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Yayoi Genshu

Yayoi Shochu Jozosho · Kagoshima · Kokuto (brown sugar)

  • white koji
  • aged
  • honkaku
  • atmospheric distilled
  • cask aged

Pour this first

Ginger beer, tall over ice. Cinnamon with it.

Kokuto shochu and ginger beer is a dark and stormy with the cane aroma in the base and none of its sugar

Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it. A stick in hot water with the spirit, or a light syrup. Winter.

One part shochu to three or four parts of the long mixer, over plenty of ice, then the accent on top. If it tastes thin, go two to three next time.

What it tastes like

Kokuto shochu from Yayoi Shochu Jozosho in Kagoshima. Producer's tasting notes: smooth. The profile below is built from the tasting notes the producer publishes.

  • kokuto
  • smooth
  • cask
  • aged
Sweet
3/5
Body
4/5
Aroma
4/5
Fruit
not described
Floral
not described
Grain
1/5
Earth
2/5
Umami
2/5

Read from the words above rather than measured. Where it says not described, none of the sources behind this page mention it, which is not the same as it not being there.

Base
Brown sugar with white rice koji
Koji
white koji
Distillation
atmospheric distillation
Aging
approximately 8 years in cask

What to mix with it

Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

A longer wedge is a family we'd reach for sooner with this bottle, worked out from its flavours rather than tasted. It isn't a score, or a comparison with other bottles.

Explore all 99 pairings
  • Cinnamon

    Strong match

    A stick in hot water with the spirit, or a light syrup. Winter.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Cinnamon and aged notes are a hot toddy
    • Brown sugar and cinnamon
    • Cask and cinnamon: an old fashioned instinct
  • Amaro

    Strong match

    Montenegro, Nonino, Averna. Equal parts with a dark shochu over ice is a whole drink.

    • Amaro and aged notes are a winter bar
    • Cask and amaro
    • Brown sugar and bitter herbs
    • Brown sugar carries bitterness the way a boulevardier carries whiskey. Amaro and red bitter both land.
  • Aromatic bitters

    Strong match

    Angostura or a Japanese aromatic. Two dashes.

    • Bitters, sugar, a cask-aged spirit: an old fashioned
    • Kokuto old fashioned
    • Two dashes wake up an aged bottle
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • Black tea's tannin sits well with aged notes
    • Tea and cask is a Scotch idea
    • Black tea and brown sugar is milk tea logic
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Cardamom

    Strong match

    A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Cardamom and brown sugar is a chai
    • Spice on aged, nutty notes
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Star anise

    Strong match

    One star, steeped, for the dark bottles.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Anise and aged notes are a winter cabinet
    • Star anise and brown sugar is a braise
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Vanilla

    Good match

    A split bean in a syrup, or a good extract, in small amounts.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Vanilla is what oak gives; more of it is coherent
    • Brown sugar and vanilla
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Banana

    Strong match

    Ripe banana, muddled or as a syrup. Isoamyl acetate, the ester behind a ginjo aroma, is the same compound that makes a banana smell of banana.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
    • Banana and brown sugar is bananas foster
    • Cask-aged shochu and banana is a bourbon instinct
  • Kumquat

    Strong match

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Kumquat's bitter peel stands up to aged, nutty notes
    • A Kyushu winter fruit with a Kyushu winter spirit
  • Ginger

    Good match

    Fresh juice, a syrup, or a good ginger beer. The spice that makes a low-proof drink feel like it has a backbone.

    • Ginger and brown sugar is a dark and stormy. Kokuto shochu makes it at half the alcohol.
    • Ginger and brown sugar is a dark and stormy with an Amami accent
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • A rim of shichimi, or a slice of fresh chili. Heat on fruit, not on rice.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Brown sugar and chili is a hot honey logic
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Brown sugar and bitter orange is rum and orange with the sugar turned down
    • The peel is doing what the orange twist on an old fashioned does
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Carpano Antica or Cocchi. A quarter of the shochu's volume, stirred cold, makes a manhattan-style drink: on a 25 percent shochu that is about 23 before the ice gets to it, where a 40 percent rye starts nearer 35.

    • An aged bottle already has the caramel a manhattan wants; this brings the botanicals
    • Cask notes and vermouth's spice belong in the same stirred glass
    • Brown sugar and sweet vermouth read as one long caramel note
  • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.

    • Oak rested and 21 percent, so half and half with a cask-aged bottle is one drink at about 23
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.
  • Campari, Aperol, or a Japanese bitter like Kina. Bitter and sweet at once, and it wants a base with something of its own to answer back.

    • Kokuto shochu and red bitter is a boulevardier logic
    • Brown sugar carries bitterness the way a boulevardier carries whiskey. Amaro and red bitter both land.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Coconut

    Strong match

    Coconut water for lengthening, coconut milk or cream for weight.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
    • Brown sugar spirit and coconut is Amami and the Caribbean agreeing
  • Fernet

    Good match

    A quarter ounce. Menthol and bitterness, for the darkest bottles.

    • Fernet and cane spirit is an Argentine instinct
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A quarter ounce. Menthol and bitterness, for the darkest bottles.
  • Lime

    Good match

    Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.

