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Sakura Yamakawa Ryukyu Awamori Koshu

Yamakawa Shuzo · Okinawa · Awamori

  • black koji
  • honkaku
  • aged

Pour this first

Ginger ale, tall over ice. Genmaicha with it.

The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.

One part shochu to three or four parts mixer, over plenty of ice. If it tastes thin, go two to three next time.

What it tastes like

Awamori from Yamakawa Shuzo in Okinawa. Importer's tasting notes: barley, steamed rice, caramel, sharp. Nobody here has tasted this one, so the profile below is estimated from what its importer publishes rather than from the glass.

  • rice
  • barley
  • steamed rice
  • caramel
  • sharp
  • long finish
  • cask
  • aged
  • koji
Sweet
Body
Aroma
Fruit
Floral
Grain
Earth
Umami
Base
rice
Koji
black koji
Distillation
single atmospheric distillation
ABV
43%
Aging
a blend of equal parts awamori aged 5 to 15 years, bottled without dilution

What to mix with it

Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

Explore all 116 pairings
  • Genmaicha

    Strong match

    Green tea with popped, toasted rice. Cold-brew it.

    • Oolong and jasmine both belong to the same Chinese-adjacent kitchen awamori grew up in.
    • Toasted rice tea and a rice spirit are the same grain twice
    • Popped rice on steamed rice
    • Two toasted grains
  • Amaro

    Strong match

    Montenegro, Nonino, Averna. Equal parts with a dark shochu over ice is a whole drink.

    • Aged kusu is intense enough to meet amaro without either one winning.
    • Amaro and aged notes are a winter bar
    • Cask and amaro
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Campari, Aperol, or a Japanese bitter like Kina. Shochu is low enough in proof to make an aperitivo you can actually have two of.

    • Aged kusu is intense enough to meet amaro without either one winning.
    • A negroni built on shochu is a real drink on real menus
    • Shochu and Campari with soda is an Americano with a Kyushu accent
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Aromatic bitters

    Strong match

    Angostura or a Japanese aromatic. Two dashes.

    • Aged kusu is intense enough to meet amaro without either one winning.
    • Bitters, sugar, a cask-aged spirit: an old fashioned
    • Two dashes wake up an aged bottle
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • Oolong and jasmine both belong to the same Chinese-adjacent kitchen awamori grew up in.
    • Black tea's tannin sits well with aged notes
    • Tea and cask is a Scotch idea
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Cinnamon

    Strong match

    A stick in hot water with the spirit, or a light syrup. Winter.

    • Star anise, chilli and ginger all read as native rather than imported on this base.
    • Cinnamon and aged notes are a hot toddy
    • Cask and cinnamon: an old fashioned instinct
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Ginger ale

    Strong match

    The gentle ginger. For bottles that a ginger beer would bully.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • Gentler than ginger beer; right for a soft rice bottle
    • Barley shochu and ginger ale is an izakaya highball
  • Green tea (sencha)

    Strong match

    Cold-brewed sencha, unsweetened. The green tea highball is one of the most common ways shochu is actually drunk in Japan.

    • Oolong and jasmine both belong to the same Chinese-adjacent kitchen awamori grew up in.
    • Ryokucha-hai: rice shochu with green tea is an ordinary Kyushu order
    • Barley shochu and green tea is on every izakaya menu in Japan
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Oolong tea

    Strong match

    Unsweetened, cold. One part shochu to three or four parts tea, over ice.

    • Oolong and jasmine both belong to the same Chinese-adjacent kitchen awamori grew up in.
    • Oolong-hai is the second most common shochu drink in Japanese izakaya
    • Rice shochu and oolong is a Kyushu dinner drink
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Soda water

    Strong match

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • The shochu highball: ice, shochu, cold soda, nothing else
    • Shochu and soda over ice is the most ordinary drink in Japan
  • Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.

    • Water and ice is how awamori is drunk in Okinawa, and with an aged kusu it is the serve that lets the age show instead of burying it under a mixer.
    • Rice shochu mizuwari is a dinner drink in Kumamoto
    • Six parts shochu to four parts water, the classic
  • Sudachi

    Strong match

    A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • Tokushima's citrus on a Kyushu spirit, sharper and greener than the lemon a barley sour usually gets
    • Squeezed over rice, it is the flavor of a Japanese autumn table
  • Dry vermouth

    Good match

    Dolin dry or Noilly Prat. A quarter of the shochu's volume, stirred cold.

