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Ryu Aged Sake Black 43 degrees

Kin Shuzo · Okinawa · Awamori

  • aged
  • honkaku

Pour this first

Ginger ale, tall over ice. Black pepper with it.

The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.

One part shochu to three or four parts mixer, over plenty of ice. If it tastes thin, go two to three next time.

What it tastes like

Awamori from Kin Shuzo in Okinawa. Producer's tasting notes: maple, umami, crisp. The profile below is built from the tasting notes the producer publishes.

  • rice
  • maple
  • umami
  • crisp
  • aged
Sweet
3/5
Body
4/5
Aroma
3/5
Fruit
1/5
Floral
2/5
Grain
2/5
Earth
2/5
Umami
3/5
Base
rice koji (Thai rice)
ABV
43%
Aging
three years or more

What to mix with it

Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

Explore all 127 pairings
  • Matcha

    Strong match

    Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

    • The bottle already smells of umami, and this puts more of it in the glass.
    • Rice and matcha agree, which is why the pairing turns up on menus at all
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.
  • Soy sauce

    Strong match

    A drop. Think of it as salt with depth, for the savory glass only.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • A drop of soy in a savoury glass is seasoning rather than flavouring
    • Soy and rice
    • A long aged spirit and aged soy share the same brown, oxidative notes
  • Fino sherry

    Strong match

    Fino or manzanilla. Savory, salty, bone dry.

    • Fino's salt and yeast meet the savour koji leaves behind
    • Oxidative on oxidative
    • Rice shochu and fino, stirred: a bamboo variation
    • Fino or manzanilla. Savory, salty, bone dry.
  • Green tea (sencha)

    Strong match

    Cold-brewed sencha, unsweetened. The green tea highball is one of the most common ways shochu is actually drunk in Japan.

    • Ryokucha-hai: rice shochu with green tea is an ordinary Kyushu order
    • Green tea has umami of its own; it meets the bottle's
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold-brewed sencha, unsweetened. The green tea highball is one of the most common ways shochu is actually drunk in Japan.
  • Hon-mirin

    Strong match

    Mikawa Mirin from Sumiya Bunjiro Shoten, made from glutinous rice, koji and shochu since 1911 with no added sugar. Not the sweetened seasoning sold as mirin-fu chomiryo, which is a different product.

    • The bottle already smells of rice, and this puts more of it in the glass.
    • It adds body and savour where a sugar syrup would only add sugar
    • Mikawa Mirin from Sumiya Bunjiro Shoten, made from glutinous rice, koji and shochu since 1911 with no added sugar. Not the sweetened seasoning sold as mirin-fu chomiryo, which is a different product.
  • Makgeolli

    Strong match

    Hana Makgeolli is brewed in Greenpoint, Brooklyn; Makku sells a canned one. Strength varies widely across the category, from around 6 percent in a can to the mid teens for an unfiltered takju, so read the label before deciding how much to pour.

    • The bottle already smells of rice, and this puts more of it in the glass.
    • Its lactic tang keeps a crisp bottle from going flat as the ice melts
    • Hana Makgeolli is brewed in Greenpoint, Brooklyn; Makku sells a canned one. Strength varies widely across the category, from around 6 percent in a can to the mid teens for an unfiltered takju, so read the label before deciding how much to pour.
  • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.

    • The bottle already smells of umami, and this puts more of it in the glass.
    • Rice shochu lengthened with a junmai: the same grain, fermented and distilled, in one glass
    • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.
  • Dashi

    Strong match

    Warm kombu-and-bonito stock, lightly seasoned, mixed with the spirit. It sounds strange and tastes like an oden counter.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • Dashi-wari, shochu cut with warm dashi, is a real order in a Kyushu izakaya
    • Warm junmai and warm dashi is a savory glass
  • Kombu

    Strong match

    A small piece steeped in the bottle overnight. Savory depth without salt.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • Kombu is glutamate in a leaf, and koji fermentation puts it in the glass
    • Steeping kombu in alcohol is a real preparation in a Japanese kitchen
  • Olive brine

    Strong match

    A bar spoon, no more. Salt, and the savory note that comes with it.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • Dirty, on a rice base: the sweetness and the brine argue in a good way
    • Salt brings umami forward
  • Umeboshi

    Strong match

    One salted plum, crushed with a spoon in the glass. Salty, sour, savory.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • Ume and rice is a rice ball
    • Salt and sour pull umami forward
  • Amontillado sherry

    Strong match

    Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.

