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Pour this first

Tonic water, tall over ice. Chamomile with it.

Tonic's quinine lets floral bottles show

Chamomile is faint enough to be lost, and a smooth bottle leaves it the room it needs. Cold-brewed chamomile as a lengthener, or steeped in the spirit.

One part shochu to three or four parts of the long mixer, over plenty of ice, then the accent on top. If it tastes thin, go two to three next time.

What it tastes like

A kasutori shochu distilled from the sake lees of Dassai's own Junmai Daiginjo, so it carries the same fruity, floral character as the sake it came from. Clean and slightly sweet with a soft rice character, and a dry, smooth finish with lingering fruit.

  • rice
  • floral
  • ginjo-like
  • clean
  • off-dry
  • smooth
Sweet
2/5
Body
2/5
Aroma
4/5
Fruit
3/5
Floral
3/5
Grain
2/5
Earth
not described
Umami
1/5

Read from the words above rather than measured. Where it says not described, none of the sources behind this page mention it, which is not the same as it not being there.

Base
Dassai Junmai Daiginjo sake lees (kasutori)
ABV
39%

What to mix with it

Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

A longer wedge is a family we'd reach for sooner with this bottle, worked out from its flavours rather than tasted. It isn't a score, or a comparison with other bottles.

Explore all 94 pairings
  • Dry vermouth

    Strong match

    Dolin dry or Noilly Prat. A quarter of the shochu's volume, stirred cold.

    • Rice shochu and dry vermouth, stirred, is a martini that tastes of its base instead of juniper
    • Two clean, dry things
    • Rice shochu, dry vermouth, a lemon twist
    • The bottle is already floral, and this puts more of that in the glass.
  • Hyuganatsu

    Strong match

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • Mild enough that a light bottle is still the thing you taste
    • Softer acid than lemon, so the rice sweetness stays in the glass
    • The bottle is already floral, and this puts more of that in the glass.
  • Melon liqueur

    Strong match

    Midori, or a drier Japanese one if you can find it. Half an ounce is plenty; this is a flavour, not a base.

    • A ginjo-like aroma and melon liqueur share their fruit, so this turns up what is already there
    • Sweet enough to need a clean base under it
    • The bottle is already floral, and this puts more of that in the glass.
    • Midori, or a drier Japanese one if you can find it. Half an ounce is plenty; this is a flavour, not a base.
  • Yuzu

    Strong match

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • Yuzu's perfume sits beside floral notes instead of covering them
    • A clean bottle gives yuzu a blank page
    • The classic pair: rice sweetness under yuzu zest
  • Tonic water

    Strong match

    A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

    • Tonic's quinine lets floral bottles show
    • Clean bottle and tonic is a gin and tonic without the juniper
    • Shochu tonic: bitter and sweet at once, and better than it sounds
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.

    • Cherry blossom is the first thing a rough bottle destroys, and this one has no rough edge to do it with
    • Salt-pickled blossoms in a rice drink is a Japanese spring
    • Blossom on blossom
    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • Green tea (sencha)

    Strong match

    Cold-brewed sencha, unsweetened. Ocha-wari is one of the everyday ways shochu is drunk in Japan, alongside the oolong version.

    • Rice shochu with green tea is an ordinary Kyushu dinner order, not a novelty.
    • Green tea's tannin gives clean rice shochu the grip it does not have on its own
    • Cold-brewed sencha on a clean bottle is quiet and grown-up
  • Jasmine tea

    Strong match

    Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.

    • Rice shochu is light enough to let the tea lead, which is how it is drunk with dinner in Kyushu.
    • Jasmine tea on a floral bottle is a flower shop
    • Perfumed tea on a clean bottle
  • Chamomile

    Strong match

    Cold-brewed chamomile as a lengthener, or steeped in the spirit.