    • Rice shochu and dry vermouth, stirred, is the martini bars actually serve at this proof
    • Shochu and dry vermouth is a Japanese martini at half the proof
    • Rice shochu, dry vermouth, a lemon twist
  • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.

    • Aged kusu is intense enough to meet amaro without either one winning.
    • Oak rested and 21 percent, so half and half with a cask-aged bottle is one drink at about 23
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Banana

    Good match

    Ripe banana, muddled or as a syrup. Isoamyl acetate, the ester behind a ginjo aroma, is the same compound that makes a banana smell of banana.

    • Okinawa grows the pineapple, the passion fruit and the shikuwasa, and distils the spirit. The pairing is geography.
    • Cask-aged shochu and banana is a bourbon instinct
  • Cardamom

    Good match

    A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

    • Star anise, chilli and ginger all read as native rather than imported on this base.
    • Spice on aged, nutty notes
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a daiginjo.

    • Oolong and jasmine both belong to the same Chinese-adjacent kitchen awamori grew up in.
    • Cask notes and coffee: think of a coffee old fashioned
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • The peel is doing what the orange twist on an old fashioned does
  • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.

    • Aged kusu is intense enough to meet amaro without either one winning.
    • Barley shochu, gentian, tonic: a bitter highball
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Ginger

    Good match

    Fresh juice, a syrup, or a good ginger beer. The spice that makes a low-proof drink feel like it has a backbone.

    • Star anise, chilli and ginger all read as native rather than imported on this base.
    • Ginger and rice: think of the pickled ginger next to sushi
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Ginger beer

    Good match

    A spicy one, not a sweet one. The mule format works for every dark shochu, and it is the most forgiving way to serve one.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • A shochu mule, and it is on menus
  • Grapefruit

    Good match

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • Barley shochu and grapefruit is the Kyushu sour after the lemon one
  • Hojicha

    Good match

    Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

    • Oolong and jasmine both belong to the same Chinese-adjacent kitchen awamori grew up in.
    • Roasted tea and aged notes are a fireside
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

    • Water and ice is how awamori is drunk in Okinawa, and with an aged kusu it is the serve that lets the age show instead of burying it under a mixer.
    • Mugi oyuwari in winter, with an umeboshi
  • Hyuganatsu

    Good match

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • Softer acid than lemon, so the rice sweetness stays in the glass
  • Jasmine tea

    Good match

    Cold-brewed. Floral without sugar. The jasmine highball is a real menu item in Japan.

    • Oolong and jasmine both belong to the same Chinese-adjacent kitchen awamori grew up in.
    • Jasmine-hai is on izakaya menus next to oolong-hai
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Kabosu

    Good match

    Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • Oita grows the kabosu and distills the barley shochu; they were made for each other
  • Kumquat

    Good match

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • Kumquat's bitter peel stands up to aged, nutty notes
  • Matcha

    Good match

    Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

    • Oolong and jasmine both belong to the same Chinese-adjacent kitchen awamori grew up in.
    • Rice and matcha agree, which is why the pairing turns up on menus at all
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Mikan (satsuma)

    Good match

    Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • Mikan juice over rice sweetness is gentle and familiar
  • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.

    • Oolong and jasmine both belong to the same Chinese-adjacent kitchen awamori grew up in.
    • Barley tea on barley shochu is the same grain, roasted, twice
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Sansho pepper

    Good match

    A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.

    • Star anise, chilli and ginger all read as native rather than imported on this base.
    • Sansho and rice is a Kyoto kitchen
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.

    • Oolong and jasmine both belong to the same Chinese-adjacent kitchen awamori grew up in.
    • Roasted buckwheat and roasted barley are one idea arrived at from two grains
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Dry cava or crémant. Acid and bubbles in one pour, which is exactly what a distilled spirit has none of.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • Shochu and brut sparkling is a French 75 at lower proof; the acid is the point
  • Star anise

    Good match

    One star, steeped, for the dark bottles.

    • Star anise, chilli and ginger all read as native rather than imported on this base.
    • Anise and aged notes are a winter cabinet
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Vanilla

    Good match

    A split bean in a syrup, or a good extract, in small amounts.

    • Star anise, chilli and ginger all read as native rather than imported on this base.
    • Vanilla is what oak gives; more of it is coherent
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Wasabi

    Good match

    A rice-grain amount, dissolved. For the savory, cucumber glass, not the fruit one.