    • Both have spent years going quietly brown, and they meet in the middle
    • Flor leaves a savoury edge behind it, and koji leaves the same one
    • Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.
  • Dry vermouth

    Good match

    Dolin dry or Noilly Prat. A quarter of the shochu's volume, stirred cold.

    • Rice shochu and dry vermouth, stirred, is the martini bars actually serve at this proof
    • Rice shochu, dry vermouth, a lemon twist
    • Dolin dry or Noilly Prat. A quarter of the shochu's volume, stirred cold.
  • Campari, Aperol, or a Japanese bitter like Kina. Shochu is low enough in proof to make an aperitivo you can actually have two of.

    • A negroni built on shochu is a real drink on real menus
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Campari, Aperol, or a Japanese bitter like Kina. Shochu is low enough in proof to make an aperitivo you can actually have two of.
  • Angostura or a Japanese aromatic. Two dashes.

    • Two dashes wake up an aged bottle
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Angostura or a Japanese aromatic. Two dashes.
  • Black pepper

    Good match

    A few grinds over the top. Aroma more than heat.

    • Pepper wakes up savory bottles
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A few grinds over the top. Aroma more than heat.
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • Black tea's tannin sits well with aged notes
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.
  • Cynar, 16.5 percent, which is weaker than the shochu itself, so equal parts lands near 20 percent and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.

    • With only 25 percent under it, the bitterness reads as celery and walnut skin instead of being scorched off
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cynar, 16.5 percent, which is weaker than the shochu itself, so equal parts lands near 20 percent and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.
  • Cardamom

    Good match

    A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

    • Spice on aged, nutty notes
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.
  • Celery bitters

    Good match

    Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.

    • Koji leaves glutamate in the glass, and salt plus celery seed is what makes glutamate legible
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.
  • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • The peel is doing what the orange twist on an old fashioned does
  • Genmaicha

    Good match

    Green tea with popped, toasted rice. Cold-brew it.

    • Toasted rice tea and a rice spirit are the same grain twice
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Green tea with popped, toasted rice. Cold-brew it.
  • Ginger

    Good match

    Fresh juice, a syrup, or a good ginger beer. The spice that makes a low-proof drink feel like it has a backbone.

    • Star anise, chilli and ginger all read as native rather than imported on this base.
    • Ginger and rice: think of the pickled ginger next to sushi
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Ginger ale

    Good match

    The gentle ginger. For bottles that a ginger beer would bully.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • Gentler than ginger beer; right for a soft rice bottle
  • Ginger beer

    Good match

    A spicy one, not a sweet one. The mule format works for every dark shochu, and it is the most forgiving way to serve one.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • A shochu mule, and it is on menus
  • Hojicha

    Good match

    Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

    • Roasted tea and aged notes are a fireside
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.
  • Hyuganatsu

    Good match

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • Softer acid than lemon, so the rice sweetness stays in the glass
  • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.

    • The Umami expression is kelp, shiitake and bonito, aimed straight at the glutamate koji already put there
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.
  • Kumquat

    Good match

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • Kumquat's bitter peel stands up to aged, nutty notes
  • Mikan (satsuma)

    Good match

    Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • Mikan juice over rice sweetness is gentle and familiar
  • Oolong tea

    Good match

    Unsweetened, cold. One part shochu to three or four parts tea, over ice.

    • Oolong and jasmine both belong to the same Chinese-adjacent kitchen awamori grew up in.
    • Rice shochu and oolong is a Kyushu dinner drink
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Pu-erh tea

    Good match

    Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.

    • One of the few mixers that can go under a heavy bottle hot without the drink turning bitter
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.
  • Sansho pepper

    Good match

    A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.

    • Sansho and rice is a Kyoto kitchen
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.
  • Soda water

    Good match

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • Shochu and soda over ice is the most ordinary drink in Japan
  • Dry cava or crémant. Acid and bubbles in one pour, which is exactly what a distilled spirit has none of.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • Shochu and brut sparkling is a French 75 at lower proof; the acid is the point
  • Star anise

    Good match

    One star, steeped, for the dark bottles.

    • Star anise, chilli and ginger all read as native rather than imported on this base.
    • Anise and aged notes are a winter cabinet
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.

