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Riemon

Ibusuki Shuzo · Kagoshima · Imo (sweet potato)

  • white koji
  • honkaku

Pour this first

Soda water, tall over ice. Lemon with it.

The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.

The bottle already smells of citrus, and this puts more of it in the glass. Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.

One part shochu to three or four parts of the long mixer, over plenty of ice, then the accent on top. If it tastes thin, go two to three next time.

What it tastes like

Imo shochu from Ibusuki Shuzo in Kagoshima. Producer's tasting notes: smooth, sweet. The profile below is built from the tasting notes the producer publishes.

  • sweet potato
  • smooth
  • sweet
  • vanilla
  • citrus
  • clean
  • light-bodied
Sweet
4/5
Body
3/5
Aroma
4/5
Fruit
2/5
Floral
1/5
Grain
1/5
Earth
3/5
Umami
2/5

Read from the words above rather than measured. Where it says not described, none of the sources behind this page mention it, which is not the same as it not being there.

Base
sweet potato with white rice koji, the Kogane Sengan grown in south Satsuma
Koji
white koji
ABV
25%

What to mix with it

Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

A longer wedge is a family we'd reach for sooner with this bottle, worked out from its flavours rather than tasted. It isn't a score, or a comparison with other bottles.

Explore all 96 pairings

  • Hyuganatsu

    Strong match

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • Hyuganatsu is Miyazaki's citrus and imo shochu is what Miyazaki pours it beside; the soft acid does the same work on a sweet potato bottle from anywhere
    • Mild enough that a light bottle is still the thing you taste
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.

  • Yuzu

    Strong match

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • Citrus acid cuts sweet potato's weight. That's why Kagoshima bars reach for grapefruit and yuzu before anything else.
    • Doubles the citrus already in the glass
    • A clean bottle gives yuzu a blank page
    • Kagoshima bartenders reach for yuzu with imo shochu first

  • Daidai (bitter orange)

    Strong match

    Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.

    • Daidai is the citrus in ponzu, and ponzu is already on the table next to imo shochu
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.

  • Kabosu

    Good match

    Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

    • Milder than sudachi, so it does not fight a delicate bottle
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.

  • Shikuwasa

    Good match

    Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.

    • Sharper and more bitter than a lime, which is what keeps it from disappearing into a light bottle
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.

  • Sudachi

    Good match

    A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

    • Sudachi's green sharpness shows best on a clean bottle
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.

  • Blood orange

    Good match

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Orange with a raspberry edge. Winter fruit; worth waiting for.

  • Lemon

    Good match

    Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.

  • Lime

    Good match

    Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.

  • Lemon soda (ramune, Sanpellegrino)

    Strong match

    The shortcut to a sour when there is no fresh lemon. Less sweet is better.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Sweet citrus bubbles on a clean bottle
    • A lemon soda softens imo shochu for the unconvinced
    • The bottle already smells of citrus, and this puts more of it in the glass.

  • Tonic water

    Strong match

    A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Clean bottle and tonic is a gin and tonic without the juniper
    • Imo shochu and tonic is what Kagoshima distilleries now recommend to first-timers
    • The bottle already smells of citrus, and this puts more of it in the glass.

  • Hoppy (beer-taste mixer)

    Strong match

    Hoppy Beverage Co. has made it in Tokyo since 1948; at 0.8 percent it is legally a soft drink, and it is hard to find outside Japan. Chill the bottle, the shochu and the mug and no ice is needed.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • One part shochu to five parts Hoppy drinks like a pint with none of beer's body. A 25 percent bottle lands just under 5; the figure follows the bottle, so a 40 percent one is nearer 7
    • It was built around neutral shochu, and that is still where it fits best
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.

  • Soda water

    Good match

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Daiyame and other new-wave imo shochu are marketed as highballs by the distilleries themselves
    • Bubbles on a clean bottle: the simplest refreshing drink on this list
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.

  • Grapefruit

    Good match

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • Citrus acid cuts sweet potato's weight. That's why Kagoshima bars reach for grapefruit and yuzu before anything else.
    • On an already sweet bottle it turns to grapefruit candy
    • Grapefruit and imo shochu is a Kagoshima bar staple; the bitterness answers the earth
    • The bottle already smells of citrus, and this puts more of it in the glass.

  • Kiwi

    Strong match

    Muddled with the seeds. Green, sour and refreshing, and cheap year round.