    • Cane sugar spirit and lime is the daiquiri, and kokuto shochu is a cane spirit at two thirds the proof.
    • Lime and cane sugar spirit is the oldest pairing in rum, and kokuto shochu is a cane spirit
  • Matcha

    Good match

    Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

    • Matcha and brown sugar is a wagashi
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.
  • Orange

    Good match

    Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Orange and brown sugar is a rum punch instinct that carries over
  • Pineapple

    Good match

    Fresh juice, or grilled wedges for a smokier drink. The awamori fruit.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
    • Brown sugar spirit, pineapple, lime: that is a daiquiri variation
  • Black pepper

    Good match

    A few grinds over the top. Aroma more than heat.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Wasabi

    Good match

    A rice-grain amount, dissolved. For the savory, cucumber glass, not the fruit one.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Okinawan or Amami kokuto dissolved one to one in water. Molasses, minerals, a little salt.

    • Brown sugar on brown sugar; the spirit's own raw material
    • Cask and brown sugar is an old fashioned
    • It reads sweet without carrying any sugar, so added sweetness is easy to overdo. Put it in only to balance a sharp acid.
  • Maple syrup

    Good match

    Dark, in small amounts, for the cask and sweet-potato bottles.

    • Maple and oak are a bourbon idea
    • Maple and aged, caramel notes
    • It reads sweet without carrying any sugar, so added sweetness is easy to overdo. Put it in only to balance a sharp acid.
  • Shikuwasa

    Good match

    Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Okinawa's citrus against Amami's sugar, which is the whole southern islands in a glass
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Ginger beer

    Good match

    A spicy one, not a sweet one. The mule format works for every dark shochu, and it is the most forgiving way to serve one.

    • Kokuto shochu and ginger beer is a dark and stormy with the cane aroma in the base and none of its sugar
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Soda water

    Good match

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • Kokuto highball, with a lime
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Dry cava or crémant. Acid and bubbles in one pour.

    • A kokuto shochu French 75
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Sansho pepper

    Good match

    A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Yuzu kosho

    Good match

    The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Amaretto

    Good match

    A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.

    • Almond and oak is the whole idea behind a nut liqueur in a barrel drink
    • Marzipan against caramel, which is a dessert people already eat
  • Apricot

    Good match

    Fresh in season, dried the rest of the year. Apricot and umeshu share a family, which is why they get along.

    • Long aging turns a spirit towards stone fruit; the apricot joins what is already there
    • Apricot and brown sugar is a jam logic
  • Apricot liqueur

    Good match

    Rothman and Winter, or a Japanese anzu liqueur. Closer to umeshu than to a candy liqueur if you buy a good one.

    • Long aging turns towards stone fruit anyway; this meets it there
    • Apricot and oak is the flavour of an old brandy, at a third of the strength
  • Cherry

    Good match

    Fresh in early summer; morello or amarena in syrup otherwise. Dark cherry for aged bottles, bright cherry for sparkling.

    • Cask notes and cherry is a Manhattan instinct
    • Dark cherry against aged, oxidative notes
  • Cream

    Good match

    Half-and-half or heavy cream, in the after-dinner glass only.

    • Brown sugar spirit and cream is a Kyushu flip
    • Molasses and dairy is dessert. Kokuto shochu with milk is an ordinary Amami one, and cream makes it a flip.
  • Fig

    Good match

    Fresh figs muddled, or fig jam. For the aged and the brown-sugar bottles only.

    • Fig meets the dried fruit that kusu awamori and long aged shochu already carry
    • Fig and brown sugar is a dessert plate
  • Ginger liqueur

    Good match

    Barrow's Intense, made in Brooklyn, or Domaine de Canton, which is the easier one to find. Ginger and sugar arrive together either way, and both work hot as well as cold. Being spirits themselves they add alcohol along with the volume, which a juice or a syrup does not.

    • Warm spice against caramel, without the sugar a ginger beer brings
    • Brown sugar and ginger is the oldest warm drink there is
  • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

    • Kokuto oyuwari smells of brown sugar candy
    • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.
  • Milk

    Good match

    Cold whole milk. Fat rounds a spirit off the way it does in coffee, and it is not a dare.

    • Kokuto shochu and milk is an Amami dessert
    • Molasses and dairy is dessert. Kokuto shochu with milk is an ordinary Amami one, and cream makes it a flip.
  • Orange liqueur

    Good match

    Cointreau or a dry curaçao. The sweet-and-citrus half of any sour.

    • Kokuto shochu, orange liqueur, lime: a margarita shape with a cane spirit
    • Aged bottles and orange peel liqueur
  • Unsweetened, four parts shochu to six parts soy milk, which is how the Japanese recipes write it. Stronger than it tastes, so pour it knowing that.