    • Water and ice is how awamori is drunk in Okinawa, and with an aged kusu it is the serve that lets the age show instead of burying it under a mixer.
    • Rice shochu mizuwari is a dinner drink in Kumamoto
  • Sudachi

    Good match

    A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • Squeezed over rice, it is the flavor of a Japanese autumn table
  • Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.

    • It is the only way to make a bitter highball that is genuinely dry
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.
  • Wasabi

    Good match

    A rice-grain amount, dissolved. For the savory, cucumber glass, not the fruit one.

    • Wasabi and rice is sushi
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A rice-grain amount, dissolved. For the savory, cucumber glass, not the fruit one.
  • Yuzu

    Good match

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • The classic pair: rice sweetness under yuzu zest
  • Yuzu kosho

    Good match

    The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.

    • The salt in it raises the perceived sweetness of koji
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.
  • Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • A koji ferment of rice poured into a koji spirit distilled from rice, so the savour is family rather than contrast
  • Lemon

    Good match

    Fresh juice, never bottled. It is the whole basis of the lemon sour, and the quickest way to put acid into a spirit that has almost none of its own.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • Fresh lemon reads harsh against aged, caramel notes
    • Lemon sharpens a crisp bottle further
    • Rice sweetness wants acid, and lemon is the simplest acid there is
  • A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • Gari sits next to sushi rice; it sits next to a rice spirit for the same reason
  • Sea salt

    Good match

    A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • Salt is the fastest way to make umami louder
  • Amaretto

    Good match

    A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.

    • Marzipan against caramel, which is a dessert people already eat
    • A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.
  • Apricot liqueur

    Good match

    Rothman and Winter, or a Japanese anzu liqueur. Closer to umeshu than to a candy liqueur if you buy a good one.

    • Long aging turns towards stone fruit anyway; this meets it there
    • Rothman and Winter, or a Japanese anzu liqueur. Closer to umeshu than to a candy liqueur if you buy a good one.
  • Aquavit

    Good match

    Linie, around thirty-five dollars, rested in oloroso casks at sea so it brings a little wood as well. A quarter ounce as a split base.

    • It reads as seasoning rather than as perfume, which is what a savoury bottle wants
    • Linie, around thirty-five dollars, rested in oloroso casks at sea so it brings a little wood as well. A quarter ounce as a split base.
  • A bar spoon. Cassis-oolong is one of the most common izakaya orders in Japan.

    • A kir at half the proof: rice shochu and a spoon of cassis
    • A bar spoon. Cassis-oolong is one of the most common izakaya orders in Japan.
  • Coffee liqueur

    Good match

    Mr Black or a good Japanese one. Awamori and shochu makers bottle their own, so this is not a foreign idea imposed on the spirit.

    • An espresso martini at this proof is a drink you can have after dinner and still talk
    • Mr Black or a good Japanese one. Awamori and shochu makers bottle their own, so this is not a foreign idea imposed on the spirit.
  • St-Germain or similar. A half ounce is enough.

    • Shochu, elderflower liqueur, lemon: a sour that tastes like spring
    • St-Germain or similar. A half ounce is enough.
  • Ginger liqueur

    Good match

    Barrow's Intense, made in Brooklyn, is the one to look for: much more ginger and much less sugar than most, so it works as the spice in a drink rather than as the sweetener. Domaine de Canton is the easier one to find and the sweeter one. Either gets you the mule flavour without the sugar load of a ginger beer, and both work hot as well as cold. They carry their own alcohol, so they lengthen a shochu less than a juice or a syrup would.

    • Warm spice against caramel, without the sugar a ginger beer brings
    • Barrow's Intense, made in Brooklyn, is the one to look for: much more ginger and much less sugar than most, so it works as the spice in a drink rather than as the sweetener. Domaine de Canton is the easier one to find and the sweeter one. Either gets you the mule flavour without the sugar load of a ginger beer, and both work hot as well as cold. They carry their own alcohol, so they lengthen a shochu less than a juice or a syrup would.
  • Sweeter and rounder than brewing your own matcha, and it dissolves properly, which matcha powder in a cold drink does not.

