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Bottle of Tomino Hozan imo shochu
Photo: Nishi Shuzo (via MTC Sake)

Tasted at Juraku

Tomino Hozan Imo Shochu

Nishi Shuzo · Kagoshima · Imo (sweet potato)

  • yellow koji
  • atmospheric distilled
  • honkaku

Pour this first

Lemon soda (ramune, Sanpellegrino), tall over ice. Grapefruit with it.

The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.

Citrus acid cuts sweet potato's weight. That's why Kagoshima bars reach for grapefruit and yuzu before anything else. Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

One part shochu to three or four parts of the long mixer, over plenty of ice, then the accent on top. If it tastes thin, go two to three next time.

What it tastes like

Made with yellow koji instead of the usual black or white, which pushes the aroma toward citrus and pear rather than earth. Sophisticated and clean with the sweet potato present but never heavy, and a light finish.

  • citrus
  • pear
  • sweet potato
  • clean
  • light-bodied
  • ginjo-like
Sweet
2/5
Body
1/5
Aroma
4/5
Fruit
4/5
Floral
2/5
Grain
1/5
Earth
not described
Umami
not described

Read from the words above rather than measured. Where it says not described, none of the sources behind this page mention it, which is not the same as it not being there.

Base
Kogane Sengan sweet potato and domestic rice koji
Koji
yellow koji
Distillation
atmospheric distillation
ABV
25%

What to mix with it

Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

A longer wedge is a family we'd reach for sooner with this bottle, worked out from its flavours rather than tasted. It isn't a score, or a comparison with other bottles.

Explore all 104 pairings
  • The shortcut to a sour when there is no fresh lemon. Less sweet is better.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Sweet citrus bubbles on a clean bottle
    • A lemon soda softens imo shochu for the unconvinced
    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Tonic water

    Strong match

    A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Clean bottle and tonic is a gin and tonic without the juniper
    • Imo shochu and tonic is what Kagoshima distilleries now recommend to first-timers
    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Hyuganatsu

    Strong match

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • Hyuganatsu is Miyazaki's citrus and imo shochu is what Miyazaki pours it beside; the soft acid does the same work on a sweet potato bottle from anywhere
    • Mild enough that a light bottle is still the thing you taste
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Yuzu

    Strong match

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • Citrus acid cuts sweet potato's weight. That's why Kagoshima bars reach for grapefruit and yuzu before anything else.
    • Doubles the citrus already in the glass
    • A clean bottle gives yuzu a blank page
    • Kagoshima bartenders reach for yuzu with imo shochu first
  • Grapefruit

    Strong match

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • Citrus acid cuts sweet potato's weight. That's why Kagoshima bars reach for grapefruit and yuzu before anything else.
    • Grapefruit and imo shochu is a Kagoshima bar staple; the bitterness answers the earth
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Hoppy Beverage Co. has made it in Tokyo since 1948; at 0.8 percent it is legally a soft drink, and it is hard to find outside Japan. Chill the bottle, the shochu and the mug and no ice is needed.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • One part shochu to five parts Hoppy drinks like a pint with none of beer's body. A 25 percent bottle lands just under 5; the figure follows the bottle, so a 40 percent one is nearer 7
    • It was built around neutral shochu, and that is still where it fits best
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Soda water

    Good match

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Daiyame and other new-wave imo shochu are marketed as highballs by the distilleries themselves
    • Bubbles on a clean bottle: the simplest refreshing drink on this list
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.

    • Daidai is the citrus in ponzu, and ponzu is already on the table next to imo shochu
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.
  • Kabosu

    Good match

    Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

    • Milder than sudachi, so it does not fight a delicate bottle
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.
  • Shikuwasa

    Good match

    Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.