    • Kiwi's tartness shows on a clean bottle
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Muddled with the seeds. Green, sour and refreshing, and cheap year round.

  • Passion fruit

    Strong match

    The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

    • Tropical acid against sweet-potato depth is a modern Kagoshima cocktail
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

  • Hot water (oyuwari)

    Strong match

    Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

    • Hot water is the Kagoshima serve and it earns its reputation: heat pulls the earth and the sweetness up out of the glass. Cold water does the opposite and lengthens it without changing its shape.
    • Vanilla is volatile and warmth releases it; the same bottle over ice keeps it shut
    • Oyuwari: hot water first, then shochu, six of shochu to four of water. Imo shochu opens up in warmth

  • Cold water (mizuwari)

    Strong match

    Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.

    • Hot water is the Kagoshima serve and it earns its reputation: heat pulls the earth and the sweetness up out of the glass. Cold water does the opposite and lengthens it without changing its shape.
    • Mizuwari shows a clean bottle as it is, just lighter
    • Maewari: mix imo shochu and water a day ahead and it rounds out

  • Pineapple

    Strong match

    Fresh juice, or grilled wedges for a smokier drink. The awamori fruit.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Fresh juice, or grilled wedges for a smokier drink. The awamori fruit.

  • Ume (Japanese plum)

    Strong match

    Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

    • Salt-plum and imo shochu in hot water is a Kagoshima winter
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.

  • Black tea (Earl Grey)

    Good match

    Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

  • Ginger beer

    Good match

    A spicy one, not a sweet one. The mule format works for every dark shochu, and it is the most forgiving way to serve one.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Imo shochu mule: ginger beer, lime, over ice
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.

  • Gentian (Suze-style)

    Good match

    Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.

    • A clean bottle and gentian is a white negroni
    • Gentian and grapefruit
    • A bitter answers the earth with more earth, amaro and gentian most of all. A split-base imo drink then reads as intentional rather than odd.

  • Kombucha

    Good match

    A plain or ginger kombucha. Acid, bubbles and a little funk, all three in one pour.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.

  • Sparkling wine (brut)

    Good match

    Dry cava or crémant. Acid and bubbles in one pour.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.

  • Jasmine tea

    Good match

    Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.

    • Perfumed tea on a clean bottle
    • Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.

  • Oolong tea

    Good match

    Unsweetened, cold. One part shochu to three or four parts tea, over ice. Drinks with food better than almost anything else here.

    • Green tea and oolong are how shochu is drunk with dinner across Kyushu. Tea's tannin meets the earth without covering it.
    • Oolong's toast meets sweet potato's roast

  • Orange

    Good match

    Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.

    • Orange oil sits on top of vanilla. Juice would cut it, which is the opposite of the point
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • This bottle already reads sweet, on aroma rather than on sugar. Adding real sugar to it is the most common way a drink built on it goes wrong.
    • Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.

  • Kurozu (Kagoshima black vinegar)

    Good match

    Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • An earthy bottle has a savoury side already, and these meet it rather than trying to sweeten it away.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.

  • Hibiscus

    Good match

    Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.

  • Cranberry

    Good match

    Unsweetened juice. Sharp and a little tannic, useful for cutting sweetness.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.

  • Raspberry

    Good match

    Sour enough to be useful. Muddle a handful, or use a good puree.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.

  • Sansho pepper

    Good match

    A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.

    • Sansho is citrus peel and pepper in one seed
    • Sansho and yuzu turn up together in Japanese seasoning
    • Warm spice gives an earthy bottle a pulse without covering the earth itself.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.

  • Cardamom

    Good match

    A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Warm spice gives an earthy bottle a pulse without covering the earth itself.

  • Lemongrass

    Good match

    Bruised stalks steeped in the spirit, or a syrup. Citrus without acid, which is useful when you want aroma but not sourness.

    • Lemongrass perfume shows on a clean bottle
    • The bottle already smells of citrus, and this puts more of it in the glass.

  • Kumquat

    Good match

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
    • Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

  • Mikan (satsuma)

    Good match

    Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

    • Kagoshima bartenders pair imo shochu with mikan when it is in season
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • This bottle already reads sweet, on aroma rather than on sugar. Adding real sugar to it is the most common way a drink built on it goes wrong.
    • Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

  • Green tea (sencha)

    Good match

    Cold-brewed sencha, unsweetened. Ocha-wari is one of the everyday ways shochu is drunk in Japan, alongside the oolong version.