    • Rice and green tea is an ordinary Japanese meal, not a novelty
    • Sweeter and rounder than brewing your own matcha, and it dissolves properly, which matcha powder in a cold drink does not.
  • Hibiscus

    Good match

    Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

    • Hibiscus is an Okinawan flower and this is an Okinawan spirit, and the acid in the flower meets the citric edge black koji leaves behind.
    • Its acid is what rice bottles need
  • Maraschino

    Good match

    Luxardo. Dry rather than sweet despite the name, and a bar spoon changes a stirred drink completely.

    • Maraschino is what makes a stirred aged drink taste finished rather than flat
    • Luxardo. Dry rather than sweet despite the name, and a bar spoon changes a stirred drink completely.
  • Melon liqueur

    Good match

    Midori, or a drier Japanese one if you can find it. Half an ounce is plenty; this is a flavour, not a base.

    • Ginjo-scented rice shochu and melon are the same aroma family
    • Midori, or a drier Japanese one if you can find it. Half an ounce is plenty; this is a flavour, not a base.
  • Orange liqueur

    Good match

    Cointreau or a dry curaçao. The sweet-and-citrus half of any sour.

    • Awamori has enough of its own character to be the base of a cocktail rather than the neutral part of one, which is why an orange liqueur or a mezcal sits beside it instead of covering it.
    • Aged bottles and orange peel liqueur
  • Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

    • Honeyed flower on honeyed age
    • Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.
  • Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.

    • Salt-pickled blossoms in a rice drink is a Japanese spring
    • Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.
  • Buy the drinking grade from a shop with a liquor licence, not the salted cooking bottle, which will wreck the drink. A bar spoon is enough.

    • Two savoury ferments, one brewed and one distilled
    • Buy the drinking grade from a shop with a liquor licence, not the salted cooking bottle, which will wreck the drink. A bar spoon is enough.
  • Shiso liqueur

    Good match

    Usually red shiso, so it comes out pink. Sharper and more herbal than it looks, and a little goes a long way.

    • Shiso and rice is an onigiri flavour
    • Usually red shiso, so it comes out pink. Sharper and more herbal than it looks, and a little goes a long way.
  • Carpano Antica or Cocchi. A quarter of the shochu's volume, stirred cold, is a manhattan at well under half the usual proof.

    • An aged bottle already has the caramel a manhattan wants; this brings the botanicals
    • Carpano Antica or Cocchi. A quarter of the shochu's volume, stirred cold, is a manhattan at well under half the usual proof.
  • Tomato

    Good match

    Good tomato juice, or a ripe tomato muddled and strained. The savour koji leaves behind and the savour in a tomato are the same glutamate.

    • Tomato is the umami vegetable and koji is the umami mould. Same glutamate
    • Tomato juice and a savory junmai is a Japanese bloody mary
  • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

    • Ume sour: the second most ordered shochu drink in Japan after lemon
    • Ume's salt and sourness pull umami forward
  • Umeshu

    Good match

    Sweet, sour, almondy. A splash does the work of both syrup and citrus.

    • Umeshu is usually built on shochu in the first place, so adding it back is coherent
    • Sweet, sour, almondy. A splash does the work of both syrup and citrus.
  • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.
  • Blood orange

    Good match

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
  • Coconut

    Good match

    Coconut water for lengthening, coconut milk or cream for weight.

    • Coconut water for lengthening, coconut milk or cream for weight.
  • Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a daiginjo.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a daiginjo.
  • Fernet

    Good match

    A quarter ounce. Menthol and bitterness, for the darkest bottles.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A quarter ounce. Menthol and bitterness, for the darkest bottles.
  • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.
  • Grapefruit

    Good match

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
  • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

    • Water and ice is how awamori is drunk in Okinawa, and with an aged kusu it is the serve that lets the age show instead of burying it under a mixer.
  • Jasmine tea

    Good match

    Cold-brewed. Floral without sugar. The jasmine highball is a real menu item in Japan.

    • Oolong and jasmine both belong to the same Chinese-adjacent kitchen awamori grew up in.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Kabosu

    Good match

    Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
  • Kiwi

    Good match

    Muddled with the seeds. Green, sour and refreshing, and cheap year round.

    • Muddled with the seeds. Green, sour and refreshing, and cheap year round.
  • Lychee

    Good match

    Fresh in early summer, canned in syrup the rest of the year (drain it). The signature aroma of a whole school of imo shochu.