    • Sharper and more bitter than a lime, which is what keeps it from disappearing into a light bottle
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.
  • Sudachi

    Good match

    A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

    • Sudachi's green sharpness shows best on a clean bottle
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.
  • Blood orange

    Good match

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • Orange with a raspberry edge. Winter fruit; worth waiting for.
  • Lemon

    Good match

    Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.
  • Lime

    Good match

    Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.
  • Ginger beer

    Good match

    A spicy one, not a sweet one. The mule format works for every dark shochu, and it is the most forgiving way to serve one.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Imo shochu mule: ginger beer, lime, over ice
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Green tea (sencha)

    Strong match

    Cold-brewed sencha, unsweetened. Ocha-wari is one of the everyday ways shochu is drunk in Japan, alongside the oolong version.

    • Green tea and oolong are how shochu is drunk with dinner across Kyushu. Tea's tannin meets the earth without covering it.
    • Cold-brewed sencha on a clean bottle is quiet and grown-up
    • Green tea softens the earth in imo shochu without hiding it
  • Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.

    • Hot water is the Kagoshima serve and it earns its reputation: heat pulls the earth and the sweetness up out of the glass. Cold water does the opposite and lengthens it without changing its shape.
    • Mizuwari shows a clean bottle as it is, just lighter
    • Maewari: mix imo shochu and water a day ahead and it rounds out
  • Mikan (satsuma)

    Good match

    Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

    • Kagoshima bartenders pair imo shochu with mikan when it is in season
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.
  • Kumquat

    Good match

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.
  • Orange

    Good match

    Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.
  • Ginger ale

    Good match

    The gentle ginger. For bottles that a ginger beer would bully.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Kombucha

    Good match

    A plain or ginger kombucha. Acid, bubbles and a little funk, all three in one pour.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Dry cava or crémant. Acid and bubbles in one pour.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Kiwi

    Strong match

    Muddled with the seeds. Green, sour and refreshing, and cheap year round.

    • Kiwi's tartness shows on a clean bottle
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • Muddled with the seeds. Green, sour and refreshing, and cheap year round.
  • Passion fruit

    Strong match

    The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

    • Tropical acid against sweet-potato depth is a modern Kagoshima cocktail
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.
  • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

    • Hot water is the Kagoshima serve and it earns its reputation: heat pulls the earth and the sweetness up out of the glass. Cold water does the opposite and lengthens it without changing its shape.
    • Oyuwari: hot water first, then shochu, six of shochu to four of water. Imo shochu opens up in warmth
  • Jasmine tea

    Good match

    Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.

    • Perfumed tea on a clean bottle
    • Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.
  • Oolong tea

    Good match

    Unsweetened, cold. One part shochu to three or four parts tea, over ice. Drinks with food better than almost anything else here.

    • Green tea and oolong are how shochu is drunk with dinner across Kyushu. Tea's tannin meets the earth without covering it.
    • Oolong's toast meets sweet potato's roast
  • Sansho pepper

    Good match

    A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.

    • Sansho is citrus peel and pepper in one seed
    • Sansho and yuzu turn up together in Japanese seasoning
    • Warm spice gives an earthy bottle a pulse without covering the earth itself.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Cardamom

    Good match

    A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Warm spice gives an earthy bottle a pulse without covering the earth itself.
  • Lemongrass

    Good match

    Bruised stalks steeped in the spirit, or a syrup. Citrus without acid, which is useful when you want aroma but not sourness.

    • Lemongrass perfume shows on a clean bottle
    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Agave syrup

    Good match

    The neutral sweetener. Use when you want to balance acid without adding a flavor.

    • A neutral sweetener that does not add flavor of its own
    • Agave, lime and a spirit is a sour
  • Basil

    Good match

    Muddled gently with citrus. Thai basil brings anise, Italian basil brings pepper.

    • Basil on a clean bottle reads like a gin smash
    • Basil and citrus is a smash
  • Cinnamon

    Good match

    A stick in hot water with the spirit, or a light syrup. Winter.

    • Cinnamon on sweet potato is a pie
    • Warm spice gives an earthy bottle a pulse without covering the earth itself.
  • Ginger

    Good match

    Fresh juice, a syrup, or a good ginger beer. The spice that makes a low-proof drink feel like it has a backbone.