    • Green tea and oolong are how shochu is drunk with dinner across Kyushu. Tea's tannin meets the earth without covering it.
    • Bitter tea and a sweet bottle argue
    • Cold-brewed sencha on a clean bottle is quiet and grown-up
    • Green tea softens the earth in imo shochu without hiding it

  • Cinnamon

    Good match

    A stick in hot water with the spirit, or a light syrup. Winter.

    • Both are warm aromatics rather than sharp ones, so they stack instead of arguing
    • Cinnamon on sweet potato is a pie
    • Warm spice gives an earthy bottle a pulse without covering the earth itself.
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.

  • Ginger ale

    Good match

    The gentle ginger. For bottles that a ginger beer would bully.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.

  • Amaro

    Good match

    Montenegro, Nonino, Averna. Equal parts with a dark shochu over ice is a whole drink.

    • Amaro's herbs answer imo shochu's earth
    • A bitter answers the earth with more earth, amaro and gentian most of all. A split-base imo drink then reads as intentional rather than odd.

  • Aromatic bitters

    Good match

    Angostura or a Japanese aromatic. Two dashes.

    • Bitters give imo shochu a stirred-drink shape
    • Angostura or a Japanese aromatic. Two dashes.

  • Basil

    Good match

    Muddled gently with citrus. Thai basil brings anise, Italian basil brings pepper.

    • Basil on a clean bottle reads like a gin smash
    • Basil and citrus is a smash

  • Ginger

    Good match

    Fresh juice, a syrup, or a good ginger beer. The spice that makes a low-proof drink feel like it has a backbone.

    • Ginger and sweet potato is a Japanese autumn kitchen
    • Ginger and sweet potato are the same autumn kitchen. Heat gives an earthy bottle a pulse.

  • Japanese craft bitters (yuzu, shiso, umami)

    Good match

    The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.

    • Tokushima yuzu at 27 percent, which is the shochu's own strength, so a dropper moves flavour and not proof
    • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.

  • Quinquina aperitif (Cocchi Americano-style)

    Good match

    Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. The bark is the point of it, and it carries a quinine bitterness no citrus will give you.

    • Quinine and gentian give a measured bitterness where an amaro would take the glass over
    • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. The bark is the point of it, and it carries a quinine bitterness no citrus will give you.

  • Sea salt

    Good match

    A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.

    • A salt rim on an imo shochu drink is a Kagoshima bar trick
    • Salt is the fastest way to make an earthy bottle taste like more of itself.

  • Shiso liqueur

    Good match

    Usually red shiso, so it comes out pink. Sharper and more herbal than it looks, and a little goes a long way.

    • The herb needs a quiet base or it just tastes like the herb
    • Red shiso and citrus is the flavour of a summer drink in Japan

  • Togarashi (chili)

    Good match

    A rim of shichimi, or a slice of fresh chili. Heat on fruit, not on rice.

    • Chili and lime
    • Warm spice gives an earthy bottle a pulse without covering the earth itself.

  • Umeboshi

    Good match

    One salted plum, crushed with a spoon in the glass. Salty, sour, savory.

    • Imo shochu, hot water, umeboshi: a Kagoshima winter
    • Umeboshi in hot shochu is a Kagoshima winter, and salt is the fastest way to make an earthy bottle taste like more of itself.

  • Matcha

    Good match

    Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

    • Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

  • Mugicha (barley tea)

    Good match

    Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Mugicha softens imo shochu's earth into something you drink all evening
    • Unsweetened, cold, and a summer staple in Japan
    • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.

  • Citric and malic acid solution

    Good match

    Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.

    • With no juice in the glass a light bottle can end up tasting thin; a fuller one carries it
    • A clean bottle has nowhere to hide, so acid reads as brightness rather than as a correction
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.

  • Umezu (ume plum vinegar)

    Good match

    Eden Foods sells it as Ume Plum Vinegar in most US supermarkets, and it is one of the cheapest things on this list. A bar spoon, and unlike a crushed umeboshi it can go into a shaken drink.

    • Salt and sour cut across a vanilla note rather than joining it
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Salt is the fastest way to make an earthy bottle taste like more of itself.

  • Makrut lime leaf

    Good match

    Torn leaves steeped briefly. Perfumed citrus without juice.