    • Chamomile is faint enough to be lost, and a smooth bottle leaves it the room it needs
    • The bottle is already floral, and this puts more of that in the glass.
    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • Hibiscus

    Strong match

    Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

    • Its acid is what rice bottles need
    • The bottle is already floral, and this puts more of that in the glass.
    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • Hon-mirin

    Strong match

    Mikawa Mirin from Sumiya Bunjiro Shoten, made from glutinous rice, koji and shochu since 1911 with no added sugar. Not the sweetened seasoning sold as mirin-fu chomiryo, which is a different product.

    • The same rice and the same koji as the bottle, so it sweetens without bringing a foreign flavour
    • The bottle already smells of rice, and this puts more of it in the glass.
    • Mikawa Mirin from Sumiya Bunjiro Shoten, made from glutinous rice, koji and shochu since 1911 with no added sugar. Not the sweetened seasoning sold as mirin-fu chomiryo, which is a different product.
  • Makgeolli

    Good match

    Hana Makgeolli is brewed in Greenpoint, Brooklyn; Makku sells a canned one. Strength varies widely across the category, from around 6 percent in a can to the mid teens for an unfiltered takju, so read the label before deciding how much to pour.

    • Rice fermented and rice distilled, in one glass, both still tasting of rice
    • The bottle already smells of rice, and this puts more of it in the glass.
    • Hana Makgeolli is brewed in Greenpoint, Brooklyn; Makku sells a canned one. Strength varies widely across the category, from around 6 percent in a can to the mid teens for an unfiltered takju, so read the label before deciding how much to pour.
  • Sudachi

    Strong match

    A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • Sudachi's green sharpness shows best on a clean bottle
    • Squeezed over rice, it is the flavor of a Japanese autumn table
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • Rice shochu is light enough to let the tea lead, which is how it is drunk with dinner in Kyushu.
    • The bottle is already floral, and this puts more of that in the glass.
  • The shortcut to a sour when there is no fresh lemon. Less sweet is better.

    • Rice shochu and lemon soda
    • Sweet citrus bubbles on a clean bottle
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Soda water

    Good match

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • Bubbles on a clean bottle: the simplest refreshing drink on this list
    • Shochu and soda over ice is an everyday drink in Japan
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Dry cava or crémant. Acid and bubbles in one pour.

    • Shochu and brut sparkling is a French 75 with rice under it; the acid is the point
    • Bubbles carry floral notes to the nose
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.

    • A clean bottle has nowhere to hide, so acid reads as brightness rather than as a correction
    • Sourness with nothing attached to it, so the bottle's own perfume stays in front
    • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.
  • Cucumber

    Good match

    Ribbons or muddled slices. Cucumber is what turns a serious glass into something you drink outside without thinking about it.

    • Cucumber on a clean bottle is the most refreshing thing on this list
    • Cucumber and rice is the flavor of a Japanese summer lunch
    • Melon and cucumber sit in the same aroma family as a ginjo-scented rice spirit.
  • Elderflower

    Good match

    The cordial, sweet and alcohol-free, poured like a syrup. Muscat, lychee and honey in one flower. The liqueur has its own entry below: a different product rather than a stronger or weaker version of this one, and it brings alcohol along with the flower.

    • Nothing here is sharp enough to cut the elderflower down, so it survives at the strength it was poured
    • Elderflower on a floral bottle is the obvious spritz
    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • St-Germain or similar: the flower with alcohol behind it, for stirred drinks. A half ounce is enough. For a long drink, the cordial above does the same flavour without the proof.

    • The liqueur version of the flower, for stirred drinks
    • Shochu, elderflower liqueur, lemon: a sour that tastes like spring
    • St-Germain or similar: the flower with alcohol behind it, for stirred drinks. A half ounce is enough. For a long drink, the cordial above does the same flavour without the proof.
  • Sweeter and rounder than brewing your own matcha, and it dissolves properly, which matcha powder in a cold drink does not.

    • Rice and green tea is an ordinary Japanese meal, not a novelty
    • A clean bottle lets the tea bitterness read as bitterness rather than mud
    • Sweeter and rounder than brewing your own matcha, and it dissolves properly, which matcha powder in a cold drink does not.
  • Lychee liqueur

    Good match

    Kwai Feh or Dita. Perfumed and quite sweet, so treat it as the aroma and let the shochu stay the drink.

