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Miyataya

Miyata Honten · Miyazaki · Kome (rice)

  • white koji
  • aged
  • honkaku
  • atmospheric distilled

Pour this first

Cold water (mizuwari), tall over ice. Yuzu with it.

Rice sweetness comes forward in warmth rather than being washed out by it, which is why the hot serve is the traditional one in Kuma, where rice shochu has been distilled for around five hundred years.

One part shochu to three or four parts mixer, over plenty of ice. If it tastes thin, go two to three next time.

What it tastes like

Kome shochu from Miyata Honten in Miyazaki. Published tasting notes: clean. The profile below is built from the tasting notes published for it.

  • rice
  • clean
  • aged
Sweet
2/5
Body
3/5
Aroma
3/5
Fruit
2/5
Floral
2/5
Grain
3/5
Earth
1/5
Umami
1/5
Base
Thai rice with white koji and Japanese rice hinohikari
Koji
white koji
Distillation
atmospheric distillation
ABV
25%
Aging
two to three years in kame

What to mix with it

Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

Explore all 126 pairings
  • Dry vermouth

    Strong match

    Dolin dry or Noilly Prat. A quarter of the shochu's volume, stirred cold.

    • Rice shochu stirred with vermouth is a martini at half the proof.
    • Rice shochu and dry vermouth, stirred, is the martini bars actually serve at this proof
    • Two clean, dry things
    • Rice shochu, dry vermouth, a lemon twist
  • Green tea (sencha)

    Strong match

    Cold-brewed sencha, unsweetened. The green tea highball is one of the most common ways shochu is actually drunk in Japan.

    • Rice shochu with green tea is an ordinary Kyushu dinner order, not a novelty.
    • Ryokucha-hai: rice shochu with green tea is an ordinary Kyushu order
    • Cold-brewed sencha on a clean bottle is quiet and grown-up
  • Hyuganatsu

    Strong match

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • Mild enough that a light bottle is still the thing you taste
    • Softer acid than lemon, so the rice sweetness stays in the glass
    • A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.
  • Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.

    • Rice sweetness comes forward in warmth rather than being washed out by it, which is why the hot serve is the traditional one in Kuma, where rice shochu has been distilled for around five hundred years. source
    • Mizuwari shows a clean bottle as it is, just lighter
    • Rice shochu mizuwari is a dinner drink in Kumamoto
  • Sudachi

    Strong match

    A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

    • Sudachi's green sharpness shows best on a clean bottle
    • Squeezed over rice, it is the flavor of a Japanese autumn table
    • A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.
  • Yuzu

    Strong match

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • Rice sweetness wants acid the way sake does, and yuzu over rice is the oldest flavour pairing in the Japanese kitchen.
    • A clean bottle gives yuzu a blank page
    • The classic pair: rice sweetness under yuzu zest
  • Cucumber

    Strong match

    Ribbons or muddled slices. Cucumber is what turns a serious glass into something you drink outside without thinking about it.

    • Melon and cucumber sit in the same aroma family as a ginjo-scented rice spirit.
    • Cucumber on a clean bottle is the most refreshing thing on this list
    • Cucumber and rice is the flavor of a Japanese summer lunch
  • Fino sherry

    Strong match

    Fino or manzanilla. Savory, salty, bone dry.

    • Oxidative on oxidative
    • Rice shochu and fino, stirred: a bamboo variation
    • Fino or manzanilla. Savory, salty, bone dry.
  • Green tea liqueur

    Strong match

    Sweeter and rounder than brewing your own matcha, and it dissolves properly, which matcha powder in a cold drink does not.

    • Rice and green tea is an ordinary Japanese meal, not a novelty
    • A clean bottle lets the tea bitterness read as bitterness rather than mud
    • Sweeter and rounder than brewing your own matcha, and it dissolves properly, which matcha powder in a cold drink does not.
  • Melon liqueur

    Strong match

    Midori, or a drier Japanese one if you can find it. Half an ounce is plenty; this is a flavour, not a base.