    • Intense citrus perfume on a clean bottle
    • The bottle already smells of citrus, and this puts more of it in the glass.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.

  • Tonic syrup (cinchona concentrate)

    Good match

    Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.

    • The bottle already smells of citrus, and this puts more of it in the glass.
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
    • Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.

  • Kinome (sansho leaf)

    Good match

    Young sansho leaves, clapped between the palms and floated. Hard to find outside Japanese markets in spring, worth the hunt.

    • A single leaf on a clean bottle changes the whole glass
    • Kinome tastes of citrus peel and pepper at once
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.

  • Yuzu kosho

    Good match

    The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.

    • Fermented peel gives citrus without the acid a fresh yuzu would add
    • Warm spice gives an earthy bottle a pulse without covering the earth itself.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.

  • Chamomile

    Good match

    Cold-brewed chamomile as a lengthener, or steeped in the spirit.

    • Chamomile is faint enough to be lost, and a smooth bottle leaves it the room it needs
    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.

  • Cream

    Good match

    Half-and-half or heavy cream, in the after-dinner glass only.

    • Vanilla and dairy is what a custard is, and here the bottle is bringing the vanilla
    • Half-and-half or heavy cream, in the after-dinner glass only.

  • Egg white

    Good match

    One white, dry-shaken. Texture without flavor.

    • Egg white is what turns citrus and spirit into a sour with a head
    • One white, dry-shaken. Texture without flavor.

  • Jasmine

    Good match

    A syrup or a few dried blossoms steeped. See jasmine tea for the long drink.

    • Jasmine against imo shochu's floral side is a real Kagoshima cocktail idea
    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.

  • Osmanthus (kinmokusei)

    Good match

    Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

    • Kinmokusei blooms when the new imo shochu is released, same season
    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.

  • Sakura (cherry blossom)

    Good match

    Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.

    • Cherry blossom is the first thing a rough bottle destroys, and this one has no rough edge to do it with
    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.

  • Red aperitivo bitter (Campari-style)

    Worth trying

    Campari, Aperol, or a Japanese bitter like Kina. Bitter and sweet at once, and it wants a base with something of its own to answer back.

    • Bitter orange meets citrus
    • A bitter answers the earth with more earth, amaro and gentian most of all. A split-base imo drink then reads as intentional rather than odd.
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.

  • Pickled ginger (gari)

    Worth trying

    A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.

    • Sweet-sour ginger on a clean bottle
    • An earthy bottle has a savoury side already, and these meet it rather than trying to sweeten it away.
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.

  • Alpine amaro (Braulio-style)

    Worth trying

    Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.

    • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.

  • Black pepper

    Worth trying

    A few grinds over the top. Aroma more than heat.

    • Warm spice gives an earthy bottle a pulse without covering the earth itself.

  • Carciofo amaro (Cynar-style)

    Worth trying

    Cynar, 16.5 percent, which is weaker than most shochu, so equal parts with a 25 percent bottle lands near 20 and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.

    • Cynar, 16.5 percent, which is weaker than most shochu, so equal parts with a 25 percent bottle lands near 20 and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.

  • Celery bitters

    Worth trying

    Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.

    • Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.

  • Cucumber

    Worth trying

    Ribbons or muddled slices. Cucumber is what turns a serious glass into something you drink outside without thinking about it.

    • Cucumber on a clean bottle is the most refreshing thing on this list

  • Fernet

    Worth trying

    A quarter ounce. Menthol and bitterness, for the darkest bottles.

    • A quarter ounce. Menthol and bitterness, for the darkest bottles.

  • Kombu

    Worth trying

    A small piece steeped in the bottle overnight. Savory depth without salt.

    • Salt is the fastest way to make an earthy bottle taste like more of itself.

  • Makgeolli

    Worth trying

    Hana Makgeolli is brewed in Greenpoint, Brooklyn; Makku sells a canned one. Strength varies widely across the category, from around 6 percent in a can to the mid teens for an unfiltered takju, so read the label before deciding how much to pour.

    • The yeasty haze gives back the body distillation took out

  • Mint

    Worth trying

    Slapped, not muddled to bits. Mint reads as cold, which makes any low-proof drink feel more refreshing.