    • Star anise, chilli and ginger all read as native rather than imported on this base.
    • Wasabi and rice is sushi
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Yuzu

    Good match

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • The classic pair: rice sweetness under yuzu zest
  • Lemon

    Good match

    Fresh juice, never bottled. It is the whole basis of the lemon sour, and the quickest way to put acid into a spirit that has almost none of its own.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
    • Fresh lemon reads harsh against aged, caramel notes
    • The lemon sour is Japan's most-ordered shochu drink for a reason
    • Rice sweetness wants acid, and lemon is the simplest acid there is
  • The shortcut to a sour when there is no fresh lemon. Less sweet is better.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • Sweet soda and aged notes argue
    • Lemon sour in one pour
    • Rice shochu and lemon soda
  • Tonic water

    Good match

    A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • Tonic's sweetness fights aged notes
    • Shochu tonic is the drink US bars pour most when they list shochu
    • Shochu tonic: bitter, sweet, low proof, and better than it sounds
  • Amaretto

    Good match

    A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.

    • Almond and oak is the whole idea behind a nut liqueur in a barrel drink
    • Marzipan against caramel, which is a dessert people already eat
  • Apricot liqueur

    Good match

    Rothman and Winter, or a Japanese anzu liqueur. Closer to umeshu than to a candy liqueur if you buy a good one.

    • Long aging turns towards stone fruit anyway; this meets it there
    • Apricot and oak is the flavour of an old brandy, at a third of the strength
  • A bar spoon. Cassis-oolong is one of the most common izakaya orders in Japan.

    • A kir at half the proof: rice shochu and a spoon of cassis
    • Cassis and oolong with shochu is an izakaya standard
  • Cherry

    Good match

    Fresh in early summer; morello or amarena in syrup otherwise. Dark cherry for aged bottles, bright cherry for sparkling.

    • Cask notes and cherry is a Manhattan instinct
    • Dark cherry against aged, oxidative notes
  • Cucumber

    Good match

    Ribbons or muddled slices. Cucumber is what turns a serious glass into something you drink outside without thinking about it.

    • Cucumber and rice is the flavor of a Japanese summer lunch
    • Barley shochu, cucumber, soda: a highball that tastes like a cool room
  • Dashi

    Good match

    Warm kombu-and-bonito stock, lightly seasoned, mixed with the spirit. It sounds strange and tastes like an oden counter.

    • Warm junmai and warm dashi is a savory glass
    • Dashi-wari shochu is on izakaya menus in oden season
  • Fino sherry

    Good match

    Fino or manzanilla. Savory, salty, bone dry.

    • Oxidative on oxidative
    • Rice shochu and fino, stirred: a bamboo variation
  • Honey

    Good match

    Diluted one to one with warm water so it mixes cold. A little goes far; taste before adding more.

    • Honey and aged notes
    • Honey and barley shochu in hot water is a Kyushu cold remedy
  • Maple syrup

    Good match

    Dark, in small amounts, for the cask and sweet-potato bottles.

    • Maple and oak are a bourbon idea
    • Maple and aged, caramel notes
  • A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.

    • Gari sits next to sushi rice; it sits next to a rice spirit for the same reason
    • Barley shochu and gari brine is a bartender's shortcut to a ginger sour
  • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.

    • Rice shochu lengthened with a junmai: the same grain, fermented and distilled, in one glass
    • Koji meets koji
  • Shiso

    Good match

    Green shiso leaves, slapped or muddled gently. Red shiso as a syrup. Japan already makes shiso shochu, which tells you it works.

    • Shiso and rice is an onigiri flavour, and rice shochu is rice
    • Shiso and barley shochu is an izakaya sour
  • Soy sauce

    Good match

    A drop. Think of it as salt with depth, for the savory glass only.

    • Soy and rice
    • A long aged spirit and aged soy share the same brown, oxidative notes
  • Carpano Antica or Cocchi. A quarter of the shochu's volume, stirred cold, is a manhattan at well under half the usual proof.

    • An aged bottle already has the caramel a manhattan wants; this brings the botanicals
    • Cask notes and vermouth's spice belong in the same stirred glass
  • Tomato

    Good match

    Good tomato juice, or a ripe tomato muddled and strained. The savour koji leaves behind and the savour in a tomato are the same glutamate.

