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Pour this first

Oolong tea, tall over ice. Lemon with it.

Rice shochu is light enough to let the tea lead, which is how it is drunk with dinner in Kyushu.

Rice sweetness wants acid, and citrus is the most direct way to give it some. Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.

One part shochu to three or four parts of the long mixer, over plenty of ice, then the accent on top. If it tastes thin, go two to three next time.

What it tastes like

Kome shochu from Takahashi Shuzo. Importer's tasting notes: smooth, full bodied. The profile below is built from the tasting notes its importer publishes.

  • rice
  • smooth
  • full-bodied
  • cask
Sweet
2/5
Body
4/5
Aroma
4/5
Fruit
2/5
Floral
2/5
Grain
3/5
Earth
1/5
Umami
1/5

Read from the words above rather than measured. Where it says not described, none of the sources behind this page mention it, which is not the same as it not being there.

Base
Rice, Rice Koji
Koji
white koji
Distillation
vacuum distillation
ABV
25%

What to mix with it

Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

A longer wedge is a family we'd reach for sooner with this bottle, worked out from its flavours rather than tasted. It isn't a score, or a comparison with other bottles.

Explore all 127 pairings
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • Rice shochu is light enough to let the tea lead, which is how it is drunk with dinner in Kyushu.
    • Tea and cask is a Scotch idea
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Green tea (sencha)

    Strong match

    Cold-brewed sencha, unsweetened. Ocha-wari is one of the everyday ways shochu is drunk in Japan, alongside the oolong version.

    • Rice shochu with green tea is an ordinary Kyushu dinner order, not a novelty.
    • Green tea's tannin gives clean rice shochu the grip it does not have on its own
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Matcha

    Strong match

    Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

    • Rice shochu is light enough to let the tea lead, which is how it is drunk with dinner in Kyushu.
    • Rice and matcha agree, which is why the pairing turns up on menus at all
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Oolong tea

    Strong match

    Unsweetened, cold. One part shochu to three or four parts tea, over ice. Drinks with food better than almost anything else here.

    • Rice shochu is light enough to let the tea lead, which is how it is drunk with dinner in Kyushu.
    • A rice base and oolong is what gets poured alongside dinner
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Dry vermouth

    Strong match

    Dolin dry or Noilly Prat. A quarter of the shochu's volume, stirred cold.

    • Rice shochu and dry vermouth, stirred, is a martini that tastes of its base instead of juniper
    • Rice shochu, dry vermouth, a lemon twist
    • Rice shochu stirred with vermouth is a martini with koji where the juniper was. The strength depends on the bottle, not on the swap. Most shochu is 25 and lands well under a gin martini. The 40 percent bottles land beside one.
  • Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.

    • Cherry blossom is the first thing a rough bottle destroys, and this one has no rough edge to do it with
    • Salt-pickled blossoms in a rice drink is a Japanese spring
    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • Lemon

    Strong match

    Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • Rice sweetness wants acid, and lemon is the simplest acid there is
  • Jasmine tea

    Strong match

    Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.

    • Rice shochu is light enough to let the tea lead, which is how it is drunk with dinner in Kyushu.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Pu-erh tea

    Strong match

    Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.

    • Rice shochu is light enough to let the tea lead, which is how it is drunk with dinner in Kyushu.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Hon-mirin

    Good match

    Mikawa Mirin from Sumiya Bunjiro Shoten, made from glutinous rice, koji and shochu since 1911 with no added sugar. Not the sweetened seasoning sold as mirin-fu chomiryo, which is a different product.

    • The bottle already smells of rice, and this puts more of it in the glass.
    • Mikawa Mirin from Sumiya Bunjiro Shoten, made from glutinous rice, koji and shochu since 1911 with no added sugar. Not the sweetened seasoning sold as mirin-fu chomiryo, which is a different product.
  • Makgeolli

    Good match

    Hana Makgeolli is brewed in Greenpoint, Brooklyn; Makku sells a canned one. Strength varies widely across the category, from around 6 percent in a can to the mid teens for an unfiltered takju, so read the label before deciding how much to pour.