    • Mint on a clean bottle is a mojito with the rum swapped out

  • Shiitake

    Worth trying

    A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

    • An earthy bottle has a savoury side already, and these meet it rather than trying to sweeten it away.

  • Shiso

    Worth trying

    Green shiso leaves, slapped or muddled gently. Red shiso as a syrup. Japan already makes shiso shochu, which tells you it works.

    • Shiso on a clean bottle is the most Japanese drink you can build

  • Star anise

    Worth trying

    One star, steeped, for the dark bottles.

    • Warm spice gives an earthy bottle a pulse without covering the earth itself.

  • Thyme

    Worth trying

    Gentler than rosemary. Steep a sprig, or use a thyme syrup.

    • Thyme, lemon and a spirit is a sour with a garden in it

  • Toasted sesame

    Worth trying

    A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.

    • An earthy bottle has a savoury side already, and these meet it rather than trying to sweeten it away.

  • Vanilla

    Worth trying

    A split bean in a syrup, or a good extract, in small amounts.

    • The bottle already smells of vanilla, and this puts more of it in the glass.
    • This bottle already reads sweet, on aroma rather than on sugar. Adding real sugar to it is the most common way a drink built on it goes wrong.
    • Warm spice gives an earthy bottle a pulse without covering the earth itself.

  • Coffee (cold brew)

    Worth trying

    Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a delicate, perfumed one.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Vanilla is the thing added to a coffee syrup; this bottle has it already
    • Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a delicate, perfumed one.

  • Hojicha

    Worth trying

    Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Hojicha and imo shochu: a roasted pair
    • Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

  • Agave syrup

    Worth trying

    The neutral sweetener. Use when you want to balance acid without adding a flavor.

    • A neutral sweetener that does not add flavor of its own
    • Agave, lime and a spirit is a sour
    • This bottle already reads sweet, on aroma rather than on sugar. Adding real sugar to it is the most common way a drink built on it goes wrong.

  • Blanc vermouth

    Worth trying

    Dolin blanc. Sweeter and more floral than dry; for the aromatic bottles. Lillet Blanc stands in the same place in a drink, but its maker says plainly that it is a wine aperitif and not a vermouth, because there is no wormwood in it.

    • The bottle already smells of vanilla, and this puts more of it in the glass.
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.

  • White crème de cacao

    Worth trying

    Giffard's white, or Tempus Fugit's, which is a pale brown rather than colourless. Tempus Fugit publishes 24 percent, so on a 25 percent shochu an ounce lengthens rather than fortifies, and on a 40 percent bottle it pulls the strength down.

    • The bottle already smells of vanilla, and this puts more of it in the glass.
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.

  • Calpico (cultured milk)

    Worth trying

    The concentrate, diluted with soda. Yogurt-sweet and sour. The Calpis sour is a familiar order in Japan.

    • Calpis softens imo shochu for people who think they do not like it
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
    • The concentrate, diluted with soda. Yogurt-sweet and sour. The Calpis sour is a familiar order in Japan.

  • Elderflower

    Worth trying

    The cordial, sweet and alcohol-free, poured like a syrup. Muscat, lychee and honey in one flower. The liqueur has its own entry below: a different product rather than a stronger or weaker version of this one, and it brings alcohol along with the flower.

    • Nothing here is sharp enough to cut the elderflower down, so it survives at the strength it was poured
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.

  • Olive brine

    Worth trying

    A bar spoon, no more. Salt, and the savory note that comes with it.

    • Brine and sweetness do not agree
    • A clean bottle can take a splash of brine
    • Salt is the fastest way to make an earthy bottle taste like more of itself.

  • Wasabi

    Worth trying

    A rice-grain amount, dissolved. For the savory, cucumber glass, not the fruit one.

    • Wasabi and sweetness do not agree
    • A tiny amount on a clean bottle reads as a green, savory heat
    • Warm spice gives an earthy bottle a pulse without covering the earth itself.

  • Milk

    Worth trying

    Cold whole milk. Fat rounds a spirit off the way it does in coffee, and it is not a dare.

    • Dairy softens imo shochu, and for somebody who thinks they dislike it that is exactly the point. Milk or Calpis is the usual route in.

  • Oat milk

    Worth trying

    The dairy-free milk that tastes of cereal, which is why it likes grain spirits.

    • The dairy-free milk that tastes of cereal, which is why it likes grain spirits.

  • Rose

    Worth trying

    A drop of rose water, or a rose syrup. A drop; it takes over.