    • Ginjo-scented rice shochu and melon are the same aroma family
    • Sweet enough to need a clean base under it
    • Midori, or a drier Japanese one if you can find it. Half an ounce is plenty; this is a flavour, not a base.
  • Shiso liqueur

    Strong match

    Usually red shiso, so it comes out pink. Sharper and more herbal than it looks, and a little goes a long way.

    • The herb needs a quiet base or it just tastes like the herb
    • Shiso and rice is an onigiri flavour
    • Usually red shiso, so it comes out pink. Sharper and more herbal than it looks, and a little goes a long way.
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • Black tea's tannin sits well with aged notes
    • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.
  • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.

    • The peel is doing what the orange twist on an old fashioned does
    • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.
  • Genmaicha

    Good match

    Green tea with popped, toasted rice. Cold-brew it.

    • Toasted rice tea and a rice spirit are the same grain twice
    • Green tea with popped, toasted rice. Cold-brew it.
  • Hojicha

    Good match

    Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

    • Roasted tea and aged notes are a fireside
    • Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.
  • Jasmine tea

    Good match

    Cold-brewed. Floral without sugar. The jasmine highball is a real menu item in Japan.

    • Perfumed tea on a clean bottle
    • Cold-brewed. Floral without sugar. The jasmine highball is a real menu item in Japan.
  • Kabosu

    Good match

    Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

    • Milder than sudachi, so it does not fight a delicate bottle
    • Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.
  • Kumquat

    Good match

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • Kumquat's bitter peel stands up to aged, nutty notes
    • Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.
  • Matcha

    Good match

    Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

    • Rice and matcha agree, which is why the pairing turns up on menus at all
    • Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.
  • Mikan (satsuma)

    Good match

    Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

    • Mikan juice over rice sweetness is gentle and familiar
    • Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.
  • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.

    • Unsweetened, cold, and the most summer thing in Japan
    • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.
  • Oolong tea

    Good match

    Unsweetened, cold. One part shochu to three or four parts tea, over ice.

    • Rice shochu and oolong is a Kyushu dinner drink
    • Unsweetened, cold. One part shochu to three or four parts tea, over ice.
  • Shikuwasa

    Good match

    Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.

    • Sharper and more bitter than a lime, which is what keeps it from disappearing into a light bottle
    • Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.
  • Hon-mirin

    Good match

    Mikawa Mirin from Sumiya Bunjiro Shoten, made from glutinous rice, koji and shochu since 1911 with no added sugar. Not the sweetened seasoning sold as mirin-fu chomiryo, which is a different product.

    • The bottle already smells of rice, and this puts more of it in the glass.
    • Mikawa Mirin from Sumiya Bunjiro Shoten, made from glutinous rice, koji and shochu since 1911 with no added sugar. Not the sweetened seasoning sold as mirin-fu chomiryo, which is a different product.
  • Makgeolli

    Good match

    Hana Makgeolli is brewed in Greenpoint, Brooklyn; Makku sells a canned one. Strength varies widely across the category, from around 6 percent in a can to the mid teens for an unfiltered takju, so read the label before deciding how much to pour.

    • The bottle already smells of rice, and this puts more of it in the glass.
    • Hana Makgeolli is brewed in Greenpoint, Brooklyn; Makku sells a canned one. Strength varies widely across the category, from around 6 percent in a can to the mid teens for an unfiltered takju, so read the label before deciding how much to pour.
  • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.

    • A clean bottle has nowhere to hide, so acid reads as brightness rather than as a correction
    • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.
  • Amaretto

    Good match

    A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.

    • Marzipan against caramel, which is a dessert people already eat
    • A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.
  • Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.

    • Both have spent years going quietly brown, and they meet in the middle
    • Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.
  • Apricot

    Good match

    Fresh in season, dried the rest of the year. Apricot and umeshu share a family, which is why they get along.

    • Long aging turns a spirit towards stone fruit; the apricot joins what is already there
    • Fresh in season, dried the rest of the year. Apricot and umeshu share a family, which is why they get along.
  • A bar spoon. Cassis-oolong is one of the most common izakaya orders in Japan.