    • The bottle already smells of rice, and this puts more of it in the glass.
    • Hana Makgeolli is brewed in Greenpoint, Brooklyn; Makku sells a canned one. Strength varies widely across the category, from around 6 percent in a can to the mid teens for an unfiltered takju, so read the label before deciding how much to pour.
  • Hyuganatsu

    Strong match

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • Softer acid than lemon, so the rice sweetness stays in the glass
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Mikan (satsuma)

    Strong match

    Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • Mikan juice over rice sweetness is gentle and familiar
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Sudachi

    Strong match

    A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • Squeezed over rice, it is the flavor of a Japanese autumn table
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Yuzu

    Good match

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • The classic pair: rice sweetness under yuzu zest
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Ginger ale

    Good match

    The gentle ginger. For bottles that a ginger beer would bully.

    • Gentler than ginger beer; right for a soft rice bottle
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Ginger beer

    Good match

    A spicy one, not a sweet one. The mule format works for every dark shochu, and it is the most forgiving way to serve one.

    • A shochu mule, and it is on menus
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Kombucha

    Good match

    A plain or ginger kombucha. Acid, bubbles and a little funk, all three in one pour.

    • Acid and bubbles on rice sweetness
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • The shortcut to a sour when there is no fresh lemon. Less sweet is better.

    • Rice shochu and lemon soda
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Soda water

    Good match

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • Shochu and soda over ice is an everyday drink in Japan
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Dry cava or crémant. Acid and bubbles in one pour.

    • Shochu and brut sparkling is a French 75 with rice under it; the acid is the point
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Tonic water

    Good match

    A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

    • Shochu tonic: bitter and sweet at once, and better than it sounds
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.

    • Oak rested and 21 percent, so half and half with a cask-aged bottle is one drink at about 23
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.
  • Amaro

    Good match

    Montenegro, Nonino, Averna. Equal parts with a dark shochu over ice is a whole drink.

    • Cask and amaro
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A light rice spirit can be bullied by amaro. Keep the bitter under a quarter ounce or pick a heavier bottle.
  • Campari, Aperol, or a Japanese bitter like Kina. Bitter and sweet at once, and it wants a base with something of its own to answer back.

    • Bitter aperitivo needs a base with body but not sweetness, which is what a dry shochu is
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A light rice spirit can be bullied by amaro. Keep the bitter under a quarter ounce or pick a heavier bottle.
  • Angostura or a Japanese aromatic. Two dashes.

    • Bitters, sugar, a cask-aged spirit: an old fashioned
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Angostura or a Japanese aromatic. Two dashes.
  • Amaretto

    Good match

    A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.

    • Almond and oak is the whole idea behind a nut liqueur in a barrel drink
    • A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.
  • Apple

    Good match

    Cold-pressed juice or thin slices. Green apple is already in the aroma of a lot of rice shochu, so this amplifies what is there rather than adding something new.

    • Cask-aged bottles have the wood; apple has the orchard
    • Rice shochu distilled with ginjo yeast carries apple and melon esters already, so orchard fruit is amplification.
  • Apricot liqueur

    Good match

    Rothman and Winter, or a Japanese anzu liqueur. Closer to umeshu than to a candy liqueur if you buy a good one.

    • Apricot and oak is the flavour of an old brandy, at a third of the strength
    • Rothman and Winter, or a Japanese anzu liqueur. Closer to umeshu than to a candy liqueur if you buy a good one.
  • Bénédictine

    Good match

    D.O.M. Bénédictine, on most back bars. Rounder and much sweeter than the alpine liqueurs, so it suits bottles that already lean sweet rather than clean.

    • Wood and resin belong in the same stirred glass
    • D.O.M. Bénédictine, on most back bars. Rounder and much sweeter than the alpine liqueurs, so it suits bottles that already lean sweet rather than clean.
  • A bar spoon. Dark fruit over roasted tea, with the shochu keeping it from reading as squash.

    • A kir built on rice shochu instead of white wine, so drier and a good deal stronger
    • A bar spoon. Dark fruit over roasted tea, with the shochu keeping it from reading as squash.
  • Chamomile

    Good match

    Cold-brewed chamomile as a lengthener, or steeped in the spirit.

    • Chamomile is faint enough to be lost, and a smooth bottle leaves it the room it needs
    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • Cherry

    Good match

    Fresh in early summer; morello or amarena in syrup otherwise. Dark cherry for aged bottles, bright cherry for sparkling.

    • Cask notes and cherry is a Manhattan instinct
    • Fresh in early summer; morello or amarena in syrup otherwise. Dark cherry for aged bottles, bright cherry for sparkling.
  • Cucumber

    Good match

    Ribbons or muddled slices. Cucumber is what turns a serious glass into something you drink outside without thinking about it.