    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.

  • Soy milk (tonyu)

    Worth trying

    Unsweetened, four parts shochu to six parts soy milk, which is how the Japanese recipes write it. Stronger than it tastes, so pour it knowing that.

    • Unsweetened, four parts shochu to six parts soy milk, which is how the Japanese recipes write it. Stronger than it tastes, so pour it knowing that.

  • Yuzu marmalade (yuja-cha)

    Worth trying

    The Korean-style yuzu preserve sold in jars. A spoon in hot water with shochu, or shaken cold.

    • Yuzu peel, sweetened, on a citrus bottle
    • Yuzu tea and imo shochu oyuwari is a Kagoshima winter
    • This bottle already reads sweet, on aroma rather than on sugar. Adding real sugar to it is the most common way a drink built on it goes wrong.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.

  • Amazake (sweet koji rice)

    Worth trying

    The non-alcoholic koji drink, sweet from rice starch alone. Blend with the spirit and ice; it is a shochu smoothie.

    • Amazake softens imo shochu into a winter dessert
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
    • The non-alcoholic koji drink, sweet from rice starch alone. Blend with the spirit and ice; it is a shochu smoothie.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.

Ways to serve it

  • Oyuwari (with hot water)
  • Straight
  • On the rocks
  • Mizuwari (with water)

Sweet potato shochu is the one people are told they have to drink with hot water. Hot water is genuinely good, and it is also the hardest first sip to sell. Start it long and cold with soda and a wedge of grapefruit, and come back to the hot water once you like the spirit.

Cocktails other people made

We haven't found a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 8 more

  • punchdrink.com · Silver Lyan Team, Washington, D.C.

    Shochu Old-Fashioned

    Written for a similar bottle

    Written for Satsuma Kuradashi Genshu Shochu, also a sweet potato shochu. This bottle is lighter, 25% against 37%, so cut the mixer back or it will disappear.

    • 2 1/4 ounces satsuma kuradashi genshu sweet potato shochu
    • 1/3 ounce salted black pepper caramel (see editor's note)
    • 2 dashes ash bitters (see editor's note)
    • 1 dash angostura bitters

    Stirred.

    Full method at punchdrink.com →

  • Nankai Shochu · Jonathan Tse, Doe Bar

    Hojicha Cocktail

    Written for a similar bottle

    Written for Nankai Imo Black, also a sweet potato shochu. We have this one as the less fruity of the two, which is what will move most in the glass.

    • 2 oz Nankai Imo Black
    • 1 oz hojicha cold brew
    • 1 oz toasted oat orgeat
    • For the cold brew: 350 ml cold water, 5 g hojicha tea
    • For the orgeat: 250 ml oat milk, 100 g cane sugar, 100 g brown sugar, 5 g hojicha powder, 25 g whole oats

    Shaken.

    Full method at Nankai Shochu →

  • thesgshochu.com

    Hybrid Highball [IMO]

    Written for a similar bottle

    Written for SG Shochu IMO, also a sweet potato shochu. This bottle is lighter, 25% against 38%, so cut the mixer back or it will disappear.

    • the sg shochu imo 30ml
    • pisco 15ml
    • soda
    • grapefruit peel

    Built tall in the glass.

    Full method at thesgshochu.com →

  • Umami Mart blog

    Oolong-Hai (Shochu Iced Tea)

    Written for sweet potato shochu

    • 6 parts oolong tea (substitute with sencha (green tea) for a sencha-hai)
    • 4 parts shochu (i recommend satsuma imo (sweet potato) or mugi (barley))
    • ice

    Built tall in the glass.

    Full method at Umami Mart blog →

  • Tokyo Weekender · Shun Kosaka

    Hana Shigure

    Written for Daiyame

    Daiyame is a range rather than one bottle, so the strength and the style vary across it. Treat this as a starting point.

    • daiyame (imo shochu) 30ml
    • aphrodite sakura 15ml
    • bols parfait amour 5ml
    • 1883 maison routin lemon syrup 10ml
    • hinoki bitters 2 dashes
    • narutomaki beet slice to garnish
    • lime peel to garnish
    Full method at Tokyo Weekender →

Bottles like this one

Closest on the flavour profile within the same style family, so the mixers above tend to carry across.

Sources and verification

Filed under imo shochu.