    • A kir at half the proof: rice shochu and a spoon of cassis
    • A bar spoon. Cassis-oolong is one of the most common izakaya orders in Japan.
  • Celery

    Good match

    Juiced, or a stalk as the stirrer. Savory, salty and cold.

    • Celery on a clean bottle reads as a savory highball
    • Juiced, or a stalk as the stirrer. Savory, salty and cold.
  • Cherry

    Good match

    Fresh in early summer; morello or amarena in syrup otherwise. Dark cherry for aged bottles, bright cherry for sparkling.

    • Dark cherry against aged, oxidative notes
    • Fresh in early summer; morello or amarena in syrup otherwise. Dark cherry for aged bottles, bright cherry for sparkling.
  • Coffee liqueur

    Good match

    Mr Black or a good Japanese one. Awamori and shochu makers bottle their own, so this is not a foreign idea imposed on the spirit.

    • An espresso martini at this proof is a drink you can have after dinner and still talk
    • Mr Black or a good Japanese one. Awamori and shochu makers bottle their own, so this is not a foreign idea imposed on the spirit.
  • St-Germain or similar. A half ounce is enough.

    • Shochu, elderflower liqueur, lemon: a sour that tastes like spring
    • St-Germain or similar. A half ounce is enough.
  • Fig

    Good match

    Fresh figs muddled, or fig jam. For the aged and the brown-sugar bottles only.

    • Fig meets the dried fruit that kusu awamori and long aged shochu already carry
    • Fresh figs muddled, or fig jam. For the aged and the brown-sugar bottles only.
  • Hibiscus

    Good match

    Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
    • Its acid is what rice bottles need
  • Young sansho leaves, clapped between the palms and floated. Hard to find outside Japanese markets in spring, worth the hunt.

    • The classic spring garnish for rice dishes; it belongs on rice wine too
    • A single leaf on a clean bottle changes the whole glass
  • Lychee liqueur

    Good match

    Kwai Feh or Dita. Perfumed and quite sweet, so treat it as the aroma and let the shochu stay the drink.

    • A clean bottle is the right blank page for something this perfumed
    • Kwai Feh or Dita. Perfumed and quite sweet, so treat it as the aroma and let the shochu stay the drink.
  • Maraschino

    Good match

    Luxardo. Dry rather than sweet despite the name, and a bar spoon changes a stirred drink completely.

    • Maraschino is what makes a stirred aged drink taste finished rather than flat
    • Luxardo. Dry rather than sweet despite the name, and a bar spoon changes a stirred drink completely.
  • Olive brine

    Good match

    A bar spoon, no more. Salt, and the savory note that comes with it.

    • Dirty, on a rice base: the sweetness and the brine argue in a good way
    • A clean bottle can take a splash of brine
  • Orange liqueur

    Good match

    Cointreau or a dry curaçao. The sweet-and-citrus half of any sour.

    • Aged bottles and orange peel liqueur
    • Cointreau or a dry curaçao. The sweet-and-citrus half of any sour.
  • Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
    • Honeyed flower on honeyed age
  • A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.

    • Gari sits next to sushi rice; it sits next to a rice spirit for the same reason
    • Sweet-sour ginger on a clean bottle
  • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.

    • Rice shochu lengthened with a junmai: the same grain, fermented and distilled, in one glass
    • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.
  • Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.

    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
    • Salt-pickled blossoms in a rice drink is a Japanese spring
  • Shiso

    Good match

    Green shiso leaves, slapped or muddled gently. Red shiso as a syrup. Japan already makes shiso shochu, which tells you it works.

    • Shiso and rice is an onigiri flavour, and rice shochu is rice
    • Shiso on a clean bottle is the most Japanese drink you can build
  • Soda water

    Good match

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • Bubbles on a clean bottle: the simplest refreshing drink on this list
    • Shochu and soda over ice is the most ordinary drink in Japan
  • Soy sauce

    Good match

    A drop. Think of it as salt with depth, for the savory glass only.

