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Pour this first

Lemon soda (ramune, Sanpellegrino), tall over ice. Lemon with it.

The barley highball is one of the most common ways shochu gets drunk in Japan. Clean spirit, cold soda, nothing in the way.

The lemon sour is an izakaya staple. Bars usually build it on a neutral shochu, and a clean mugi does the same job with a little more grain behind it. Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.

One part shochu to three or four parts of the long mixer, over plenty of ice, then the accent on top. If it tastes thin, go two to three next time.

What it tastes like

Mugi shochu from Hamada Shuzo in Kagoshima. Published tasting notes: citrus, melon, banana, vanilla. The profile below is built from the tasting notes published for it.

  • barley
  • citrus
  • melon
  • banana
  • vanilla
  • umami
  • sweet
  • bright
  • whisky-like
  • cask
Sweet
3/5
Body
2/5
Aroma
3/5
Fruit
4/5
Floral
not described
Grain
4/5
Earth
1/5
Umami
2/5

Read from the words above rather than measured. Where it says not described, none of the sources behind this page mention it, which is not the same as it not being there.

Koji
white koji
ABV
24%
Aging
over one year in oak barrels

What to mix with it

Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

A longer wedge is a family we'd reach for sooner with this bottle, worked out from its flavours rather than tasted. It isn't a score, or a comparison with other bottles.

Explore all 116 pairings
  • Lemon

    Strong match

    Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.

    • The lemon sour is an izakaya staple. Bars usually build it on a neutral shochu, and a clean mugi does the same job with a little more grain behind it.
    • The lemon sour is the drink most izakaya sell more of than anything else on the list
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Kabosu

    Strong match

    Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

    • A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
    • Kabosu and barley shochu are both Oita's, and kabosu gets squeezed into drinks there; the gentler acid suits a mugi wherever it was distilled
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Sudachi

    Strong match

    A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

    • A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
    • Sharper and greener than the lemon a barley sour usually gets, which is what makes it worth the trip from Tokushima
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • The shortcut to a sour when there is no fresh lemon. Less sweet is better.

    • The barley highball is one of the most common ways shochu gets drunk in Japan. Clean spirit, cold soda, nothing in the way.
    • Lemon sour in one pour
    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Orange

    Good match

    Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.

    • A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
    • Orange oil sits on top of vanilla. Juice would cut it, which is the opposite of the point
    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Tonic water

    Strong match

    A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

    • The barley highball is one of the most common ways shochu gets drunk in Japan. Clean spirit, cold soda, nothing in the way.
    • Shochu tonic is the drink US bars pour most when they list shochu
    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Blood orange

    Good match

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Lime

    Good match

    Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.

    • A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Genmaicha

    Strong match

    Green tea with popped, toasted rice. Cold-brew it.

    • Two toasted grains
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • Green tea with popped, toasted rice. Cold-brew it.
  • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.

    • Roasted barley on a bottle whose barley was never roasted, so the same grain arrives a second way
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.
  • Oolong tea

    Strong match

    Unsweetened, cold. One part shochu to three or four parts tea, over ice. Drinks with food better than almost anything else here.

    • Oolong-hai and green tea highballs are izakaya staples, and barley is clean enough to let the tea lead.
    • Roasted oolong meets barley on its own ground: the tea is toasty where the shochu is toasty, so neither has to win
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

    • Barley shochu with an umeboshi dropped in is a real izakaya order
    • Ume's salt and sourness pull umami forward
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.
  • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.

    • A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Hyuganatsu

    Good match

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Shikuwasa

    Good match

    Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.

    • A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Grapefruit

    Good match

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
    • On an already sweet bottle it turns to grapefruit candy
    • Barley shochu and grapefruit is the Kyushu sour after the lemon one
    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Lemongrass

    Strong match

    Bruised stalks steeped in the spirit, or a syrup. Citrus without acid, which is useful when you want aroma but not sourness.

    • A US barley shochu is literally made with lemongrass; the pairing is proven
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • A clean barley spirit takes herbs the way vodka does, but with a cereal sweetness underneath that gives them something to sit on.
  • Vanilla

    Strong match

    A split bean in a syrup, or a good extract, in small amounts.