    • Tomato juice and a savory junmai is a Japanese bloody mary
    • Barley shochu and tomato juice is an izakaya standard order
  • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

    • Ume sour: the second most ordered shochu drink in Japan after lemon
    • Barley shochu with an umeboshi dropped in is a real izakaya order
  • Umeboshi

    Good match

    One salted plum, crushed with a spoon in the glass. Salty, sour, savory.

    • One umeboshi in a glass of barley shochu and hot water is the oldest shochu drink there is
    • Ume and rice is a rice ball
  • Umeshu

    Good match

    Sweet, sour, almondy. A splash does the work of both syrup and citrus.

    • Umeshu is usually built on shochu in the first place, so adding it back is coherent
    • Barley shochu with a float of umeshu and soda
  • The Korean-style yuzu preserve sold in jars. A spoon in hot water with shochu, or shaken cold.

    • Yuzu tea and barley shochu in hot water is a winter izakaya drink
    • Hot water, rice shochu, a spoon of yuzu tea
  • Black pepper

    Good match

    A few grinds over the top. Aroma more than heat.

    • Star anise, chilli and ginger all read as native rather than imported on this base.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Blood orange

    Good match

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
  • Cynar, 16.5 percent, which is weaker than the shochu itself, so equal parts lands near 20 percent and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.

    • Aged kusu is intense enough to meet amaro without either one winning.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Celery bitters

    Good match

    Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.

    • Aged kusu is intense enough to meet amaro without either one winning.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Coconut

    Good match

    Coconut water for lengthening, coconut milk or cream for weight.

    • Okinawa grows the pineapple, the passion fruit and the shikuwasa, and distils the spirit. The pairing is geography.
  • Fernet

    Good match

    A quarter ounce. Menthol and bitterness, for the darkest bottles.

    • Aged kusu is intense enough to meet amaro without either one winning.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.

    • Aged kusu is intense enough to meet amaro without either one winning.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Kiwi

    Good match

    Muddled with the seeds. Green, sour and refreshing, and cheap year round.

    • Okinawa grows the pineapple, the passion fruit and the shikuwasa, and distils the spirit. The pairing is geography.
  • Lychee

    Good match

    Fresh in early summer, canned in syrup the rest of the year (drain it). The signature aroma of a whole school of imo shochu.

    • Okinawa grows the pineapple, the passion fruit and the shikuwasa, and distils the spirit. The pairing is geography.
  • Mango

    Good match

    Ripe mango puree. Needs lime beside it or it goes flat.

    • Okinawa grows the pineapple, the passion fruit and the shikuwasa, and distils the spirit. The pairing is geography.
  • Orange

    Good match

    Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
  • Passion fruit

    Good match

    The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

    • Okinawa grows the pineapple, the passion fruit and the shikuwasa, and distils the spirit. The pairing is geography.
  • Pu-erh tea

    Good match

    Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.

    • Oolong and jasmine both belong to the same Chinese-adjacent kitchen awamori grew up in.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. Lillet dropped its quinine in 1985, so only the Americano side of the category still tastes of the bark, and equal parts with a shochu is about 21 percent.

    • Aged kusu is intense enough to meet amaro without either one winning.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Cappelletti Sfumato, where sfumato means smoked and the smoke is the point, or the sweeter Zucca. At 20 percent it can take a third of the glass and still leave the drink under 22.

    • Aged kusu is intense enough to meet amaro without either one winning.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Shikuwasa

    Good match

    Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.

    • Black koji leaves citric acid in the mash, so awamori already leans citrus before anything is added.
  • A rim of shichimi, or a slice of fresh chili. Heat on fruit, not on rice.

    • Star anise, chilli and ginger all read as native rather than imported on this base.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.

    • Aged kusu is intense enough to meet amaro without either one winning.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Yuzu kosho

    Good match

    The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.

    • Star anise, chilli and ginger all read as native rather than imported on this base.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Kombucha

    Worth trying

    A plain or ginger kombucha. Acid, bubbles and a little funk, none of which survive a still.

    • The awamori highball is how Okinawa drinks through a summer, and it is the easiest introduction to the category.
    • No
    • Acid and bubbles on rice sweetness
  • Amontillado sherry

    Worth trying

    Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.