    • Soy and rice
    • A long aged spirit and aged soy share the same brown, oxidative notes
  • Tomato

    Good match

    Good tomato juice, or a ripe tomato muddled and strained. The savour koji leaves behind and the savour in a tomato are the same glutamate.

    • Tomato juice and a savory junmai is a Japanese bloody mary
    • Good tomato juice, or a ripe tomato muddled and strained. The savour koji leaves behind and the savour in a tomato are the same glutamate.
  • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

    • Ume sour: the second most ordered shochu drink in Japan after lemon
    • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.
  • Umeshu

    Good match

    Sweet, sour, almondy. A splash does the work of both syrup and citrus.

    • Umeshu is usually built on shochu in the first place, so adding it back is coherent
    • Sweet, sour, almondy. A splash does the work of both syrup and citrus.
  • Wasabi

    Good match

    A rice-grain amount, dissolved. For the savory, cucumber glass, not the fruit one.

    • Wasabi and rice is sushi
    • A tiny amount on a clean bottle reads as a green, savory heat
  • Blood orange

    Good match

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • Orange with a raspberry edge. Winter fruit; worth waiting for.
  • Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a daiginjo.

    • Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a daiginjo.
  • Grapefruit

    Good match

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.
  • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

    • Rice sweetness comes forward in warmth rather than being washed out by it, which is why the hot serve is the traditional one in Kuma, where rice shochu has been distilled for around five hundred years. source
  • Orange

    Good match

    Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.

    • Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.
  • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.

    • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.
  • Watermelon

    Good match

    Fresh juice, strained. Add a pinch of salt.

    • Watermelon is too fresh for aged notes
    • Watermelon and a clean bottle is a summer festival
    • Rice shochu and watermelon juice is a Kumamoto summer
    • Fresh juice, strained. Add a pinch of salt.
  • Amaro

    Good match

    Montenegro, Nonino, Averna. Equal parts with a dark shochu over ice is a whole drink.

    • Amaro and aged notes are a winter bar
    • A light rice spirit can be bullied by amaro. Keep the bitter under a quarter ounce or pick a heavier bottle.
  • Campari, Aperol, or a Japanese bitter like Kina. Shochu is low enough in proof to make an aperitivo you can actually have two of.

    • A negroni built on shochu is a real drink on real menus
    • A light rice spirit can be bullied by amaro. Keep the bitter under a quarter ounce or pick a heavier bottle.
  • Angostura or a Japanese aromatic. Two dashes.

    • Two dashes wake up an aged bottle
    • Angostura or a Japanese aromatic. Two dashes.
  • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.

    • A clean bottle and gentian is a white negroni
    • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.
  • Lemon

    Worth trying

    Fresh juice, never bottled. It is the whole basis of the lemon sour, and the quickest way to put acid into a spirit that has almost none of its own.

    • Fresh lemon reads harsh against aged, caramel notes
    • Rice sweetness wants acid, and lemon is the simplest acid there is
    • Fresh juice, never bottled. It is the whole basis of the lemon sour, and the quickest way to put acid into a spirit that has almost none of its own.
  • Agave syrup

    Worth trying

    The neutral sweetener. Use when you want to balance acid without adding a flavor.

    • A neutral sweetener that does not add flavor of its own
  • The non-alcoholic koji drink, sweet from rice starch alone. Blend with the spirit and ice; it is a shochu smoothie.

    • Koji rice porridge on a rice drink; the same koji, before and after fermentation
  • Apple

    Worth trying

    Cold-pressed juice or thin slices. Green apple is already in the aroma of a lot of rice shochu, so this amplifies what is there rather than adding something new.

    • Rice shochu distilled with ginjo yeast carries apple and melon esters already, so orchard fruit is amplification.
  • Aquavit

    Worth trying

    Linie, around thirty-five dollars, rested in oloroso casks at sea so it brings a little wood as well. A quarter ounce as a split base.

    • Linie, around thirty-five dollars, rested in oloroso casks at sea so it brings a little wood as well. A quarter ounce as a split base.
  • Basil

    Worth trying

    Muddled gently with citrus. Thai basil brings anise, Italian basil brings pepper.