    • Vanilla is what oak gives; more of it is coherent
    • Banana and vanilla
    • The bottle already smells of vanilla, and this puts more of it in the glass.
  • Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a delicate, perfumed one.

    • No
    • Vanilla is the thing added to a coffee syrup; this bottle has it already
    • Cask notes and coffee: think of a coffee old fashioned
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Kumquat

    Good match

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Matcha

    Good match

    Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

    • The bottle is already savoury, and this puts more of that in the glass.
    • Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.
  • Yuzu

    Good match

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
    • Doubles the citrus already in the glass
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Genever

    Strong match

    Bols Genever, around thirty-five dollars. The split base for a grain shochu, in a way plain gin is not.

    • Malt wine and barley shochu are the same grain distilled two different ways
    • Half an ounce lifts a grain shochu a little without turning it into a whisky drink
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Cucumber

    Good match

    Ribbons or muddled slices. Cucumber is what turns a serious glass into something you drink outside without thinking about it.

    • Cucumber is melon's cool cousin; the two are the same family of aromas
    • Barley shochu, cucumber, soda: a highball that tastes like a cool room
    • Cucumber and a clean barley highball is the most refreshing thing you can build out of this category.
  • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

    • Vanilla is volatile and warmth releases it; the same bottle over ice keeps it shut
    • Mugi oyuwari in winter, with an umeboshi
    • Barley has less to open up than sweet potato, so water shows you exactly what is there. That is a fair test and not always a flattering one: a thin mugi has nowhere to hide in it.
  • Thyme

    Good match

    Gentler than rosemary. Steep a sprig, or use a thyme syrup.

    • Thyme, lemon and a spirit is a sour with a garden in it
    • Barley shochu and thyme is an unexpected, clean match
    • A clean barley spirit takes herbs the way vodka does, but with a cereal sweetness underneath that gives them something to sit on.
  • Ginger ale

    Good match

    The gentle ginger. For bottles that a ginger beer would bully.

    • The barley highball is one of the most common ways shochu gets drunk in Japan. Clean spirit, cold soda, nothing in the way.
    • Barley shochu and ginger ale is an izakaya highball
  • Jasmine tea

    Good match

    Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.

    • Jasmine is perfumed without being sweet, so it gives barley shochu an aromatic top without touching its dryness
    • Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.
  • Soda water

    Good match

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • The barley highball is one of the most common ways shochu gets drunk in Japan. Clean spirit, cold soda, nothing in the way.
    • The shochu highball: ice, shochu, cold soda, nothing else
  • Mikan (satsuma)

    Good match

    Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

    • A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • Tannin and melon do not agree
    • Tea and cask is a Scotch idea
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.
  • Falernum

    Good match

    John D. Taylor's Velvet Falernum, about twenty dollars. At 11 percent it behaves like a syrup, so it sweetens and thickens without raising the drink.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Watermelon

    Good match

    Fresh juice, strained. Add a pinch of salt.

    • The bottle already smells of melon, and this puts more of it in the glass.
    • A clean barley highball takes a garden note without losing its own grain under it.
  • Sea salt

    Good match

    A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.

    • Salt is the fastest way to make umami louder
    • Salt on melon, which is why a pinch of it lifts a melon drink at all
    • A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.
  • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.

    • A melon note disappears under roasted grain
    • Roasted buckwheat and roasted barley are one idea arrived at from two grains
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.
  • Umeboshi

    Good match

    One salted plum, crushed with a spoon in the glass. Salty, sour, savory.

    • One umeboshi in a glass of barley shochu and hot water is the oldest shochu drink there is
    • Salt and sour pull umami forward
    • Dashi-wari and an umeboshi in hot barley shochu are real izakaya orders, but they belong to a winter counter rather than a summer glass.
  • Cold-brewed sencha, unsweetened. Ocha-wari is one of the everyday ways shochu is drunk in Japan, alongside the oolong version.

    • Oolong-hai and green tea highballs are izakaya staples, and barley is clean enough to let the tea lead.
    • Bitter tea and a sweet bottle argue
    • Green tea brings grassy bitterness and a little tannin, which gives a soft barley shochu an edge to push against
    • Green tea has umami of its own; it meets the bottle's
  • Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.