    • Ginger and sweet potato is a Japanese autumn kitchen
    • Ginger and sweet potato are the same autumn kitchen. Heat gives an earthy bottle a pulse.
  • Honeydew melon

    Good match

    Ripe honeydew, juiced or in cubes. If a bottle says melon on the label, this is the proof.

    • A ginjo-like aroma already smells partly of melon
    • Melon and pear are neighbors
  • Makgeolli

    Good match

    Hana Makgeolli is brewed in Greenpoint, Brooklyn; Makku sells a canned one. Strength varies widely across the category, from around 6 percent in a can to the mid teens for an unfiltered takju, so read the label before deciding how much to pour.

    • Rice fermented and rice distilled, in one glass, both still tasting of rice
    • The yeasty haze gives back the body distillation took out
  • Melon liqueur

    Good match

    Midori, or a drier Japanese one if you can find it. Half an ounce is plenty; this is a flavour, not a base.

    • A ginjo-like aroma and melon liqueur share their fruit, so this turns up what is already there
    • Sweet enough to need a clean base under it
  • Olive brine

    Good match

    A bar spoon, no more. Salt, and the savory note that comes with it.

    • A clean bottle can take a splash of brine
    • Salt is the fastest way to make an earthy bottle taste like more of itself.
  • A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.

    • Sweet-sour ginger on a clean bottle
    • An earthy bottle has a savoury side already, and these meet it rather than trying to sweeten it away.
  • Sea salt

    Good match

    A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.

    • A salt rim on an imo shochu drink is a Kagoshima bar trick
    • Salt is the fastest way to make an earthy bottle taste like more of itself.
  • Shiso liqueur

    Good match

    Usually red shiso, so it comes out pink. Sharper and more herbal than it looks, and a little goes a long way.

    • The herb needs a quiet base or it just tastes like the herb
    • Red shiso and citrus is the flavour of a summer drink in Japan
  • A rim of shichimi, or a slice of fresh chili. Heat on fruit, not on rice.

    • Chili and lime
    • Warm spice gives an earthy bottle a pulse without covering the earth itself.
  • Umeboshi

    Good match

    One salted plum, crushed with a spoon in the glass. Salty, sour, savory.

    • Imo shochu, hot water, umeboshi: a Kagoshima winter
    • Umeboshi in hot shochu is a Kagoshima winter, and salt is the fastest way to make an earthy bottle taste like more of itself.
  • Wasabi

    Good match

    A rice-grain amount, dissolved. For the savory, cucumber glass, not the fruit one.

    • A tiny amount on a clean bottle reads as a green, savory heat
    • Warm spice gives an earthy bottle a pulse without covering the earth itself.
  • Pineapple

    Good match

    Fresh juice, or grilled wedges for a smokier drink. The awamori fruit.

    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • Fresh juice, or grilled wedges for a smokier drink. The awamori fruit.
  • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

    • Salt-plum and imo shochu in hot water is a Kagoshima winter
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Eden Foods sells it as Ume Plum Vinegar in most US supermarkets, and it is one of the cheapest things on this list. A bar spoon, and unlike a crushed umeboshi it can go into a shaken drink.

    • Salt is the fastest way to make an earthy bottle taste like more of itself.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Matcha

    Good match

    Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

    • Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.
  • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Mugicha softens imo shochu's earth into something you drink all evening
    • Unsweetened, cold, and a summer staple in Japan
    • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.
  • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.

    • A clean bottle and gentian is a white negroni
    • Gentian and grapefruit
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • A bitter answers the earth with more earth, amaro and gentian most of all. A split-base imo drink then reads as intentional rather than odd.
  • Torn leaves steeped briefly. Perfumed citrus without juice.

    • Intense citrus perfume on a clean bottle
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Young sansho leaves, clapped between the palms and floated. Hard to find outside Japanese markets in spring, worth the hunt.

    • A single leaf on a clean bottle changes the whole glass
    • Kinome tastes of citrus peel and pepper at once
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Yuzu kosho

    Good match

    The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.