    • Lychee and a floral bottle are one perfume, not two
    • A clean bottle is the right blank page for something this perfumed
    • Kwai Feh or Dita. Perfumed and quite sweet, so treat it as the aroma and let the shochu stay the drink.
  • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.

    • A junmai lengthens the rice already in the bottle: the same grain, brewed and distilled, in one glass
    • Ginjo-aroma shochu and a ginjo sake are one perfume
    • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.
  • Shiso liqueur

    Good match

    Usually red shiso, so it comes out pink. Sharper and more herbal than it looks, and a little goes a long way.

    • The herb needs a quiet base or it just tastes like the herb
    • Shiso and rice is an onigiri flavour
    • Usually red shiso, so it comes out pink. Sharper and more herbal than it looks, and a little goes a long way.
  • Watermelon

    Good match

    Fresh juice, strained. Add a pinch of salt.

    • Watermelon and a clean bottle is a summer festival
    • Rice shochu and watermelon juice is a Kumamoto summer
    • A light rice spirit takes a green, quiet garden note. Anything savoury leads instead of following.
  • Blood orange

    Good match

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • Its berry side flatters floral bottles
  • Grapefruit

    Good match

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • Its bitter peel gives floral bottles a spine
  • Lemon

    Good match

    Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • Rice sweetness wants acid, and lemon is the simplest acid there is
  • Oolong tea

    Good match

    Unsweetened, cold. One part shochu to three or four parts tea, over ice. Drinks with food better than almost anything else here.

    • Rice shochu is light enough to let the tea lead, which is how it is drunk with dinner in Kyushu.
    • Oolong's tannin flattens delicate perfume
    • A rice base and oolong is what gets poured alongside dinner
    • The bottle is already floral, and this puts more of that in the glass.
  • Lemongrass

    Good match

    Bruised stalks steeped in the spirit, or a syrup. Citrus without acid, which is useful when you want aroma but not sourness.

    • Lemongrass perfume shows on a clean bottle
    • The bottle is already floral, and this puts more of that in the glass.
  • Maraschino

    Good match

    Luxardo. It is sweetened, whatever the name suggests: their own account of the process ends by adding a syrup of water and sugar to bring it to 32 percent. What makes it read as dry is the stone. The cherries sit in larch vats for up to three years, pits, leaves and all, before the lot is distilled and the heart rested in ash, and that almond bitterness arrives before the sugar does. So measure it as a sweetener that tastes bitter, not as a dry modifier, and a bar spoon changes a stirred drink completely.

    • The bottle is already floral, and this puts more of that in the glass.
    • Luxardo. It is sweetened, whatever the name suggests: their own account of the process ends by adding a syrup of water and sugar to bring it to 32 percent. What makes it read as dry is the stone. The cherries sit in larch vats for up to three years, pits, leaves and all, before the lot is distilled and the heart rested in ash, and that almond bitterness arrives before the sugar does. So measure it as a sweetener that tastes bitter, not as a dry modifier, and a bar spoon changes a stirred drink completely.
  • Peach liqueur

    Good match

    A good one (Giffard, Merlet). A shortcut to the bellini when peaches are out of season.

    • The bottle is already floral, and this puts more of that in the glass.
    • A good one (Giffard, Merlet). A shortcut to the bellini when peaches are out of season.
  • Kabosu

    Good match

    Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • Milder than sudachi, so it does not fight a delicate bottle
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Mikan (satsuma)

    Good match

    Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • Mikan juice over rice sweetness is gentle and familiar
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Shikuwasa

    Good match

    Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
    • Sharper and more bitter than a lime, which is what keeps it from disappearing into a light bottle
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Ginger ale

    Good match

    The gentle ginger. For bottles that a ginger beer would bully.

    • Gentler than ginger beer; right for a soft rice bottle
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Hoppy Beverage Co. has made it in Tokyo since 1948; at 0.8 percent it is legally a soft drink, and it is hard to find outside Japan. Chill the bottle, the shochu and the mug and no ice is needed.