    • Flor leaves a savoury edge behind it, and koji leaves the same one
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Coconut

    Good match

    Coconut water for lengthening, coconut milk or cream for weight.

    • Banana and coconut is a dessert
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Fino sherry

    Good match

    Fino or manzanilla. Savory, salty, bone dry.

    • Fino's salt and yeast meet the savour koji leaves behind
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Blandy's or Barbeito, ten year. It is the one fortified wine that brings real acid, so it can do the lemon's job on a bottle where fresh citrus reads harsh.

    • Barrel against barrel, except this one brings back the acid the cask took away
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Apple

    Good match

    Cold-pressed juice or thin slices. Green apple is already in the aroma of a lot of rice shochu, so this amplifies what is there rather than adding something new.

    • Cask-aged bottles have the wood; apple has the orchard
    • Barley's light sweetness reads as orchard fruit already, so apple and pear extend the bottle rather than decorate it.
  • Banana

    Good match

    Ripe banana, muddled or as a syrup. Isoamyl acetate, the ester behind a ginjo aroma, is the same compound that makes a banana smell of banana.

    • A banana note in a spirit is usually isoamyl acetate, the ester the fruit itself smells of
    • Cask-aged shochu and banana is a bourbon instinct
  • Basil

    Good match

    Muddled gently with citrus. Thai basil brings anise, Italian basil brings pepper.

    • Basil and citrus is a smash
    • A clean barley spirit takes herbs the way vodka does, but with a cereal sweetness underneath that gives them something to sit on.
  • Cherry

    Good match

    Fresh in early summer; morello or amarena in syrup otherwise. Dark cherry for aged bottles, bright cherry for sparkling.

    • Cask notes and cherry is a Manhattan instinct
    • Fresh in early summer; morello or amarena in syrup otherwise. Dark cherry for aged bottles, bright cherry for sparkling.
  • Cinnamon

    Good match

    A stick in hot water with the spirit, or a light syrup. Winter.

    • Both are warm aromatics rather than sharp ones, so they stack instead of arguing
    • Cask and cinnamon: an old fashioned instinct
  • Honey

    Good match

    Diluted one to one with warm water so it mixes cold. A little goes far; taste before adding more.

    • Honey, lemon and a spirit is a sour
    • Honey and barley shochu in hot water is a Kyushu cold remedy
  • Honeydew melon

    Good match

    Ripe honeydew, juiced or in cubes. If a bottle says melon on the label, this is the proof.

    • The bottle is already described as melon, and honeydew is that note as fruit
    • A clean barley highball takes a garden note without losing its own grain under it.
  • Pear

    Good match

    Ripe pear, muddled or as nectar. Delicate, so it belongs with delicate bottles.

    • Melon and pear are neighbors on the aroma wheel
    • Barley's light sweetness reads as orchard fruit already, so apple and pear extend the bottle rather than decorate it.
  • Shiso

    Good match

    Green shiso leaves, slapped or muddled gently. Red shiso as a syrup. Japan already makes shiso shochu, which tells you it works.

    • Shiso and barley shochu is an izakaya sour
    • A clean barley spirit takes herbs the way vodka does, but with a cereal sweetness underneath that gives them something to sit on.
  • Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.

    • Six parts shochu to four parts water, the classic
    • Barley has less to open up than sweet potato, so water shows you exactly what is there. That is a fair test and not always a flattering one: a thin mugi has nowhere to hide in it.
  • Sweet yuzu liqueur, usually on a sake or shochu base. A shortcut to yuzu when the fruit is out of season.

    • Yuzu liqueur on a citrus bottle
    • Barley shochu, yuzushu, soda: a yuzu sour without a yuzu
  • Pineapple

    Good match

    Fresh juice, or grilled wedges for a smokier drink. The awamori fruit.

    • Banana and pineapple is a fruit-forward pair
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Ginger beer

    Good match

    A spicy one, not a sweet one. The mule format works for every dark shochu, and it is the most forgiving way to serve one.