    • Fresh in early summer, canned in syrup the rest of the year (drain it). The signature aroma of a whole school of imo shochu.
  • Mango

    Good match

    Ripe mango puree. Needs lime beside it or it goes flat.

    • Ripe mango puree. Needs lime beside it or it goes flat.
  • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.
  • Orange

    Good match

    Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
  • Passion fruit

    Good match

    The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

    • Okinawa grows the pineapple, the passion fruit and the shikuwasa, and distils the spirit. The pairing is geography.
  • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. Lillet dropped its quinine in 1985, so only the Americano side of the category still tastes of the bark, and equal parts with a shochu is about 21 percent.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. Lillet dropped its quinine in 1985, so only the Americano side of the category still tastes of the bark, and equal parts with a shochu is about 21 percent.
  • Cappelletti Sfumato, where sfumato means smoked and the smoke is the point, or the sweeter Zucca. At 20 percent it can take a third of the glass and still leave the drink under 22.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cappelletti Sfumato, where sfumato means smoked and the smoke is the point, or the sweeter Zucca. At 20 percent it can take a third of the glass and still leave the drink under 22.
  • Shikuwasa

    Good match

    Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
  • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.
  • A rim of shichimi, or a slice of fresh chili. Heat on fruit, not on rice.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A rim of shichimi, or a slice of fresh chili. Heat on fruit, not on rice.
  • Shiitake

    Good match

    A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

    • No
    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • Dried shiitake is the umami bomb of the Japanese pantry
    • A long aged spirit and dried mushroom share a forest floor note
  • Amaro

    Worth trying

    Montenegro, Nonino, Averna. Equal parts with a dark shochu over ice is a whole drink.

    • Too heavy
    • Aged kusu is intense enough to meet amaro without either one winning.
    • Amaro and aged notes are a winter bar
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Cinnamon

    Worth trying

    A stick in hot water with the spirit, or a light syrup. Winter.

    • Cinnamon is too warm for a crisp bottle
    • Cinnamon and aged notes are a hot toddy
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A stick in hot water with the spirit, or a light syrup. Winter.
  • Kombucha

    Worth trying

    A plain or ginger kombucha. Acid, bubbles and a little funk, none of which survive a still.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • No
    • Acid and bubbles on rice sweetness
  • The shortcut to a sour when there is no fresh lemon. Less sweet is better.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • Sweet soda and aged notes argue
    • Rice shochu and lemon soda
  • Lime

    Worth trying

    Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • Lime's green edge can read metallic against soft rice sweetness
    • Adds snap without adding much flavor of its own
  • Toasted sesame

    Worth trying

    A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
  • Tonic water

    Worth trying

    A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • Tonic's sweetness fights aged notes
    • Shochu tonic: bitter, sweet, low proof, and better than it sounds
  • Eden Foods sells it as Ume Plum Vinegar in most US supermarkets, and it is one of the cheapest things on this list. A bar spoon, and unlike a crushed umeboshi it can go into a shaken drink.

    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
  • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.

    • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.
  • Allspice dram

    Worth trying

    St. Elizabeth, in 375ml. A bar spoon is the whole dose: concentrated enough to flavour a low-proof drink without diluting it or raising it.

    • St. Elizabeth, in 375ml. A bar spoon is the whole dose: concentrated enough to flavour a low-proof drink without diluting it or raising it.
  • Apple

    Worth trying

    Cold-pressed juice or thin slices. Green apple is already in the aroma of a lot of rice shochu, so this amplifies what is there rather than adding something new.

    • Apple juice and a crisp bottle stay refreshing
  • Apricot

    Worth trying

    Fresh in season, dried the rest of the year. Apricot and umeshu share a family, which is why they get along.

    • Long aging turns a spirit towards stone fruit; the apricot joins what is already there
  • Blanc vermouth

    Worth trying

    Dolin blanc or Lillet. Sweeter and more floral than dry; for the aromatic bottles.

    • Dolin blanc or Lillet. Sweeter and more floral than dry; for the aromatic bottles.
  • Celery

    Worth trying

    Juiced, or a stalk as the stirrer. Savory, salty and cold.

    • Celery's salt and green note pull umami forward
  • Chamomile

    Worth trying

    Cold-brewed chamomile as a lengthener, or steeped in the spirit.

    • Cold-brewed chamomile as a lengthener, or steeped in the spirit.
  • Cherry

    Worth trying

    Fresh in early summer; morello or amarena in syrup otherwise. Dark cherry for aged bottles, bright cherry for sparkling.