    • Cucumber and rice is the flavor of a Japanese summer lunch
    • Melon and cucumber sit in the same aroma family as a ginjo-scented rice spirit.
  • Elderflower

    Good match

    The cordial, sweet and alcohol-free, poured like a syrup. Muscat, lychee and honey in one flower. The liqueur has its own entry below: a different product rather than a stronger or weaker version of this one, and it brings alcohol along with the flower.

    • Nothing here is sharp enough to cut the elderflower down, so it survives at the strength it was poured
    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • St-Germain or similar: the flower with alcohol behind it, for stirred drinks. A half ounce is enough. For a long drink, the cordial above does the same flavour without the proof.

    • Shochu, elderflower liqueur, lemon: a sour that tastes like spring
    • St-Germain or similar: the flower with alcohol behind it, for stirred drinks. A half ounce is enough. For a long drink, the cordial above does the same flavour without the proof.
  • Fino sherry

    Good match

    Fino or manzanilla. Savory, salty, bone dry.

    • Rice shochu and fino, stirred: a bamboo variation
    • Fino or manzanilla. Savory, salty, bone dry.
  • Sweeter and rounder than brewing your own matcha, and it dissolves properly, which matcha powder in a cold drink does not.

    • Rice and green tea is an ordinary Japanese meal, not a novelty
    • Sweeter and rounder than brewing your own matcha, and it dissolves properly, which matcha powder in a cold drink does not.
  • Hibiscus

    Good match

    Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

    • Its acid is what rice bottles need
    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • Blandy's or Barbeito, ten year. It is the one fortified wine that brings real acid, so it can do the lemon's job on a bottle where fresh citrus reads harsh.

    • Barrel against barrel, except this one brings back the acid the cask took away
    • Blandy's or Barbeito, ten year. It is the one fortified wine that brings real acid, so it can do the lemon's job on a bottle where fresh citrus reads harsh.
  • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.

    • A junmai lengthens the rice already in the bottle: the same grain, brewed and distilled, in one glass
    • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.
  • Shiso liqueur

    Good match

    Usually red shiso, so it comes out pink. Sharper and more herbal than it looks, and a little goes a long way.

    • Shiso and rice is an onigiri flavour
    • Usually red shiso, so it comes out pink. Sharper and more herbal than it looks, and a little goes a long way.
  • Carpano Antica or Cocchi. A quarter of the shochu's volume, stirred cold, makes a manhattan-style drink: on a 25 percent shochu that is about 23 before the ice gets to it, where a 40 percent rye starts nearer 35.

    • Cask notes and vermouth's spice belong in the same stirred glass
    • Rice shochu stirred with vermouth is a martini with koji where the juniper was. The strength depends on the bottle, not on the swap. Most shochu is 25 and lands well under a gin martini. The 40 percent bottles land beside one.
  • Tomato

    Good match

    Good tomato juice, or a ripe tomato muddled and strained. Savoury and acidic at once.

    • Rice is mild and a little sweet, which leaves tomato's savoury, acidic side room to lead
    • A light rice spirit takes a green, quiet garden note. Anything savoury leads instead of following.
  • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

    • Umeboshi brings salt and sourness together, which is a different job from the lemon and lands on rice shochu better
    • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.
  • Umeshu

    Good match

    Sweet, sour, almondy. A splash does the work of both syrup and citrus.

    • Umeshu is usually built on shochu in the first place, so adding it back is coherent
    • Sweet, sour, almondy. A splash does the work of both syrup and citrus.
  • Watermelon

    Good match

    Fresh juice, strained. Add a pinch of salt.

    • Rice shochu and watermelon juice is a Kumamoto summer
    • A light rice spirit takes a green, quiet garden note. Anything savoury leads instead of following.
  • Blood orange

    Good match

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
  • Cinnamon

    Good match

    A stick in hot water with the spirit, or a light syrup. Winter.

    • Cask and cinnamon: an old fashioned instinct
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Ginger

    Good match

    Fresh juice, a syrup, or a good ginger beer. The spice that makes a low-proof drink feel like it has a backbone.

    • Ginger and rice: think of the pickled ginger next to sushi
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Grapefruit

    Good match

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
  • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

    • Warmth brings rice sweetness forward instead of washing it out. That's why the hot serve is the traditional one in Kuma, where they've distilled rice shochu for around five hundred years. source
  • Kumquat

    Good match

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
  • Orange

    Good match

    Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
  • Vanilla

    Good match

    A split bean in a syrup, or a good extract, in small amounts.