    • The barley highball is one of the most common ways shochu gets drunk in Japan. Clean spirit, cold soda, nothing in the way.
  • Hoppy Beverage Co. has made it in Tokyo since 1948; at 0.8 percent it is legally a soft drink, and it is hard to find outside Japan. Chill the bottle, the shochu and the mug and no ice is needed.

    • The barley highball is one of the most common ways shochu gets drunk in Japan. Clean spirit, cold soda, nothing in the way.
  • Kombucha

    Good match

    A plain or ginger kombucha. Acid, bubbles and a little funk, all three in one pour.

    • The barley highball is one of the most common ways shochu gets drunk in Japan. Clean spirit, cold soda, nothing in the way.
  • Dry cava or crémant. Acid and bubbles in one pour.

    • The barley highball is one of the most common ways shochu gets drunk in Japan. Clean spirit, cold soda, nothing in the way.
  • Torn leaves steeped briefly. Perfumed citrus without juice.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • A clean barley spirit takes herbs the way vodka does, but with a cereal sweetness underneath that gives them something to sit on.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.

    • A vinegar with savour under it rather than only sharpness, so beside a savoury bottle it reads as family instead of contrast
    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
    • Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Amaretto

    Good match

    A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.

    • Amaretto's sweetness dulls a bright, high-acid bottle
    • Almond and vanilla is marzipan, and the bottle is already halfway there
    • Almond and oak is the whole idea behind a nut liqueur in a barrel drink
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Young sansho leaves, clapped between the palms and floated. Hard to find outside Japanese markets in spring, worth the hunt.

    • Kinome tastes of citrus peel and pepper at once
    • A clean barley spirit takes herbs the way vodka does, but with a cereal sweetness underneath that gives them something to sit on.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Sansho pepper

    Good match

    A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.

    • Sansho is citrus peel and pepper in one seed
    • Sansho and yuzu turn up together in Japanese seasoning
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Yuzu kosho

    Good match

    The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.

    • Fermented peel gives citrus without the acid a fresh yuzu would add
    • The salt in it raises the perceived sweetness of koji
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • The Korean-style yuzu preserve sold in jars. A spoon in hot water with shochu, or shaken cold.

    • Yuzu peel, sweetened, on a citrus bottle
    • Yuzu tea and barley shochu in hot water is a winter izakaya drink
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Blanc vermouth

    Good match

    Dolin blanc. Sweeter and more floral than dry; for the aromatic bottles. Lillet Blanc stands in the same place in a drink, but its maker says plainly that it is a wine aperitif and not a vermouth, because there is no wormwood in it.

    • The bottle already smells of vanilla, and this puts more of it in the glass.
  • Cardamom

    Good match

    A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

    • The bottle already smells of citrus, and this puts more of it in the glass.
  • Celery

    Good match

    Juiced, or a stalk as the stirrer. Savory, salty and cold.

    • Celery fights sweetness
    • Celery's salt and green note pull umami forward
    • Barley shochu and celery is an unlikely, real pair
    • A clean barley highball takes a garden note without losing its own grain under it.
  • Giffard's white, or Tempus Fugit's, which is a pale brown rather than colourless. Tempus Fugit publishes 24 percent, so on a 25 percent shochu an ounce lengthens rather than fortifies, and on a 40 percent bottle it pulls the strength down.

    • The bottle already smells of vanilla, and this puts more of it in the glass.
  • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.

    • The bottle is already savoury, and this puts more of that in the glass.
  • Toasted sesame

    Good match

    A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.

    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.
  • Tomato

    Good match

    Good tomato juice, or a ripe tomato muddled and strained. Savoury and acidic at once.

    • Sweet bottles make tomato taste like ketchup
    • Tomato is savoury, and so is a bottle described as having umami, so the two meet rather than compete
    • Tomato is savoury and acidic at once, which is exactly what a dry barley shochu has no supply of
    • A clean barley highball takes a garden note without losing its own grain under it.
  • Hojicha

    Good match

    Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

    • Melon disappears under roast
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.
  • Kombu

    Good match

    A small piece steeped in the bottle overnight. Savory depth without salt.

    • Kombu pushes the glass further toward the savoury side a bottle with umami is already on
    • A small piece steeped in the bottle overnight. Savory depth without salt.
  • Miso

    Good match

    White miso whisked into a syrup, a small spoon per drink. Salty, sweet and savory at once.