    • Basil on a clean bottle reads like a gin smash
  • Bénédictine

    Worth trying

    D.O.M. Bénédictine, on most back bars. Rounder and much sweeter than the alpine liqueurs, so it suits bottles that already lean sweet rather than clean.

    • D.O.M. Bénédictine, on most back bars. Rounder and much sweeter than the alpine liqueurs, so it suits bottles that already lean sweet rather than clean.
  • Blanc vermouth

    Worth trying

    Dolin blanc or Lillet. Sweeter and more floral than dry; for the aromatic bottles.

    • Rice shochu stirred with vermouth is a martini at half the proof.
  • Cantaloupe

    Worth trying

    Sweeter and muskier than honeydew. Prosciutto logic: it likes salt nearby.

    • Sweeter and muskier than honeydew. Prosciutto logic: it likes salt nearby.
  • Cardamom

    Worth trying

    A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

    • Spice on aged, nutty notes
  • Chamomile

    Worth trying

    Cold-brewed chamomile as a lengthener, or steeped in the spirit.

    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • Cinnamon

    Worth trying

    A stick in hot water with the spirit, or a light syrup. Winter.

    • Cinnamon and aged notes are a hot toddy
  • Cranberry

    Worth trying

    Unsweetened juice. Sharp and a little tannic, useful for cutting sweetness.

    • Tart cranberry gives soft rice sweetness structure
  • Tempus Fugit or Giffard. Clear, so the drink stays pale, and at about the shochu's own strength, so an ounce lengthens rather than fortifies.

    • Tempus Fugit or Giffard. Clear, so the drink stays pale, and at about the shochu's own strength, so an ounce lengthens rather than fortifies.
  • Dashi

    Worth trying

    Warm kombu-and-bonito stock, lightly seasoned, mixed with the spirit. It sounds strange and tastes like an oden counter.

    • Warm junmai and warm dashi is a savory glass
  • Egg white

    Worth trying

    One white, dry-shaken. Texture without flavor.

    • Egg white on a rice spirit is a silky, low proof pisco sour
  • Elderflower

    Worth trying

    Cordial or the liqueur. Muscat, lychee and honey in one flower.

    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • Falernum

    Worth trying

    John D. Taylor's Velvet Falernum, about twenty dollars. At 11 percent it behaves like a syrup, so it sweetens and thickens without raising the drink.

    • John D. Taylor's Velvet Falernum, about twenty dollars. At 11 percent it behaves like a syrup, so it sweetens and thickens without raising the drink.
  • Genever

    Worth trying

    Bols Genever, around thirty-five dollars. The split base for a grain shochu, in a way plain gin is not.

    • Bols Genever, around thirty-five dollars. The split base for a grain shochu, in a way plain gin is not.
  • Ginger

    Worth trying

    Fresh juice, a syrup, or a good ginger beer. The spice that makes a low-proof drink feel like it has a backbone.

    • Ginger and rice: think of the pickled ginger next to sushi
  • Ginger ale

    Worth trying

    The gentle ginger. For bottles that a ginger beer would bully.

    • Gentler than ginger beer; right for a soft rice bottle
  • Ginger beer

    Worth trying

    A spicy one, not a sweet one. The mule format works for every dark shochu, and it is the most forgiving way to serve one.

    • A shochu mule, and it is on menus
  • Two slices from any Asian grocery, seeds out. The bitterness is water soluble, so at 25 percent it steeps in minutes and stops there, where a 40 percent spirit pulls it medicinal within the hour.

    • Two slices from any Asian grocery, seeds out. The bitterness is water soluble, so at 25 percent it steeps in minutes and stops there, where a 40 percent spirit pulls it medicinal within the hour.
  • Honey

    Worth trying

    Diluted one to one with warm water so it mixes cold. A little goes far; taste before adding more.

    • Honey and aged notes
  • Honeydew melon

    Worth trying

    Ripe honeydew, juiced or in cubes. If a bottle says melon on the label, this is the proof.