    • Vanilla is what oak gives; more of it is coherent
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Wasabi

    Good match

    A rice-grain amount, dissolved. For the savory, cucumber glass, not the fruit one.

    • Wasabi and rice is sushi
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a delicate, perfumed one.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Rice shochu is light enough to let the tea lead, which is how it is drunk with dinner in Kyushu.
    • Cask notes and coffee: think of a coffee old fashioned
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Genmaicha

    Good match

    Green tea with popped, toasted rice. Cold-brew it.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Rice shochu is light enough to let the tea lead, which is how it is drunk with dinner in Kyushu.
    • Toasted rice tea and a rice spirit are the same grain twice
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Kabosu

    Good match

    Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Sansho pepper

    Good match

    A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.

    • Sansho and rice is a Kyoto kitchen
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Shikuwasa

    Good match

    Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Hoppy Beverage Co. has made it in Tokyo since 1948; at 0.8 percent it is legally a soft drink, and it is hard to find outside Japan. Chill the bottle, the shochu and the mug and no ice is needed.

    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Cynar, 16.5 percent, which is weaker than most shochu, so equal parts with a 25 percent bottle lands near 20 and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cynar, 16.5 percent, which is weaker than most shochu, so equal parts with a 25 percent bottle lands near 20 and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.
  • Celery bitters

    Worth trying

    Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.
  • Fernet

    Worth trying

    A quarter ounce. Menthol and bitterness, for the darkest bottles.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A quarter ounce. Menthol and bitterness, for the darkest bottles.
  • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.
  • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.
  • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. The bark is the point of it, and it carries a quinine bitterness no citrus will give you.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. The bark is the point of it, and it carries a quinine bitterness no citrus will give you.
  • Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.
  • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.

    • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.
  • Allspice dram

    Worth trying

    St. Elizabeth, in 375ml. A bar spoon is the whole dose: concentrated enough to flavour a low-proof drink without diluting it or raising it.

    • St. Elizabeth, in 375ml. A bar spoon is the whole dose: concentrated enough to flavour a low-proof drink without diluting it or raising it.
  • Amontillado sherry

    Worth trying

    Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.

    • Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.
  • Apricot

    Worth trying

    Fresh in season, dried the rest of the year. Apricot and umeshu share a family, which is why they get along.

    • Fresh in season, dried the rest of the year. Apricot and umeshu share a family, which is why they get along.
  • Aquavit

    Worth trying

    Linie, around thirty-five dollars, rested in oloroso casks at sea so it brings a little wood as well. A quarter ounce as a split base.

    • Linie, around thirty-five dollars, rested in oloroso casks at sea so it brings a little wood as well. A quarter ounce as a split base.
  • Banana

    Worth trying

    Ripe banana, muddled or as a syrup. Isoamyl acetate, the ester behind a ginjo aroma, is the same compound that makes a banana smell of banana.

    • Cask-aged shochu and banana is a bourbon instinct
  • Blackberry

    Worth trying

    Late summer fruit with a savory edge. For the deeper bottles.

    • Cask and blackberry: think of a whisky smash
  • Blanc vermouth

    Worth trying

    Dolin blanc. Sweeter and more floral than dry; for the aromatic bottles. Lillet Blanc stands in the same place in a drink, but its maker says plainly that it is a wine aperitif and not a vermouth, because there is no wormwood in it.

    • Rice shochu stirred with vermouth is a martini with koji where the juniper was. The strength depends on the bottle, not on the swap. Most shochu is 25 and lands well under a gin martini. The 40 percent bottles land beside one.
  • The concentrate, diluted with soda. Yogurt-sweet and sour. The Calpis sour is a familiar order in Japan.

    • Calpis and rice shochu is a sweet-and-sour sour
  • Cantaloupe

    Worth trying

    Sweeter and muskier than honeydew. Prosciutto logic: it likes salt nearby.

    • A light rice spirit takes a green, quiet garden note. Anything savoury leads instead of following.
  • Celery

    Worth trying

    Juiced, or a stalk as the stirrer. Savory, salty and cold.

    • A light rice spirit takes a green, quiet garden note. Anything savoury leads instead of following.
  • Cranberry

    Worth trying

    Unsweetened juice. Sharp and a little tannic, useful for cutting sweetness.