    • Fermented peel gives citrus without the acid a fresh yuzu would add
    • Warm spice gives an earthy bottle a pulse without covering the earth itself.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • The Korean-style yuzu preserve sold in jars. A spoon in hot water with shochu, or shaken cold.

    • Yuzu peel, sweetened, on a citrus bottle
    • Yuzu tea and imo shochu oyuwari is a Kagoshima winter
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Falernum

    Good match

    John D. Taylor's Velvet Falernum, about twenty dollars. At 11 percent it behaves like a syrup, so it sweetens and thickens without raising the drink.

    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.

    • An earthy bottle has a savoury side already, and these meet it rather than trying to sweeten it away.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Elderflower

    Good match

    The cordial, sweet and alcohol-free, poured like a syrup. Muscat, lychee and honey in one flower. The liqueur has its own entry below: a different product rather than a stronger or weaker version of this one, and it brings alcohol along with the flower.

    • Pear and elderflower
    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.
  • Jasmine

    Good match

    A syrup or a few dried blossoms steeped. See jasmine tea for the long drink.

    • Jasmine against imo shochu's floral side is a real Kagoshima cocktail idea
    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.
  • Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

    • Kinmokusei blooms when the new imo shochu is released, same season
    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.
  • Hibiscus

    Worth trying

    Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.
  • Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.
  • Banana

    Worth trying

    Ripe banana, muddled or as a syrup. Isoamyl acetate, the ester behind a ginjo aroma, is the same compound that makes a banana smell of banana.

    • Ripe banana, muddled or as a syrup. Isoamyl acetate, the ester behind a ginjo aroma, is the same compound that makes a banana smell of banana.
  • Black pepper

    Worth trying

    A few grinds over the top. Aroma more than heat.

    • Warm spice gives an earthy bottle a pulse without covering the earth itself.
  • Celery

    Worth trying

    Juiced, or a stalk as the stirrer. Savory, salty and cold.

    • Celery on a clean bottle reads as a savory highball
  • Coconut

    Worth trying

    Coconut water for lengthening, coconut milk or cream for weight.

    • Coconut water for lengthening, coconut milk or cream for weight.
  • Cucumber

    Worth trying

    Ribbons or muddled slices. Cucumber is what turns a serious glass into something you drink outside without thinking about it.

    • Cucumber on a clean bottle is the most refreshing thing on this list
  • Dry vermouth

    Worth trying

    Dolin dry or Noilly Prat. A quarter of the shochu's volume, stirred cold.

    • Two clean, dry things
  • Green tea liqueur

    Worth trying

    Sweeter and rounder than brewing your own matcha, and it dissolves properly, which matcha powder in a cold drink does not.

    • A clean bottle lets the tea bitterness read as bitterness rather than mud
  • Gum syrup (gomme)

    Worth trying

    Small Hand Foods', or sugar, water and gum arabic from the baking aisle at home. Worth knowing that most Japanese gum syrup on a shelf today has no arabic gum in it at all.

    • A 25 percent spirit brings far less viscosity than a 40 percent one, so a shaken sour goes thin
  • Hon-mirin

    Worth trying

    Mikawa Mirin from Sumiya Bunjiro Shoten, made from glutinous rice, koji and shochu since 1911 with no added sugar. Not the sweetened seasoning sold as mirin-fu chomiryo, which is a different product.

    • The same rice and the same koji as the bottle, so it sweetens without bringing a foreign flavour
  • Honey

    Worth trying

    Diluted one to one with warm water so it mixes cold. A little goes far; taste before adding more.

    • Honey, lemon and a spirit is a sour
  • Okinawan or Amami kokuto dissolved one to one in water. Molasses, minerals, a little salt.

    • Kuromitsu on sweet potato is a wagashi
  • Kombu

    Worth trying

    A small piece steeped in the bottle overnight. Savory depth without salt.

    • Salt is the fastest way to make an earthy bottle taste like more of itself.
  • Lychee

    Worth trying

    Fresh in early summer, canned in syrup the rest of the year (drain it). The signature aroma of a whole school of imo shochu.