    • Umami on umami
    • White miso whisked into a syrup, a small spoon per drink. Salty, sweet and savory at once.
  • A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.

    • Barley shochu and gari brine is a bartender's shortcut to a ginger sour
    • A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.
  • Shiitake

    Good match

    A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

    • Dried shiitake is the umami bomb of the Japanese pantry
    • A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.
  • Pu-erh tea

    Worth trying

    Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.

    • Dark fermented tea dulls a bright bottle
    • One of the few mixers that can go under a heavy bottle hot without the drink turning bitter
    • Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.
  • Almond syrup with a touch of orange blossom. The tiki sweetener, and kokuto shochu is a tiki spirit waiting to happen.

    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Agave syrup

    Worth trying

    The neutral sweetener. Use when you want to balance acid without adding a flavor.

    • Agave, lime and a spirit is a sour
  • Apricot

    Worth trying

    Fresh in season, dried the rest of the year. Apricot and umeshu share a family, which is why they get along.

    • Fresh in season, dried the rest of the year. Apricot and umeshu share a family, which is why they get along.
  • Apricot liqueur

    Worth trying

    Rothman and Winter, or a Japanese anzu liqueur. Closer to umeshu than to a candy liqueur if you buy a good one.

    • Apricot and oak is the flavour of an old brandy, at a third of the strength
  • Aquavit

    Worth trying

    Linie, around thirty-five dollars, rested in oloroso casks at sea so it brings a little wood as well. A quarter ounce as a split base.

    • It reads as seasoning rather than as perfume, which is what a savoury bottle wants
  • Bénédictine

    Worth trying

    D.O.M. Bénédictine, on most back bars. Rounder and much sweeter than the alpine liqueurs, so it suits bottles that already lean sweet rather than clean.

    • Wood and resin belong in the same stirred glass
  • Black pepper

    Worth trying

    A few grinds over the top. Aroma more than heat.

    • Pepper wakes up savory bottles
  • Chamomile

    Worth trying

    Cold-brewed chamomile as a lengthener, or steeped in the spirit.

    • Chamomile softens barley shochu into an evening drink
  • Cream

    Worth trying

    Half-and-half or heavy cream, in the after-dinner glass only.

    • Vanilla and dairy is what a custard is, and here the bottle is bringing the vanilla
    • Banana and cream
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • The Calpis sour is a familiar order in Japan, usually on a neutral shochu, and a clean mugi slots in without fuss. Cream is a different and much narrower idea.
  • Egg white

    Worth trying

    One white, dry-shaken. Texture without flavor.

    • Barley shochu sour, dry shake, egg white: a real bar drink
    • Egg white is what turns citrus and spirit into a sour with a head
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • One white, dry-shaken. Texture without flavor.
  • Two slices from any Asian grocery, seeds out. It keeps getting more bitter the longer it sits, so taste as you go and pull the slices when it is where you want it.

    • A clean barley highball takes a garden note without losing its own grain under it.
  • Hon-mirin

    Worth trying

    Mikawa Mirin from Sumiya Bunjiro Shoten, made from glutinous rice, koji and shochu since 1911 with no added sugar. Not the sweetened seasoning sold as mirin-fu chomiryo, which is a different product.

    • It adds body and savour where a sugar syrup would only add sugar
  • Okinawan or Amami kokuto dissolved one to one in water. Molasses, minerals, a little salt.

    • Cask and brown sugar is an old fashioned
  • Maple syrup

    Worth trying

    Dark, in small amounts, for the cask and sweet-potato bottles.

    • Maple and oak are a bourbon idea
  • Melon liqueur

    Worth trying

    Midori, or a drier Japanese one if you can find it. Half an ounce is plenty; this is a flavour, not a base.

    • The bottle is already described as melon; this says it louder
  • Mint

    Worth trying

    Slapped, not muddled to bits. Mint reads as cold, which makes any low-proof drink feel more refreshing.

    • A clean barley spirit takes herbs the way vodka does, but with a cereal sweetness underneath that gives them something to sit on.
  • Muscat grape

    Worth trying

    Green muscat grapes, halved or juiced. Shine Muscat if you can find it.