    • Ripe honeydew, juiced or in cubes. If a bottle says melon on the label, this is the proof.
  • Jasmine

    Worth trying

    A syrup or a few dried blossoms steeped. See jasmine tea for the long drink.

    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • Ayagiku's, on a shochu base, or Kikusui's. Raw quince is inedible and gives up its scent only in alcohol, so the liqueur is the only practical form; it opens up in hot water.

    • Ayagiku's, on a shochu base, or Kikusui's. Raw quince is inedible and gives up its scent only in alcohol, so the liqueur is the only practical form; it opens up in hot water.
  • Kiwi

    Worth trying

    Muddled with the seeds. Green, sour and refreshing, and cheap year round.

    • Kiwi's tartness shows on a clean bottle
  • Kombu

    Worth trying

    A small piece steeped in the bottle overnight. Savory depth without salt.

    • Steeping kombu in alcohol is a real preparation in a Japanese kitchen
  • Zuiyo's Kuririn, from Japanese chestnuts at 11 percent, or Dover's wa-shu kuri, which is on a rum base. A dessert direction, and not the same thing as kuri shochu, which is a base spirit.

    • Zuiyo's Kuririn, from Japanese chestnuts at 11 percent, or Dover's wa-shu kuri, which is on a rum base. A dessert direction, and not the same thing as kuri shochu, which is a base spirit.
  • Lemongrass

    Worth trying

    Bruised stalks steeped in the spirit, or a syrup. Citrus without acid, which is useful when you want aroma but not sourness.

    • Lemongrass perfume shows on a clean bottle
  • Blandy's or Barbeito, ten year. It is the one fortified wine that brings real acid, so it can do the lemon's job on a bottle where fresh citrus reads harsh.

    • Blandy's or Barbeito, ten year. It is the one fortified wine that brings real acid, so it can do the lemon's job on a bottle where fresh citrus reads harsh.
  • Makrut lime leaf

    Worth trying

    Torn leaves steeped briefly. Perfumed citrus without juice.

    • Intense citrus perfume on a clean bottle
  • Maple syrup

    Worth trying

    Dark, in small amounts, for the cask and sweet-potato bottles.

    • Maple and aged, caramel notes
  • Mezcal

    Worth trying

    A quarter ounce as a rinse or a split base. Smoke for the earthy bottles.

    • A quarter ounce as a rinse or a split base. Smoke for the earthy bottles.
  • Muscat grape

    Worth trying

    Green muscat grapes, halved or juiced. Shine Muscat if you can find it.

    • Green muscat grapes, halved or juiced. Shine Muscat if you can find it.
  • Peach liqueur

    Worth trying

    A good one (Giffard, Merlet). A shortcut to the bellini when peaches are out of season.

    • A good one (Giffard, Merlet). A shortcut to the bellini when peaches are out of season.
  • Pear

    Worth trying

    Ripe pear, muddled or as nectar. Delicate, so it belongs with delicate bottles.

    • Ripe pear, muddled or as nectar. Delicate, so it belongs with delicate bottles.
  • Raspberry

    Worth trying

    Sour enough to be useful. Muddle a handful, or use a good puree.

    • Its acidity is what soft rice bottles need
  • Rose

    Worth trying

    A drop of rose water, or a rose syrup. A drop; it takes over.

    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • Sansho pepper

    Worth trying

    A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.

    • Sansho and rice is a Kyoto kitchen
  • Buy the drinking grade from a shop with a liquor licence, not the salted cooking bottle, which will wreck the drink. A bar spoon is enough.

    • Buy the drinking grade from a shop with a liquor licence, not the salted cooking bottle, which will wreck the drink. A bar spoon is enough.
  • Shiitake

    Worth trying

    A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

    • A long aged spirit and dried mushroom share a forest floor note
  • Dry cava or crémant. Acid and bubbles in one pour, which is exactly what a distilled spirit has none of.