    • The newer imo shochu are bred for lychee and tropical aromatics, so tropical fruit is agreeing with the bottle rather than fighting it.
  • Lychee liqueur

    Worth trying

    Kwai Feh or Dita. Perfumed and quite sweet, so treat it as the aroma and let the shochu stay the drink.

    • A clean bottle is the right blank page for something this perfumed
  • Maple syrup

    Worth trying

    Dark, in small amounts, for the cask and sweet-potato bottles.

    • Maple on sweet potato
  • Mint

    Worth trying

    Slapped, not muddled to bits. Mint reads as cold, which makes any low-proof drink feel more refreshing.

    • Mint on a clean bottle is a mojito with the rum swapped out
  • Orange liqueur

    Worth trying

    Cointreau or a dry curaçao. The sweet-and-citrus half of any sour.

    • Orange on citrus
  • Pear

    Worth trying

    Ripe pear, muddled or as nectar. Delicate, so it belongs with delicate bottles.

    • The bottle is already described as pear, and fresh pear says it again
  • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.

    • Ginjo-aroma shochu and a ginjo sake are one perfume
  • Shiitake

    Worth trying

    A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

    • An earthy bottle has a savoury side already, and these meet it rather than trying to sweeten it away.
  • Shiso

    Worth trying

    Green shiso leaves, slapped or muddled gently. Red shiso as a syrup. Japan already makes shiso shochu, which tells you it works.

    • Shiso on a clean bottle is the most Japanese drink you can build
  • Star anise

    Worth trying

    One star, steeped, for the dark bottles.

    • Warm spice gives an earthy bottle a pulse without covering the earth itself.
  • Thyme

    Worth trying

    Gentler than rosemary. Steep a sprig, or use a thyme syrup.

    • Thyme, lemon and a spirit is a sour with a garden in it
  • Toasted sesame

    Worth trying

    A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.

    • An earthy bottle has a savoury side already, and these meet it rather than trying to sweeten it away.
  • Umeshu

    Worth trying

    Sweet, sour, almondy. A splash does the work of both syrup and citrus.

    • Umeshu rounds imo shochu for a first-timer
  • Vanilla

    Worth trying

    A split bean in a syrup, or a good extract, in small amounts.

    • Warm spice gives an earthy bottle a pulse without covering the earth itself.
  • Watermelon

    Worth trying

    Fresh juice, strained. Add a pinch of salt.

    • Watermelon and a clean bottle is a summer festival
  • Sweet yuzu liqueur, usually on a sake or shochu base. A shortcut to yuzu when the fruit is out of season.

    • Yuzu liqueur on a citrus bottle
  • Cranberry

    Worth trying

    Unsweetened juice. Sharp and a little tannic, useful for cutting sweetness.

    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Raspberry

    Worth trying

    Sour enough to be useful. Muddle a handful, or use a good puree.

    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Hojicha

    Worth trying

    Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Hojicha and imo shochu: a roasted pair
    • Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.
  • Amaro

    Worth trying

    Montenegro, Nonino, Averna. Equal parts with a dark shochu over ice is a whole drink.

    • Amaro's herbs answer imo shochu's earth
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • A bitter answers the earth with more earth, amaro and gentian most of all. A split-base imo drink then reads as intentional rather than odd.
  • Campari, Aperol, or a Japanese bitter like Kina. Bitter and sweet at once, and it wants a base with something of its own to answer back.

    • Bitter orange meets citrus
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • A bitter answers the earth with more earth, amaro and gentian most of all. A split-base imo drink then reads as intentional rather than odd.
  • Aromatic bitters

    Worth trying

    Angostura or a Japanese aromatic. Two dashes.

    • Bitters give imo shochu a stirred-drink shape
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • Angostura or a Japanese aromatic. Two dashes.
  • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.

    • Tokushima yuzu at 27 percent, which is the shochu's own strength, so a dropper moves flavour and not proof
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.
  • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. The bark is the point of it, and it carries a quinine bitterness no citrus will give you.