    • It was built around neutral shochu, and that is still where it fits best
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Kombucha

    Good match

    A plain or ginger kombucha. Acid, bubbles and a little funk, all three in one pour.

    • Acid and bubbles on rice sweetness
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Apple

    Good match

    Cold-pressed juice or thin slices. Green apple is already in the aroma of a lot of rice shochu, so this amplifies what is there rather than adding something new.

    • Green apple is one of the notes a ginjo-like aroma is made of
    • Rice shochu distilled with ginjo yeast carries apple and melon esters already, so orchard fruit is amplification.
  • Blanc vermouth

    Good match

    Dolin blanc. Sweeter and more floral than dry; for the aromatic bottles. Lillet Blanc stands in the same place in a drink, but its maker says plainly that it is a wine aperitif and not a vermouth, because there is no wormwood in it.

    • Blanc vermouth's flowers and vanilla meet floral bottles
    • Rice shochu stirred with vermouth is a martini with koji where the juniper was. The strength depends on the bottle, not on the swap. Most shochu is 25 and lands well under a gin martini. The 40 percent bottles land beside one.
  • Celery

    Good match

    Juiced, or a stalk as the stirrer. Savory, salty and cold.

    • Celery on a clean bottle reads as a savory highball
    • A light rice spirit takes a green, quiet garden note. Anything savoury leads instead of following.
  • Honeydew melon

    Good match

    Ripe honeydew, juiced or in cubes. If a bottle says melon on the label, this is the proof.

    • A ginjo-like aroma already smells partly of melon
    • Ripe honeydew, juiced or in cubes. If a bottle says melon on the label, this is the proof.
  • Jasmine

    Good match

    A syrup or a few dried blossoms steeped. See jasmine tea for the long drink.

    • Jasmine amplifies whatever floral note the bottle has
    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • Muscat grape

    Good match

    Green muscat grapes, halved or juiced. Shine Muscat if you can find it.

    • Muscat is the most floral grape there is
    • Green muscat grapes, halved or juiced. Shine Muscat if you can find it.
  • Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

    • Autumn blossom on a floral bottle
    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.

    • Gari sits next to sushi rice; it sits next to a rice spirit for the same reason
    • Sweet-sour ginger on a clean bottle
  • Raspberry

    Good match

    Sour enough to be useful. Muddle a handful, or use a good puree.

    • Raspberry has a rose note that floral bottles meet
    • Its acidity is what soft rice bottles need
  • Rose

    Good match

    A drop of rose water, or a rose syrup. A drop; it takes over.

    • Rose on a floral bottle is a perfume counter
    • The cleanest of the shochu bases, so a flower actually reads instead of being swallowed.
  • Shiso

    Good match

    Green shiso leaves, slapped or muddled gently. Red shiso as a syrup. Japan already makes shiso shochu, which tells you it works.

    • Shiso and rice is an onigiri flavour, and rice shochu is rice
    • Shiso on a clean bottle is the most Japanese drink you can build
  • Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.

    • Mizuwari shows a clean bottle as it is, just lighter
    • Mizuwari on a rice base is a dinner drink, not an aperitif
  • Umeshu

    Good match

    Sweet, sour, almondy. A splash does the work of both syrup and citrus.

    • Umeshu is usually built on shochu in the first place, so adding it back is coherent
    • Sweet, sour, almondy. A splash does the work of both syrup and citrus.
  • White peach

    Good match

    The bellini fruit. Nectar from a Japanese market, or a ripe peach muddled through a strainer.

    • Peach and floral notes are one perfume
    • The bellini fruit. Nectar from a Japanese market, or a ripe peach muddled through a strainer.
  • Sweet yuzu liqueur, usually on a sake or shochu base. A shortcut to yuzu when the fruit is out of season.

    • Yuzu perfume and floral notes
    • Sweet yuzu liqueur, usually on a sake or shochu base. A shortcut to yuzu when the fruit is out of season.
  • Kumquat

    Good match

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
  • Orange

    Good match

    Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.