    • Tart cranberry gives soft rice sweetness structure
  • Giffard's white, or Tempus Fugit's, which is a pale brown rather than colourless. Tempus Fugit publishes 24 percent, so on a 25 percent shochu an ounce lengthens rather than fortifies, and on a 40 percent bottle it pulls the strength down.

    • Giffard's white, or Tempus Fugit's, which is a pale brown rather than colourless. Tempus Fugit publishes 24 percent, so on a 25 percent shochu an ounce lengthens rather than fortifies, and on a 40 percent bottle it pulls the strength down.
  • Egg white

    Worth trying

    One white, dry-shaken. Texture without flavor.

    • Egg white on a rice spirit is a pisco sour with the grain left in
  • Falernum

    Worth trying

    John D. Taylor's Velvet Falernum, about twenty dollars. At 11 percent it behaves like a syrup, so it sweetens and thickens without raising the drink.

    • John D. Taylor's Velvet Falernum, about twenty dollars. At 11 percent it behaves like a syrup, so it sweetens and thickens without raising the drink.
  • Fig

    Worth trying

    Fresh figs muddled, or fig jam. For the aged and the brown-sugar bottles only.

    • Fresh figs muddled, or fig jam. For the aged and the brown-sugar bottles only.
  • Genever

    Worth trying

    Bols Genever, around thirty-five dollars. The split base for a grain shochu, in a way plain gin is not.

    • Bols Genever, around thirty-five dollars. The split base for a grain shochu, in a way plain gin is not.
  • Ginger liqueur

    Worth trying

    Barrow's Intense, made in Brooklyn, or Domaine de Canton, which is the easier one to find. Ginger and sugar arrive together either way, and both work hot as well as cold. Being spirits themselves they add alcohol along with the volume, which a juice or a syrup does not.

    • Barrow's Intense, made in Brooklyn, or Domaine de Canton, which is the easier one to find. Ginger and sugar arrive together either way, and both work hot as well as cold. Being spirits themselves they add alcohol along with the volume, which a juice or a syrup does not.
  • Two slices from any Asian grocery, seeds out. It keeps getting more bitter the longer it sits, so taste as you go and pull the slices when it is where you want it.

    • A light rice spirit takes a green, quiet garden note. Anything savoury leads instead of following.
  • Honeydew melon

    Worth trying

    Ripe honeydew, juiced or in cubes. If a bottle says melon on the label, this is the proof.

    • Ripe honeydew, juiced or in cubes. If a bottle says melon on the label, this is the proof.
  • Jasmine

    Worth trying

    A syrup or a few dried blossoms steeped. See jasmine tea for the long drink.

    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • Okinawan or Amami kokuto dissolved one to one in water. Molasses, minerals, a little salt.

    • Cask and brown sugar is an old fashioned
  • Kombu

    Worth trying

    A small piece steeped in the bottle overnight. Savory depth without salt.

    • Steeping kombu in alcohol is a real preparation in a Japanese kitchen
  • Zuiyo's Kuririn, from Japanese chestnuts at 11 percent, or Dover's wa-shu kuri, which is on a rum base. A dessert direction, and not the same thing as kuri shochu, which is a base spirit.

    • Zuiyo's Kuririn, from Japanese chestnuts at 11 percent, or Dover's wa-shu kuri, which is on a rum base. A dessert direction, and not the same thing as kuri shochu, which is a base spirit.
  • Lychee liqueur

    Worth trying

    Kwai Feh or Dita. Perfumed and quite sweet, so treat it as the aroma and let the shochu stay the drink.

    • Kwai Feh or Dita. Perfumed and quite sweet, so treat it as the aroma and let the shochu stay the drink.
  • Maple syrup

    Worth trying

    Dark, in small amounts, for the cask and sweet-potato bottles.

    • Maple and oak are a bourbon idea
  • Maraschino

    Worth trying

    Luxardo. It is sweetened, whatever the name suggests: their own account of the process ends by adding a syrup of water and sugar to bring it to 32 percent. What makes it read as dry is the stone. The cherries sit in larch vats for up to three years, pits, leaves and all, before the lot is distilled and the heart rested in ash, and that almond bitterness arrives before the sugar does. So measure it as a sweetener that tastes bitter, not as a dry modifier, and a bar spoon changes a stirred drink completely.