    • Dark cherry against aged, oxidative notes
  • Cranberry

    Worth trying

    Unsweetened juice. Sharp and a little tannic, useful for cutting sweetness.

    • Tart cranberry gives soft rice sweetness structure
  • Cucumber

    Worth trying

    Ribbons or muddled slices. Cucumber is what turns a serious glass into something you drink outside without thinking about it.

    • Cucumber and rice is the flavor of a Japanese summer lunch
  • Elderflower

    Worth trying

    Cordial or the liqueur. Muscat, lychee and honey in one flower.

    • Cordial or the liqueur. Muscat, lychee and honey in one flower.
  • Falernum

    Worth trying

    John D. Taylor's Velvet Falernum, about twenty dollars. At 11 percent it behaves like a syrup, so it sweetens and thickens without raising the drink.

    • John D. Taylor's Velvet Falernum, about twenty dollars. At 11 percent it behaves like a syrup, so it sweetens and thickens without raising the drink.
  • Genever

    Worth trying

    Bols Genever, around thirty-five dollars. The split base for a grain shochu, in a way plain gin is not.

    • Bols Genever, around thirty-five dollars. The split base for a grain shochu, in a way plain gin is not.
  • Gum syrup (gomme)

    Worth trying

    Small Hand Foods', or sugar, water and gum arabic from the baking aisle at home. Worth knowing that most Japanese gum syrup on a shelf today has no arabic gum in it at all.

    • It puts the body back without adding more sugar, which is the other way to fix it
  • Honey

    Worth trying

    Diluted one to one with warm water so it mixes cold. A little goes far; taste before adding more.

    • Honey and aged notes
  • Jasmine

    Worth trying

    A syrup or a few dried blossoms steeped. See jasmine tea for the long drink.

    • A syrup or a few dried blossoms steeped. See jasmine tea for the long drink.
  • Ayagiku's, on a shochu base, or Kikusui's. Raw quince is inedible and gives up its scent only in alcohol, so the liqueur is the only practical form; it opens up in hot water.

    • Ayagiku's, on a shochu base, or Kikusui's. Raw quince is inedible and gives up its scent only in alcohol, so the liqueur is the only practical form; it opens up in hot water.
  • Young sansho leaves, clapped between the palms and floated. Hard to find outside Japanese markets in spring, worth the hunt.

    • The classic spring garnish for rice dishes; it belongs on rice wine too
  • Zuiyo's Kuririn, from Japanese chestnuts at 11 percent, or Dover's wa-shu kuri, which is on a rum base. A dessert direction, and not the same thing as kuri shochu, which is a base spirit.

    • Zuiyo's Kuririn, from Japanese chestnuts at 11 percent, or Dover's wa-shu kuri, which is on a rum base. A dessert direction, and not the same thing as kuri shochu, which is a base spirit.
  • Lychee liqueur

    Worth trying

    Kwai Feh or Dita. Perfumed and quite sweet, so treat it as the aroma and let the shochu stay the drink.

    • Kwai Feh or Dita. Perfumed and quite sweet, so treat it as the aroma and let the shochu stay the drink.
  • Blandy's or Barbeito, ten year. It is the one fortified wine that brings real acid, so it can do the lemon's job on a bottle where fresh citrus reads harsh.

    • Blandy's or Barbeito, ten year. It is the one fortified wine that brings real acid, so it can do the lemon's job on a bottle where fresh citrus reads harsh.
  • Mezcal

    Worth trying

    A quarter ounce as a rinse or a split base. Smoke for the earthy bottles.

    • Awamori has enough of its own character to be the base of a cocktail rather than the neutral part of one, which is why an orange liqueur or a mezcal sits beside it instead of covering it.
  • Peach liqueur

    Worth trying

    A good one (Giffard, Merlet). A shortcut to the bellini when peaches are out of season.

    • A good one (Giffard, Merlet). A shortcut to the bellini when peaches are out of season.
  • Lustau San Emilio. Effectively a raisin syrup that happens to be wine, so a bar spoon sweetens and adds body where sugar syrup would only add sugar.

    • Lustau San Emilio. Effectively a raisin syrup that happens to be wine, so a bar spoon sweetens and adds body where sugar syrup would only add sugar.
  • Raspberry

    Worth trying

    Sour enough to be useful. Muddle a handful, or use a good puree.