    • Rice sweetness wants acid, and citrus is the most direct way to give it some.
  • Torn leaves steeped briefly. Perfumed citrus without juice.

    • Intense citrus perfume on a clean bottle
    • The bottle is already floral, and this puts more of that in the glass.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Ayagiku's, on a shochu base, or Kikusui's. Quince is too hard and astringent to eat raw, so the liqueur is the convenient way to get that scent into a glass; it opens up in hot water.

    • The perfume sits beside a floral bottle rather than over it
    • Ayagiku's, on a shochu base, or Kikusui's. Quince is too hard and astringent to eat raw, so the liqueur is the convenient way to get that scent into a glass; it opens up in hot water.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Young sansho leaves, clapped between the palms and floated. Hard to find outside Japanese markets in spring, worth the hunt.

    • The classic spring garnish for rice dishes; it belongs on rice wine too
    • A single leaf on a clean bottle changes the whole glass
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Almond syrup with a touch of orange blossom. The tiki sweetener, and kokuto shochu is a tiki spirit waiting to happen.

    • The bottle is already floral, and this puts more of that in the glass.
  • Thyme

    Good match

    Gentler than rosemary. Steep a sprig, or use a thyme syrup.

    • The bottle is already floral, and this puts more of that in the glass.
  • Matcha

    Worth trying

    Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

    • Rice shochu is light enough to let the tea lead, which is how it is drunk with dinner in Kyushu.
    • Matcha's bitterness flattens perfume
    • Rice and matcha agree, which is why the pairing turns up on menus at all
  • Agave syrup

    Worth trying

    The neutral sweetener. Use when you want to balance acid without adding a flavor.

    • A neutral sweetener that does not add flavor of its own
  • Amaretto

    Worth trying

    A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.

    • A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.
  • Apricot

    Worth trying

    Fresh in season, dried the rest of the year. Apricot and umeshu share a family, which is why they get along.

    • Fresh in season, dried the rest of the year. Apricot and umeshu share a family, which is why they get along.
  • Aquavit

    Worth trying

    Linie, around thirty-five dollars, rested in oloroso casks at sea so it brings a little wood as well. A quarter ounce as a split base.

    • Linie, around thirty-five dollars, rested in oloroso casks at sea so it brings a little wood as well. A quarter ounce as a split base.
  • Basil

    Worth trying

    Muddled gently with citrus. Thai basil brings anise, Italian basil brings pepper.

    • Basil on a clean bottle reads like a gin smash
  • Bénédictine

    Worth trying

    D.O.M. Bénédictine, on most back bars. Rounder and much sweeter than the alpine liqueurs, so it suits bottles that already lean sweet rather than clean.

    • D.O.M. Bénédictine, on most back bars. Rounder and much sweeter than the alpine liqueurs, so it suits bottles that already lean sweet rather than clean.
  • Cardamom

    Worth trying

    A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

    • Cardamom is a floral spice; floral bottles meet it
  • Cherry

    Worth trying

    Fresh in early summer; morello or amarena in syrup otherwise. Dark cherry for aged bottles, bright cherry for sparkling.

    • Fresh in early summer; morello or amarena in syrup otherwise. Dark cherry for aged bottles, bright cherry for sparkling.
  • Giffard's white, or Tempus Fugit's, which is a pale brown rather than colourless. Tempus Fugit publishes 24 percent, so on a 25 percent shochu an ounce lengthens rather than fortifies, and on a 40 percent bottle it pulls the strength down.

    • Giffard's white, or Tempus Fugit's, which is a pale brown rather than colourless. Tempus Fugit publishes 24 percent, so on a 25 percent shochu an ounce lengthens rather than fortifies, and on a 40 percent bottle it pulls the strength down.
  • Falernum

    Worth trying

    John D. Taylor's Velvet Falernum, about twenty dollars. At 11 percent it behaves like a syrup, so it sweetens and thickens without raising the drink.