    • Quinine and gentian give a measured bitterness where an amaro would take the glass over
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. The bark is the point of it, and it carries a quinine bitterness no citrus will give you.
  • Ayagiku's, on a shochu base, or Kikusui's. Quince is too hard and astringent to eat raw, so the liqueur is the convenient way to get that scent into a glass; it opens up in hot water.

    • Orchard fruit meeting orchard fruit, one of them cooked
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.

    • With no juice in the glass a light bottle can end up tasting thin; a fuller one carries it
    • A clean bottle has nowhere to hide, so acid reads as brightness rather than as a correction
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Chamomile

    Worth trying

    Cold-brewed chamomile as a lengthener, or steeped in the spirit.

    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.
  • Rose

    Worth trying

    A drop of rose water, or a rose syrup. A drop; it takes over.

    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.
  • Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.

    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.

Ways to serve it

  • On the rocks
  • Mizuwari (with water)

Sweet potato shochu is the one people are told they have to drink with hot water. Hot water is genuinely good, and it is also the hardest first sip to sell. Start it long and cold with soda and a wedge of grapefruit, and come back to the hot water once you like the spirit.

Cocktails other people made

We haven't found a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 8 more
  • thesgshochu.com

    Hybrid Highball [IMO]

    Written for a similar bottle

    Written for SG Shochu IMO, also a sweet potato shochu. This bottle is lighter, 25% against 38%, so cut the mixer back or it will disappear.

    • the sg shochu imo 30ml
    • pisco 15ml
    • soda
    • grapefruit peel

    Built tall in the glass.

    Full method at thesgshochu.com →
  • punchdrink.com · Silver Lyan Team, Washington, D.C.

    Shochu Old-Fashioned

    Written for a similar bottle

    Written for Satsuma Kuradashi Genshu Shochu, also a sweet potato shochu. This bottle is lighter, 25% against 37%, so cut the mixer back or it will disappear.

    • 2 1/4 ounces satsuma kuradashi genshu sweet potato shochu
    • 1/3 ounce salted black pepper caramel (see editor's note)
    • 2 dashes ash bitters (see editor's note)
    • 1 dash angostura bitters

    Stirred.

    Full method at punchdrink.com →
  • Nankai Shochu · Jonathan Tse, Doe Bar

    Hojicha Cocktail

    Written for a similar bottle

    Written for Nankai Imo Black, also a sweet potato shochu. We have this one as the lighter of the two, which is what will move most in the glass.

    • 2 oz Nankai Imo Black
    • 1 oz hojicha cold brew
    • 1 oz toasted oat orgeat
    • For the cold brew: 350 ml cold water, 5 g hojicha tea
    • For the orgeat: 250 ml oat milk, 100 g cane sugar, 100 g brown sugar, 5 g hojicha powder, 25 g whole oats

    Shaken.

    Full method at Nankai Shochu →
  • Umami Mart blog

    Oolong-Hai (Shochu Iced Tea)

    Written for sweet potato shochu

    • 6 parts oolong tea (substitute with sencha (green tea) for a sencha-hai)
    • 4 parts shochu (i recommend satsuma imo (sweet potato) or mugi (barley))
    • ice

    Built tall in the glass.

    Full method at Umami Mart blog →
  • Tokyo Weekender · Shun Kosaka

    Hana Shigure

    Written for Daiyame

    Daiyame is a range rather than one bottle, so the strength and the style vary across it. Treat this as a starting point.

    • daiyame (imo shochu) 30ml
    • aphrodite sakura 15ml
    • bols parfait amour 5ml
    • 1883 maison routin lemon syrup 10ml
    • hinoki bitters 2 dashes
    • narutomaki beet slice to garnish
    • lime peel to garnish
    Full method at Tokyo Weekender →

What this can stand in for

If a recipe calls for something else and this is what you have. The verdict is for this bottle rather than for its style, so a bottle without the strength a stirred drink needs is not offered for one.

Sources and verification

Filed under imo shochu.