    • Its acidity is what soft rice bottles need
  • Rose

    Worth trying

    A drop of rose water, or a rose syrup. A drop; it takes over.

    • A drop of rose water, or a rose syrup. A drop; it takes over.
  • Shiso

    Worth trying

    Green shiso leaves, slapped or muddled gently. Red shiso as a syrup. Japan already makes shiso shochu, which tells you it works.

    • Shiso and rice is an onigiri flavour, and rice shochu is rice
  • Dewazakura's from Yamagata plums, or Machida Shuzo's on Amami kokuto shochu. It does umeshu's job and leaves the glass drier, which matters when the bottle is already sweet.

    • Dewazakura's from Yamagata plums, or Machida Shuzo's on Amami kokuto shochu. It does umeshu's job and leaves the glass drier, which matters when the bottle is already sweet.
  • The Korean-style yuzu preserve sold in jars. A spoon in hot water with shochu, or shaken cold.

    • Hot water, rice shochu, a spoon of yuzu tea
  • Sweet yuzu liqueur, usually on a sake or shochu base. A shortcut to yuzu when the fruit is out of season.

    • Sweet yuzu liqueur, usually on a sake or shochu base. A shortcut to yuzu when the fruit is out of season.
  • Miso

    Worth trying

    White miso whisked into a syrup, a small spoon per drink. Salty, sweet and savory at once.

    • Miso weighs down a crisp bottle
    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself, which is why this pairing reads as strange and drinks as obvious.
    • Umami on umami

Ways to serve it

  • On the rocks
  • Mizuwari (with water)

Awamori is older than mainland shochu, and what defines it is black koji and an all-koji mash rather than the Thai rice nearly every distillery happens to use. The black koji leaves citric acid behind, which is why it wants citrus and tropical fruit and why it will split milk.

Cocktails other people made

Nobody has published a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 8 more
  • Pickled Plum

    Umeboshi Sour (Pickled Plum Cocktail)

    Written for shochu generally

    • ice cubes
    • 1/4 cup shōchū (such as iichiko)
    • 3/4 cup sparkling water
    • 1 1/2 tablespoon umezu (plum vinegar)
    • 1/2 teaspoon plain rice vinegar
    • 1/2 teaspoon honey (optional)
    • 1 large soft umeboshi (japanese pickled plum)
    • 1 shiso leaf, whole or shredded, for garnish (optional)

    Built in the glass.

    Full method at Pickled Plum →
  • Just One Cookbook

    Japanese Yuzu Cocktail (Yuzu Chuhai)

    Written for shochu generally

    • ½ cup club soda (soda water)
    • ¼ cup shochu (any brand or type)
    • 1 tbsp homemade simple syrup
    • 1 tsp yuzu juice (extract)
    • ice cubes
    • 1, 2 tsp korean citron tea (yuja cha) (optional)
    • lime (optional; can use lemon)

    Built in the glass, topped with soda.

    Full method at Just One Cookbook →
  • punchdrink.com · Brian Evans and George Padilla, Brooklyn, New York

    The Rule of Thirds Chu-Hai

    Written for shochu generally

    • 1 1/2 ounces shochu
    • 1 1/4 ounce grapefruit juice
    • 3/4 ounce sweetened hojicha tea (see editor's note)
    • club soda, to top

    Built in the glass, topped with soda.

    Full method at punchdrink.com →
  • Pickled Plum

    Lemon Sour (Japanese)

    Written for shochu generally

    • juice of 1/2 lemon
    • 1/4 cup shōchū (or soju)
    • 1/2 cup soda water
    • 1 tablespoon simple syrup (1 tablespoon sugar mixed with 1 tablespoon water)
    • ice cubes

    Built in the glass, topped with soda.

    Full method at Pickled Plum →
  • Tokyo Weekender · Shun Kosaka

    Ryukyu & Coke

    Written for Danryu

    Danryu is a range rather than one bottle, so the strength and the style vary across it. Treat this as a starting point.

    • danryu koshu (awamori) 40ml
    • homemade cola syrup 10ml
    • carbonated water as needed
    • lemon wedge one wedge
    • salt water one spray

    Built in the glass.

    Full method at Tokyo Weekender →

Sources and verification

Filed under awamori.