    • John D. Taylor's Velvet Falernum, about twenty dollars. At 11 percent it behaves like a syrup, so it sweetens and thickens without raising the drink.
  • Two slices from any Asian grocery, seeds out. It keeps getting more bitter the longer it sits, so taste as you go and pull the slices when it is where you want it.

    • A light rice spirit takes a green, quiet garden note. Anything savoury leads instead of following.
  • Honey

    Worth trying

    Diluted one to one with warm water so it mixes cold. A little goes far; taste before adding more.

    • Honey and flowers are one thing
  • Kiwi

    Worth trying

    Muddled with the seeds. Green, sour and refreshing, and cheap year round.

    • Kiwi's tartness shows on a clean bottle
  • Zuiyo's Kuririn, from Japanese chestnuts at 11 percent, or Dover's wa-shu kuri, which is on a rum base. A dessert direction, and not the same thing as kuri shochu, which is a base spirit.

    • Zuiyo's Kuririn, from Japanese chestnuts at 11 percent, or Dover's wa-shu kuri, which is on a rum base. A dessert direction, and not the same thing as kuri shochu, which is a base spirit.
  • Lychee

    Worth trying

    Fresh in early summer, canned in syrup the rest of the year (drain it). The signature aroma of a whole school of imo shochu.

    • Lychee is half fruit, half flower, and floral bottles agree
  • Blandy's or Barbeito, ten year. It is the one fortified wine that brings real acid, so it can do the lemon's job on a bottle where fresh citrus reads harsh.

    • Blandy's or Barbeito, ten year. It is the one fortified wine that brings real acid, so it can do the lemon's job on a bottle where fresh citrus reads harsh.
  • Mint

    Worth trying

    Slapped, not muddled to bits. Mint reads as cold, which makes any low-proof drink feel more refreshing.

    • Mint on a clean bottle is a mojito with the rum swapped out
  • Orange liqueur

    Worth trying

    Cointreau or a dry curaçao. The sweet-and-citrus half of any sour.

    • Cointreau or a dry curaçao. The sweet-and-citrus half of any sour.
  • Passion fruit

    Worth trying

    The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

    • Its own floral note joins the bottle's
  • Pear

    Worth trying

    Ripe pear, muddled or as nectar. Delicate, so it belongs with delicate bottles.

    • Ripe pear, muddled or as nectar. Delicate, so it belongs with delicate bottles.
  • Genmaicha

    Worth trying

    Green tea with popped, toasted rice. Cold-brew it.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Rice shochu is light enough to let the tea lead, which is how it is drunk with dinner in Kyushu.
    • Toasted rice tea and a rice spirit are the same grain twice
  • Crème de cassis

    Worth trying

    A bar spoon. Dark fruit over roasted tea, with the shochu keeping it from reading as squash.

    • A kir built on rice shochu instead of white wine, so drier and a good deal stronger
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • A bar spoon. Dark fruit over roasted tea, with the shochu keeping it from reading as squash.
  • Ginger beer

    Worth trying

    A spicy one, not a sweet one. The mule format works for every dark shochu, and it is the most forgiving way to serve one.

    • Ginger beer covers delicate perfume
    • A shochu mule, and it is on menus
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Sansho pepper

    Worth trying

    A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.

    • Sansho and rice is a Kyoto kitchen
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Dewazakura's from Yamagata plums, or Machida Shuzo's on Amami kokuto shochu. It does umeshu's job and leaves the glass drier, which matters when the bottle is already sweet.

    • Dewazakura's from Yamagata plums, or Machida Shuzo's on Amami kokuto shochu. It does umeshu's job and leaves the glass drier, which matters when the bottle is already sweet.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • The Korean-style yuzu preserve sold in jars. A spoon in hot water with shochu, or shaken cold.

    • Hot water, rice shochu, a spoon of yuzu tea
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Fino sherry

    Worth trying

    Fino or manzanilla. Savory, salty, bone dry.

    • Fino's salt flattens perfume
    • Rice shochu and fino, stirred: a bamboo variation
    • Fino or manzanilla. Savory, salty, bone dry.
  • Olive brine

    Worth trying

    A bar spoon, no more. Salt, and the savory note that comes with it.

