy

    Written for shochu generally

    • 2 ounces shochu
    • 1 ounce miso syrup (see editor's note)
    • 3/4 ounce yuzu juice
    • cynar, to top
    • soda, to top

    Built in the glass, topped with soda.

    Full method at punchdrink.com →
  • Tokyo Weekender · Shun Kosaka

    Ryukyu & Coke

    Written for Danryu

    Danryu is a range rather than one bottle, so the strength and the style vary across it. Treat this as a starting point.

    • danryu koshu (awamori) 40ml
    • homemade cola syrup 10ml
    • carbonated water as needed
    • lemon wedge one wedge
    • salt water one spray

    Built in the glass.

    Full method at Tokyo Weekender →

Sources and verification

Filed under awamori.