    • Both have spent years going quietly brown, and they meet in the middle
  • Apple

    Worth trying

    Cold-pressed juice or thin slices. Green apple is already in the aroma of a lot of rice shochu, so this amplifies what is there rather than adding something new.

    • Cask-aged bottles have the wood; apple has the orchard
  • Apricot

    Worth trying

    Fresh in season, dried the rest of the year. Apricot and umeshu share a family, which is why they get along.

    • Long aging turns a spirit towards stone fruit; the apricot joins what is already there
  • Bénédictine

    Worth trying

    D.O.M. Bénédictine, on most back bars. Rounder and much sweeter than the alpine liqueurs, so it suits bottles that already lean sweet rather than clean.

    • Wood and resin belong in the same stirred glass
  • Blackberry

    Worth trying

    Late summer fruit with a savory edge. For the deeper bottles.

    • Cask and blackberry: think of a whisky smash
  • Celery

    Worth trying

    Juiced, or a stalk as the stirrer. Savory, salty and cold.

    • Barley shochu and celery is an unlikely, real pair
  • Chamomile

    Worth trying

    Cold-brewed chamomile as a lengthener, or steeped in the spirit.

    • Chamomile softens barley shochu into an evening drink
  • Coffee liqueur

    Worth trying

    Mr Black or a good Japanese one. Awamori and shochu makers bottle their own, so this is not a foreign idea imposed on the spirit.

    • An espresso martini at this proof is a drink you can have after dinner and still talk
  • Cranberry

    Worth trying

    Unsweetened juice. Sharp and a little tannic, useful for cutting sweetness.

    • Tart cranberry gives soft rice sweetness structure
  • St-Germain or similar. A half ounce is enough.

    • Shochu, elderflower liqueur, lemon: a sour that tastes like spring
  • Fig

    Worth trying

    Fresh figs muddled, or fig jam. For the aged and the brown-sugar bottles only.

    • Fig meets the dried fruit that kusu awamori and long aged shochu already carry
  • Genever

    Worth trying

    Bols Genever, around thirty-five dollars. The split base for a grain shochu, in a way plain gin is not.

    • Malt wine and barley shochu are the same grain distilled two different ways
  • Ginger liqueur

    Worth trying

    Domaine de Canton or similar. The mule flavour without the sugar load of a ginger beer, and it works hot as well as cold.

    • Warm spice against caramel, without the sugar a ginger beer brings
  • Green tea liqueur

    Worth trying

    Sweeter and rounder than brewing your own matcha, and it dissolves properly, which matcha powder in a cold drink does not.

    • Rice and green tea is an ordinary Japanese meal, not a novelty
  • Hibiscus

    Worth trying

    Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

    • Its acid is what rice bottles need
  • Young sansho leaves, clapped between the palms and floated. Hard to find outside Japanese markets in spring, worth the hunt.

    • The classic spring garnish for rice dishes; it belongs on rice wine too
  • Okinawan or Amami kokuto dissolved one to one in water. Molasses, minerals, a little salt.

    • Cask and brown sugar is an old fashioned
  • Kombu

    Worth trying

    A small piece steeped in the bottle overnight. Savory depth without salt.

    • Steeping kombu in alcohol is a real preparation in a Japanese kitchen
  • Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.

    • Black vinegar is rice fermented with koji and then soured, so it is the same mould arriving a second time
  • Lemongrass

    Worth trying

    Bruised stalks steeped in the spirit, or a syrup. Citrus without acid, which is useful when you want aroma but not sourness.

    • A US barley shochu is literally made with lemongrass; the pairing is proven
  • Blandy's or Barbeito, ten year. It is the one fortified wine that brings real acid, so it can do the lemon's job on a bottle where fresh citrus reads harsh.

    • Barrel against barrel, except this one brings back the acid the cask took away
  • Maraschino

    Worth trying

    Luxardo. Dry rather than sweet despite the name, and a bar spoon changes a stirred drink completely.

    • Maraschino is what makes a stirred aged drink taste finished rather than flat
  • Melon liqueur

    Worth trying

    Midori, or a drier Japanese one if you can find it. Half an ounce is plenty; this is a flavour, not a base.

    • Ginjo-scented rice shochu and melon are the same aroma family
  • Miso

    Worth trying

    White miso whisked into a syrup, a small spoon per drink. Salty, sweet and savory at once.

    • Miso is koji too; the bottle and the paste share a mold
  • Olive brine

    Worth trying

    A bar spoon, no more. Salt, and the savory note that comes with it.