    • Luxardo. It is sweetened, whatever the name suggests: their own account of the process ends by adding a syrup of water and sugar to bring it to 32 percent. What makes it read as dry is the stone. The cherries sit in larch vats for up to three years, pits, leaves and all, before the lot is distilled and the heart rested in ash, and that almond bitterness arrives before the sugar does. So measure it as a sweetener that tastes bitter, not as a dry modifier, and a bar spoon changes a stirred drink completely.
  • Melon liqueur

    Worth trying

    Midori, or a drier Japanese one if you can find it. Half an ounce is plenty; this is a flavour, not a base.

    • Midori, or a drier Japanese one if you can find it. Half an ounce is plenty; this is a flavour, not a base.
  • Muscat grape

    Worth trying

    Green muscat grapes, halved or juiced. Shine Muscat if you can find it.

    • Green muscat grapes, halved or juiced. Shine Muscat if you can find it.
  • Olive brine

    Worth trying

    A bar spoon, no more. Salt, and the savory note that comes with it.

    • Dirty, on a rice base: the sweetness and the brine argue in a good way
  • Orange liqueur

    Worth trying

    Cointreau or a dry curaçao. The sweet-and-citrus half of any sour.

    • Cointreau or a dry curaçao. The sweet-and-citrus half of any sour.
  • Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • Peach liqueur

    Worth trying

    A good one (Giffard, Merlet). A shortcut to the bellini when peaches are out of season.

    • A good one (Giffard, Merlet). A shortcut to the bellini when peaches are out of season.
  • Pear

    Worth trying

    Ripe pear, muddled or as nectar. Delicate, so it belongs with delicate bottles.

    • Ripe pear, muddled or as nectar. Delicate, so it belongs with delicate bottles.
  • Lustau San Emilio. Effectively a raisin syrup that happens to be wine, so a bar spoon sweetens and adds body where sugar syrup would only add sugar.

    • Lustau San Emilio. Effectively a raisin syrup that happens to be wine, so a bar spoon sweetens and adds body where sugar syrup would only add sugar.
  • A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.

    • Gari sits next to sushi rice; it sits next to a rice spirit for the same reason
  • Raspberry

    Worth trying

    Sour enough to be useful. Muddle a handful, or use a good puree.

    • Its acidity is what soft rice bottles need
  • Rose

    Worth trying

    A drop of rose water, or a rose syrup. A drop; it takes over.

    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • Shiso

    Worth trying

    Green shiso leaves, slapped or muddled gently. Red shiso as a syrup. Japan already makes shiso shochu, which tells you it works.

    • Shiso and rice is an onigiri flavour, and rice shochu is rice
  • Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.

    • Mizuwari on a rice base is a dinner drink, not an aperitif
  • Umeboshi

    Worth trying

    One salted plum, crushed with a spoon in the glass. Salty, sour, savory.

    • Ume and rice is a rice ball
  • White peach

    Worth trying

    The bellini fruit. Nectar from a Japanese market, or a ripe peach muddled through a strainer.

    • The bellini fruit. Nectar from a Japanese market, or a ripe peach muddled through a strainer.
  • Yellow peach

    Worth trying

    Bolder than white peach, closer to apricot. For bottles with more weight.

    • Bolder than white peach, closer to apricot. For bottles with more weight.
  • Sweet yuzu liqueur, usually on a sake or shochu base. A shortcut to yuzu when the fruit is out of season.

    • Sweet yuzu liqueur, usually on a sake or shochu base. A shortcut to yuzu when the fruit is out of season.
  • Black pepper

    Worth trying

    A few grinds over the top. Aroma more than heat.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Cardamom

    Worth trying

    A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Star anise

    Worth trying

    One star, steeped, for the dark bottles.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Togarashi (chili)

    Worth trying

    A rim of shichimi, or a slice of fresh chili. Heat on fruit, not on rice.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Hojicha

    Worth trying

    Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Rice shochu is light enough to let the tea lead, which is how it is drunk with dinner in Kyushu.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Rice shochu is light enough to let the tea lead, which is how it is drunk with dinner in Kyushu.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Rice shochu is light enough to let the tea lead, which is how it is drunk with dinner in Kyushu.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • The non-alcoholic koji drink, sweet from rice starch alone. Blend with the spirit and ice; it is a shochu smoothie.

    • Koji rice porridge on a rice drink; the same koji, before and after fermentation
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Ayagiku's, on a shochu base, or Kikusui's. Quince is too hard and astringent to eat raw, so the liqueur is the convenient way to get that scent into a glass; it opens up in hot water.