    • Brine flattens perfume
    • Dirty, on a rice base: the sweetness and the brine argue in a good way
    • A clean bottle can take a splash of brine
  • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. The bark is the point of it, and it carries a quinine bitterness no citrus will give you.

    • The bottle is already floral, and this puts more of that in the glass.
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. The bark is the point of it, and it carries a quinine bitterness no citrus will give you.
  • Tomato

    Worth trying

    Good tomato juice, or a ripe tomato muddled and strained. Savoury and acidic at once.

    • Tomato and perfume do not belong in one glass
    • Rice is mild and a little sweet, which leaves tomato's savoury, acidic side room to lead
    • A light rice spirit takes a green, quiet garden note. Anything savoury leads instead of following.
  • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

    • Umeboshi's salt flattens delicate perfume
    • Umeboshi brings salt and sourness together, which is a different job from the lemon and lands on rice shochu better
    • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.
  • Wasabi

    Worth trying

    A rice-grain amount, dissolved. For the savory, cucumber glass, not the fruit one.

    • Wasabi and perfume clash
    • Wasabi and rice is sushi
    • A tiny amount on a clean bottle reads as a green, savory heat

Ways to serve it

  • Straight
  • On the rocks
  • With soda

Rice shochu is what happens when you distil something very close to sake. It carries the same apple and melon aromatics, which makes it the shochu that behaves most like a white spirit in a stirred drink.

Cocktails other people made

We haven't found a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 8 more
  • thesgshochu.com

    Sherry Cobbler

    Written for a similar bottle

    Written for SG Shochu KOME, also a rice shochu.

    • the sg shochu kome 20ml
    • oloroso sherry 20ml
    • st. germain 10ml
    • apple juice 30ml
    • lemon juice 5ml
    • simple syrup 1 bar spoon

    Shaken.

    Full method at thesgshochu.com →
  • Izakaya Juraku · Izakaya Juraku

    Hidari Chichi

    Written for a different style

    Written for Takara Shochu Jun, a different bottle. We have this one as the more aromatic of the two, which is what will move most in the glass.

    • Lychee liqueur
    • Elderflower liqueur
    • Takara shochu
    • Mio sparkling sake
    • Edible pink glitter, for garnish
    • Dried rosebud, for garnish
    Full method at Izakaya Juraku →
  • Just One Cookbook

    Japanese Yuzu Cocktail (Yuzu Chuhai)

    Written for shochu generally

    • ½ cup club soda (soda water)
    • ¼ cup shochu (any brand or type)
    • 1 tbsp homemade simple syrup
    • 1 tsp yuzu juice (extract)
    • ice cubes
    • 1, 2 tsp korean citron tea (yuja cha) (optional)
    • lime (optional; can use lemon)

    Built tall in the glass.

    Full method at Just One Cookbook →
  • Pickled Plum

    Umeboshi Sour (Pickled Plum Cocktail)

    Written for shochu generally

    • ice cubes
    • 1/4 cup shōchū (such as iichiko)
    • 3/4 cup sparkling water
    • 1 1/2 tablespoon umezu (plum vinegar)
    • 1/2 teaspoon plain rice vinegar
    • 1/2 teaspoon honey (optional)
    • 1 large soft umeboshi (japanese pickled plum)
    • 1 shiso leaf, whole or shredded, for garnish (optional)

    Built in the glass.

    Full method at Pickled Plum →
  • Tokyo Weekender · Shun Kosaka

    Mellow Moon

    Written for Sengetsu

    Sengetsu is a range rather than one bottle, so the strength and the style vary across it. Treat this as a starting point.

    • sengetsu (kome shochu) 45ml
    • lemon juice 15ml
    • homemade rice pepper syrup 10ml
    • daigo umai rice cider as needed
    • lemon peel to garnish

    Built in the glass.

    Full method at Tokyo Weekender →

What this can stand in for

If a recipe calls for something else and this is what you have. The verdict is for this bottle rather than for its style, so a bottle without the strength a stirred drink needs is not offered for one.