    • Green muscat grapes, halved or juiced. Shine Muscat if you can find it.
  • Orange liqueur

    Worth trying

    Cointreau or a dry curaçao. The sweet-and-citrus half of any sour.

    • Orange on citrus
  • Peach liqueur

    Worth trying

    A good one (Giffard, Merlet). A shortcut to the bellini when peaches are out of season.

    • Barley shochu, peach liqueur, oolong: a Japanese izakaya order
  • Lustau San Emilio. Effectively a raisin syrup that happens to be wine, so a bar spoon sweetens and adds body where sugar syrup would only add sugar.

    • Raisin and vanilla are both what long wood ageing leaves, so a bar spoon deepens rather than adds
  • Shiso liqueur

    Worth trying

    Usually red shiso, so it comes out pink. Sharper and more herbal than it looks, and a little goes a long way.

    • Red shiso and citrus is the flavour of a summer drink in Japan
  • Carpano Antica or Cocchi. A quarter of the shochu's volume, stirred cold, makes a manhattan-style drink: on a 25 percent shochu that is about 23 before the ice gets to it, where a 40 percent rye starts nearer 35.

    • Cask notes and vermouth's spice belong in the same stirred glass
  • Togarashi (chili)

    Worth trying

    A rim of shichimi, or a slice of fresh chili. Heat on fruit, not on rice.

    • Chili and lime
  • Umeshu

    Worth trying

    Sweet, sour, almondy. A splash does the work of both syrup and citrus.

    • Barley shochu with a float of umeshu and soda
  • White peach

    Worth trying

    The bellini fruit. Nectar from a Japanese market, or a ripe peach muddled through a strainer.

    • The bellini fruit. Nectar from a Japanese market, or a ripe peach muddled through a strainer.
  • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.

    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Cranberry

    Worth trying

    Unsweetened juice. Sharp and a little tannic, useful for cutting sweetness.

    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Hibiscus

    Worth trying

    Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Kiwi

    Worth trying

    Muddled with the seeds. Green, sour and refreshing, and cheap year round.

    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Passion fruit

    Worth trying

    The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Raspberry

    Worth trying

    Sour enough to be useful. Muddle a handful, or use a good puree.

    • Fruit without acid goes flat fast. A squeeze of something sour is what keeps a fruity bottle tasting fresh instead of sweet.
  • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.

    • Oak rested and 21 percent, so half and half with a cask-aged bottle is one drink at about 23
    • The bottle is already reaching for that shelf, and this is the amaro that meets it there
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
  • Campari, Aperol, or a Japanese bitter like Kina. Bitter and sweet at once, and it wants a base with something of its own to answer back.

    • Shochu and Campari with soda is an Americano with a Kyushu accent
    • Bitter orange meets citrus
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
  • Cantaloupe

    Worth trying

    Sweeter and muskier than honeydew. Prosciutto logic: it likes salt nearby.

    • The muskier melon for a bottle with more weight
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • A clean barley highball takes a garden note without losing its own grain under it.
  • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.

    • Gentian and grapefruit
    • Barley shochu, gentian, tonic: a bitter highball
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
  • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.

    • The Umami expression is kelp, shiitake and bonito, aimed at the savoury side the bottle is described with
    • Tokushima yuzu at 27 percent, which is the shochu's own strength, so a dropper moves flavour and not proof
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
  • Rosemary

    Worth trying

    A sprig, lightly toasted with a lighter, as garnish or stirred. Strong; a little.

    • Rosemary and cask notes are a fireplace
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • A clean barley spirit takes herbs the way vodka does, but with a cereal sweetness underneath that gives them something to sit on.
  • Buy the drinking grade from a shop with a liquor licence, not the salted cooking bottle, which will wreck the drink. A bar spoon is enough.

    • Its oxidative depth dulls a bright bottle
    • Two savoury ferments, one brewed and one distilled
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Dewazakura's from Yamagata plums, or Machida Shuzo's on Amami kokuto shochu. It does umeshu's job and leaves the glass drier, which matters when the bottle is already sweet.