    • Shochu and brut sparkling is a French 75 at lower proof; the acid is the point
  • Star anise

    Worth trying

    One star, steeped, for the dark bottles.

    • Anise and aged notes are a winter cabinet
  • Dewazakura's from Yamagata plums, or Machida Shuzo's on Amami kokuto shochu. It does umeshu's job and leaves the glass drier, which matters when the bottle is already sweet.

    • Dewazakura's from Yamagata plums, or Machida Shuzo's on Amami kokuto shochu. It does umeshu's job and leaves the glass drier, which matters when the bottle is already sweet.
  • Umeboshi

    Worth trying

    One salted plum, crushed with a spoon in the glass. Salty, sour, savory.

    • Ume and rice is a rice ball
  • White peach

    Worth trying

    The bellini fruit. Nectar from a Japanese market, or a ripe peach muddled through a strainer.

    • The bellini fruit. Nectar from a Japanese market, or a ripe peach muddled through a strainer.
  • Yellow peach

    Worth trying

    Bolder than white peach, closer to apricot. For bottles with more weight.

    • Bolder than white peach, closer to apricot. For bottles with more weight.
  • The Korean-style yuzu preserve sold in jars. A spoon in hot water with shochu, or shaken cold.

    • Hot water, rice shochu, a spoon of yuzu tea
  • Sweet yuzu liqueur, usually on a sake or shochu base. A shortcut to yuzu when the fruit is out of season.

    • Sweet yuzu liqueur, usually on a sake or shochu base. A shortcut to yuzu when the fruit is out of season.
  • Apricot liqueur

    Worth trying

    Rothman and Winter, or a Japanese anzu liqueur. Closer to umeshu than to a candy liqueur if you buy a good one.

    • Too much sugar for a bottle whose whole quality is that it is clean
    • Long aging turns towards stone fruit anyway; this meets it there
    • Rothman and Winter, or a Japanese anzu liqueur. Closer to umeshu than to a candy liqueur if you buy a good one.
  • Ginger liqueur

    Worth trying

    Barrow's Intense, made in Brooklyn, is the one to look for: much more ginger and much less sugar than most, so it works as the spice in a drink rather than as the sweetener. Domaine de Canton is the easier one to find and the sweeter one. Either gets you the mule flavour without the sugar load of a ginger beer, and both work hot as well as cold. They carry their own alcohol, so they lengthen a shochu less than a juice or a syrup would.

    • Sugar and heat on a bottle whose whole quality is that it is clean
    • Warm spice against caramel, without the sugar a ginger beer brings
    • Barrow's Intense, made in Brooklyn, is the one to look for: much more ginger and much less sugar than most, so it works as the spice in a drink rather than as the sweetener. Domaine de Canton is the easier one to find and the sweeter one. Either gets you the mule flavour without the sugar load of a ginger beer, and both work hot as well as cold. They carry their own alcohol, so they lengthen a shochu less than a juice or a syrup would.
  • The shortcut to a sour when there is no fresh lemon. Less sweet is better.

    • Sweet soda and aged notes argue
    • Rice shochu and lemon soda
    • Sweet citrus bubbles on a clean bottle
  • Carpano Antica or Cocchi. A quarter of the shochu's volume, stirred cold, is a manhattan at well under half the usual proof.

    • A clean, light bottle disappears under it
    • Rice shochu stirred with vermouth is a martini at half the proof.
    • An aged bottle already has the caramel a manhattan wants; this brings the botanicals
  • Tonic water

    Worth trying

    A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

    • Tonic's sweetness fights aged notes
    • Clean bottle and tonic is a gin and tonic without the juniper
    • Shochu tonic: bitter, sweet, low proof, and better than it sounds
  • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.

    • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.
  • Cynar, 16.5 percent, which is weaker than the shochu itself, so equal parts lands near 20 percent and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.

    • Cynar, 16.5 percent, which is weaker than the shochu itself, so equal parts lands near 20 percent and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.
  • Celery bitters

    Worth trying

    Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.

    • Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.
  • Fernet

    Worth trying

    A quarter ounce. Menthol and bitterness, for the darkest bottles.