    • Ayagiku's, on a shochu base, or Kikusui's. Quince is too hard and astringent to eat raw, so the liqueur is the convenient way to get that scent into a glass; it opens up in hot water.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Young sansho leaves, clapped between the palms and floated. Hard to find outside Japanese markets in spring, worth the hunt.

    • The classic spring garnish for rice dishes; it belongs on rice wine too
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Dewazakura's from Yamagata plums, or Machida Shuzo's on Amami kokuto shochu. It does umeshu's job and leaves the glass drier, which matters when the bottle is already sweet.

    • Dewazakura's from Yamagata plums, or Machida Shuzo's on Amami kokuto shochu. It does umeshu's job and leaves the glass drier, which matters when the bottle is already sweet.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • The Korean-style yuzu preserve sold in jars. A spoon in hot water with shochu, or shaken cold.

    • Hot water, rice shochu, a spoon of yuzu tea
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Yuzu kosho

    Worth trying

    The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.

Ways to serve it

  • Straight
  • On the rocks

Rice shochu is what happens when you distil something very close to sake. It carries the same apple and melon aromatics, which makes it the shochu that behaves most like a white spirit in a stirred drink.

Cocktails other people made

We haven't found a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 8 more
  • punchdrink.com · Kenta Goto, New York City

    Hakumai Highball

    Written for a similar bottle

    Written for Hakutake Shiro, also a rice shochu. We have this one as the fuller of the two, which is what will move most in the glass.

    • 1 ounce rice shochu (such as hakutake shiro)
    • 3/4 ounce rice vodka (such as suntory haku)
    • 4 ounces soda water
    • Garnish: pickled ginger

    Built tall in the glass.

    Full method at punchdrink.com →
  • thesgshochu.com

    Hybrid Highball [KOME]

    Written for a similar bottle

    Written for SG Shochu KOME, also a rice shochu. This bottle is lighter, 25% against 40%, so cut the mixer back or it will disappear.

    • the sg shochu kome 30ml
    • calvados 15ml
    • soda
    • lemon peel

    Built tall in the glass.

    Full method at thesgshochu.com →
  • thesgshochu.com

    Vesper

    Written for a similar bottle

    Written for SG Shochu KOME, also a rice shochu. This bottle is lighter, 25% against 40%, so cut the mixer back or it will disappear.

    • the sg shochu kome 50ml
    • cocchi americano 10ml
    • absinthe 2 dashes
    • lemon peel

    Stirred.

    Full method at thesgshochu.com →
  • Just One Cookbook

    Japanese Yuzu Cocktail (Yuzu Chuhai)

    Written for shochu generally

    • ½ cup club soda (soda water)
    • ¼ cup shochu (any brand or type)
    • 1 tbsp homemade simple syrup
    • 1 tsp yuzu juice (extract)
    • ice cubes
    • 1, 2 tsp korean citron tea (yuja cha) (optional)
    • lime (optional; can use lemon)

    Built tall in the glass.

    Full method at Just One Cookbook →
  • Pickled Plum

    Umeboshi Sour (Pickled Plum Cocktail)

    Written for shochu generally

    • ice cubes
    • 1/4 cup shōchū (such as iichiko)
    • 3/4 cup sparkling water
    • 1 1/2 tablespoon umezu (plum vinegar)
    • 1/2 teaspoon plain rice vinegar
    • 1/2 teaspoon honey (optional)
    • 1 large soft umeboshi (japanese pickled plum)
    • 1 shiso leaf, whole or shredded, for garnish (optional)

    Built in the glass.

    Full method at Pickled Plum →
  • Tokyo Weekender · Shun Kosaka

    Mellow Moon

    Written for Sengetsu

    Sengetsu is a range rather than one bottle, so the strength and the style vary across it. Treat this as a starting point.

    • sengetsu (kome shochu) 45ml
    • lemon juice 15ml
    • homemade rice pepper syrup 10ml
    • daigo umai rice cider as needed
    • lemon peel to garnish

    Built in the glass.

    Full method at Tokyo Weekender →

What this can stand in for

If a recipe calls for something else and this is what you have. The verdict is for this bottle rather than for its style, so a bottle without the strength a stirred drink needs is not offered for one.

Sources and verification

Imported in the US by Mutual Trading Co.

Filed under kome shochu.