    • Dirty, on a rice base: the sweetness and the brine argue in a good way
  • Orange liqueur

    Worth trying

    Cointreau or a dry curaçao. The sweet-and-citrus half of any sour.

    • Aged bottles and orange peel liqueur
  • Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

    • Honeyed flower on honeyed age
  • Peach liqueur

    Worth trying

    A good one (Giffard, Merlet). A shortcut to the bellini when peaches are out of season.

    • Barley shochu, peach liqueur, oolong: a Japanese izakaya order
  • Raspberry

    Worth trying

    Sour enough to be useful. Muddle a handful, or use a good puree.

    • Its acidity is what soft rice bottles need
  • Rosemary

    Worth trying

    A sprig, lightly toasted with a lighter, as garnish or stirred. Strong; a little.

    • Rosemary and cask notes are a fireplace
  • Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.

    • Salt-pickled blossoms in a rice drink is a Japanese spring
  • Shiitake

    Worth trying

    A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

    • A long aged spirit and dried mushroom share a forest floor note
  • Shiso liqueur

    Worth trying

    Usually red shiso, so it comes out pink. Sharper and more herbal than it looks, and a little goes a long way.

    • Shiso and rice is an onigiri flavour
  • Thyme

    Worth trying

    Gentler than rosemary. Steep a sprig, or use a thyme syrup.

    • Barley shochu and thyme is an unexpected, clean match
  • Eden Foods sells it as Ume Plum Vinegar in most US supermarkets, and it is one of the cheapest things on this list. A bar spoon, and unlike a crushed umeboshi it can go into a shaken drink.

    • Salt and lactic acid land on the sweetness koji leaves behind
  • Sweet yuzu liqueur, usually on a sake or shochu base. A shortcut to yuzu when the fruit is out of season.

    • Barley shochu, yuzushu, soda: a yuzu sour without a yuzu

Ways to serve it

  • On the rocks
  • Mizuwari (with water)

Awamori is older than mainland shochu, and what defines it is black koji and an all-koji mash rather than the Thai rice nearly every distillery happens to use. The black koji leaves citric acid behind, which is why it wants citrus and tropical fruit and why it will split milk.

Cocktails other people made

Nobody has published a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 8 more
  • Just One Cookbook

    Japanese Yuzu Cocktail (Yuzu Chuhai)

    Written for shochu generally

    • ½ cup club soda (soda water)
    • ¼ cup shochu (any brand or type)
    • 1 tbsp homemade simple syrup
    • 1 tsp yuzu juice (extract)
    • ice cubes
    • 1, 2 tsp korean citron tea (yuja cha) (optional)
    • lime (optional; can use lemon)

    Built in the glass, topped with soda.

    Full method at Just One Cookbook →
  • punchdrink.com · Brian Evans and George Padilla, Brooklyn, New York

    The Rule of Thirds Chu-Hai

    Written for shochu generally

    • 1 1/2 ounces shochu
    • 1 1/4 ounce grapefruit juice
    • 3/4 ounce sweetened hojicha tea (see editor's note)
    • club soda, to top

    Built in the glass, topped with soda.

    Full method at punchdrink.com →
  • Pickled Plum

    Lemon Sour (Japanese)

    Written for shochu generally

    • juice of 1/2 lemon
    • 1/4 cup shōchū (or soju)
    • 1/2 cup soda water
    • 1 tablespoon simple syrup (1 tablespoon sugar mixed with 1 tablespoon water)
    • ice cubes

    Built in the glass, topped with soda.

    Full method at Pickled Plum →
  • punchdrink.com · Tokyo Record Bar, New York

    Miso Dark 'n' Stormy

    Written for shochu generally

    • 2 ounces shochu
    • 1 ounce miso syrup (see editor's note)
    • 3/4 ounce yuzu juice
    • cynar, to top
    • soda, to top

    Built in the glass, topped with soda.

    Full method at punchdrink.com →
  • Tokyo Weekender

    Ryukyu & Coke

    Written for Danryu Koshu

    We hold no record for that bottle, so treat this as a starting point rather than a match.

    • danryu koshu (awamori) 40ml
    • homemade cola syrup 10ml
    • carbonated water as needed
    • lemon wedge one wedge
    • salt water one spray

    Built in the glass.

    Full method at Tokyo Weekender →