    • Acid and colour at once, and the drink stays drier than it would with umeshu
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.

Ways to serve it

  • Mizuwari (with water)
  • On the rocks

Barley is the easiest shochu to hand to someone who has never had any. It behaves like a clean grain spirit with a little cereal sweetness, so a highball with lemon needs no explaining and no apology.

Cocktails other people made

We haven't found a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 8 more
  • thesgshochu.com

    Mamie Taylor

    Written for a similar bottle

    Written for SG Shochu MUGI, also a barley shochu. This bottle is lighter, 24% against 40%, so cut the mixer back or it will disappear.

    • the sg shochu mugi 40ml
    • home made ginger honey 40ml
    • lime 13ml
    • soda 75ml

    Shaken.

    Full method at thesgshochu.com →
  • thesgshochu.com

    Old Fashioned

    Written for a similar bottle

    Written for SG Shochu MUGI, also a barley shochu. This bottle is lighter, 24% against 40%, so cut the mixer back or it will disappear.

    • the sg shochu mugi 45ml
    • oloroso sherry 15ml
    • maple syrup 2 bar spoons
    • angostura bitters 2 dashes
    • orange peel

    Built in the glass.

    Full method at thesgshochu.com →
  • Umami Mart blog

    Oolong-Hai (Shochu Iced Tea)

    Written for barley shochu

    • 6 parts oolong tea (substitute with sencha (green tea) for a sencha-hai)
    • 4 parts shochu (i recommend satsuma imo (sweet potato) or mugi (barley))
    • ice

    Built tall in the glass.

    Full method at Umami Mart blog →
  • Pickled Plum

    Umeboshi Sour (Pickled Plum Cocktail)

    Written for shochu generally

    • ice cubes
    • 1/4 cup shōchū (such as iichiko)
    • 3/4 cup sparkling water
    • 1 1/2 tablespoon umezu (plum vinegar)
    • 1/2 teaspoon plain rice vinegar
    • 1/2 teaspoon honey (optional)
    • 1 large soft umeboshi (japanese pickled plum)
    • 1 shiso leaf, whole or shredded, for garnish (optional)

    Built in the glass.

    Full method at Pickled Plum →
  • punchdrink.com · Orlando Franklin McCray, Nightmoves, New York

    Tree-Chu-Hi

    Written for Mizu Saga Barley Shochu

    We hold no record for that bottle, so treat this as a starting point rather than a match.

    • 1 1/2 ounces mizu saga barley shochu
    • 1/2 ounce bittermens commonwealth tonic liqueur
    • 4 ounces fever-tree sparkling pink grapefruit soda
    • Garnish: grated grapefruit zest or a grapefruit twist, and a pinch of salt

    Built tall in the glass.

    Full method at punchdrink.com →
  • Umami Mart blog

    Yuzu Chuhai

    Written for iichiko

    iichiko is a range rather than one bottle, so the strength and the style vary across it. Treat this as a starting point.

    • 2.5 oz iichiko bar yuzu liqueur
    • 1 oz iichiko barley shochu
    • 0.5 oz fresh lemon juice
    • ice
    • club soda
    • Garnish: lemon peel

    Built tall in the glass.

    Full method at Umami Mart blog →
  • Umami Mart blog

    Ohayo-Hai

    Written for iichiko

    iichiko is a range rather than one bottle, so the strength and the style vary across it. Treat this as a starting point.

    • 3 oz iichiko barley shochu
    • 2 oz umami mart x far leaves ohayo hojicha tea
    • ice
    • Garnish: lemon peel

    Built in the glass.

    Full method at Umami Mart blog →
  • liquor.com

    Haiballer

    Written for Mizu

    Mizu is a range rather than one bottle, so the strength and the style vary across it. Treat this as a starting point.

    • 1 1/2 ounces mizu shochu
    • 1/2 ounce whisky
    • 5 ounces golden delicious soda*
    • 3 dashes bitters
    • garnish: dried burdock root chip

    Built tall in the glass.

    Full method at liquor.com →

What this can stand in for

If a recipe calls for something else and this is what you have. The verdict is for this bottle rather than for its style, so a bottle without the strength a stirred drink needs is not offered for one.