    • A quarter ounce. Menthol and bitterness, for the darkest bottles.
  • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.

    • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.
  • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. Lillet dropped its quinine in 1985, so only the Americano side of the category still tastes of the bark, and equal parts with a shochu is about 21 percent.

    • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. Lillet dropped its quinine in 1985, so only the Americano side of the category still tastes of the bark, and equal parts with a shochu is about 21 percent.
  • Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.

    • Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.

Ways to serve it

  • Straight
  • On the rocks

Rice shochu is what happens when you distil something very close to sake. It carries the same apple and melon aromatics, which makes it the shochu that behaves most like a white spirit in a stirred drink.

Cocktails other people made

Nobody has published a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 8 more
  • thesgshochu.com

    Sherry Cobbler

    Written for a similar bottle

    Written for SG Shochu KOME, also a rice shochu. This bottle is lighter, 25% against 40%, so cut the mixer back or it will disappear.

    • the sg shochu kome 20ml
    • oloroso sherry 20ml
    • st. germain 10ml
    • apple juice 30ml
    • lemon juice 5ml
    • simple syrup 1 bar spoon

    Shaken.

    Full method at thesgshochu.com →
  • thesgshochu.com

    Hybrid Highball [KOME]

    Written for a similar bottle

    Written for SG Shochu KOME, also a rice shochu. This bottle is lighter, 25% against 40%, so cut the mixer back or it will disappear.

    • the sg shochu kome 30ml
    • calvados 15ml
    • soda
    • lemon peel

    Built in the glass, topped with soda.

    Full method at thesgshochu.com →
  • thesgshochu.com

    Vesper

    Written for a similar bottle

    Written for SG Shochu KOME, also a rice shochu. This bottle is lighter, 25% against 40%, so cut the mixer back or it will disappear.

    • the sg shochu kome 50ml
    • cocchi americano 10ml
    • absinthe 2 dashes
    • lemon peel

    Stirred.

    Full method at thesgshochu.com →
  • Pickled Plum

    Umeboshi Sour (Pickled Plum Cocktail)

    Written for shochu generally

    • ice cubes
    • 1/4 cup shōchū (such as iichiko)
    • 3/4 cup sparkling water
    • 1 1/2 tablespoon umezu (plum vinegar)
    • 1/2 teaspoon plain rice vinegar
    • 1/2 teaspoon honey (optional)
    • 1 large soft umeboshi (japanese pickled plum)
    • 1 shiso leaf, whole or shredded, for garnish (optional)

    Built in the glass.

    Full method at Pickled Plum →
  • Just One Cookbook

    Japanese Yuzu Cocktail (Yuzu Chuhai)

    Written for shochu generally

    • ½ cup club soda (soda water)
    • ¼ cup shochu (any brand or type)
    • 1 tbsp homemade simple syrup
    • 1 tsp yuzu juice (extract)
    • ice cubes
    • 1, 2 tsp korean citron tea (yuja cha) (optional)
    • lime (optional; can use lemon)

    Built in the glass, topped with soda.

    Full method at Just One Cookbook →
  • punchdrink.com · Brian Evans and George Padilla, Brooklyn, New York

    The Rule of Thirds Chu-Hai

    Written for shochu generally

    • 1 1/2 ounces shochu
    • 1 1/4 ounce grapefruit juice
    • 3/4 ounce sweetened hojicha tea (see editor's note)
    • club soda, to top

    Built in the glass, topped with soda.

    Full method at punchdrink.com →
  • Tokyo Weekender · Shun Kosaka

    Mellow Moon

    Written for Sengetsu

    Sengetsu is a range rather than one bottle, so the strength and the style vary across it. Treat this as a starting point.

    • sengetsu (kome shochu) 45ml
    • lemon juice 15ml
    • homemade rice pepper syrup 10ml
    • daigo umai rice cider as needed
    • lemon peel to garnish

    Built in the glass.

    Full method at Tokyo Weekender →

Sources and verification

Filed under kome shochu.