    • Bean sweetness and brown sugar land on the same note
    • Unsweetened, four parts shochu to six parts soy milk, which is how the Japanese recipes write it. Stronger than it tastes, so pour it knowing that.
  • Blood orange

    Good match

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
  • Cynar, 16.5 percent, which is weaker than most shochu, so equal parts with a 25 percent bottle lands near 20 and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cynar, 16.5 percent, which is weaker than most shochu, so equal parts with a 25 percent bottle lands near 20 and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.
  • Celery bitters

    Good match

    Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.
  • Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a delicate, perfumed one.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Brown sugar spirit and coffee is a rum-and-coffee, and Amami makes coffee liqueur from it
    • Cask notes and coffee: think of a coffee old fashioned
    • Tea and coffee meet the molasses in the bottle rather than arguing with it, and the darker the cup the better it holds.
  • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.
  • Grapefruit

    Good match

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
  • Cold-brewed sencha, unsweetened. Ocha-wari is one of the everyday ways shochu is drunk in Japan, alongside the oolong version.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold-brewed sencha, unsweetened. Ocha-wari is one of the everyday ways shochu is drunk in Japan, alongside the oolong version.
  • Hojicha

    Good match

    Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Roasted tea and aged notes are a fireside
    • Hojicha and kokuto is a tea-house dessert
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.
  • Jasmine tea

    Good match

    Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.
  • Kiwi

    Good match

    Muddled with the seeds. Green, sour and refreshing, and cheap year round.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
  • Lychee

    Good match

    Fresh in early summer, canned in syrup the rest of the year (drain it). The signature aroma of a whole school of imo shochu.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
  • Mango

    Good match

    Ripe mango puree. Needs lime beside it or it goes flat.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
  • Oolong tea

    Good match

    Unsweetened, cold. One part shochu to three or four parts tea, over ice. Drinks with food better than almost anything else here.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Unsweetened, cold. One part shochu to three or four parts tea, over ice. Drinks with food better than almost anything else here.
  • Passion fruit

    Good match

    The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
  • Pu-erh tea

    Good match

    Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.
  • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. The bark is the point of it, and it carries a quinine bitterness no citrus will give you.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. The bark is the point of it, and it carries a quinine bitterness no citrus will give you.
  • Honey

    Good match

    Diluted one to one with warm water so it mixes cold. A little goes far; taste before adding more.

    • Honey and aged notes
    • It reads sweet without carrying any sugar, so added sweetness is easy to overdo. Put it in only to balance a sharp acid.
  • Almond syrup with a touch of orange blossom. The tiki sweetener, and kokuto shochu is a tiki spirit waiting to happen.

    • Orgeat and cane spirit is a mai tai
    • It reads sweet without carrying any sugar, so added sweetness is easy to overdo. Put it in only to balance a sharp acid.
  • Hyuganatsu

    Good match

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Kabosu

    Good match

    Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Mikan (satsuma)

    Good match

    Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Sudachi

    Good match

    A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Yuzu

    Good match

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Ginger ale

    Worth trying

    The gentle ginger. For bottles that a ginger beer would bully.

    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Lemon

    Worth trying

    Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Fresh lemon reads harsh against aged, caramel notes
    • Brown sugar and lemon is the daiquiri logic, in a lighter spirit
  • Amontillado sherry

    Worth trying

    Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.

    • Both have spent years going quietly brown, and they meet in the middle
  • Apple

    Worth trying

    Cold-pressed juice or thin slices. Green apple is already in the aroma of a lot of rice shochu, so this amplifies what is there rather than adding something new.

    • Cask-aged bottles have the wood; apple has the orchard
  • Basil

    Worth trying

    Muddled gently with citrus. Thai basil brings anise, Italian basil brings pepper.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
  • Bénédictine

    Worth trying

    D.O.M. Bénédictine, on most back bars. Rounder and much sweeter than the alpine liqueurs, so it suits bottles that already lean sweet rather than clean.

    • Wood and resin belong in the same stirred glass
  • Blackberry

    Worth trying

    Late summer fruit with a savory edge. For the deeper bottles.

    • Cask and blackberry: think of a whisky smash
  • Chamomile

    Worth trying

    Cold-brewed chamomile as a lengthener, or steeped in the spirit.

    • Chamomile is faint enough to be lost, and a smooth bottle leaves it the room it needs
  • Dill

    Worth trying

    Fronds, gently muddled. For the savory, saline glass.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
  • Egg white

    Worth trying

    One white, dry-shaken. Texture without flavor.

    • One white, dry-shaken. Texture without flavor.
  • Elderflower

    Worth trying

    The cordial, sweet and alcohol-free, poured like a syrup. Muscat, lychee and honey in one flower. The liqueur has its own entry below: a different product rather than a stronger or weaker version of this one, and it brings alcohol along with the flower.

    • Nothing here is sharp enough to cut the elderflower down, so it survives at the strength it was poured
  • Falernum

    Worth trying

    John D. Taylor's Velvet Falernum, about twenty dollars. At 11 percent it behaves like a syrup, so it sweetens and thickens without raising the drink.

    • A cane liqueur from a cane island, poured onto a cane spirit
  • Fino sherry

    Worth trying

    Fino or manzanilla. Savory, salty, bone dry.

    • Oxidative on oxidative
  • Lemongrass

    Worth trying

    Bruised stalks steeped in the spirit, or a syrup. Citrus without acid, which is useful when you want aroma but not sourness.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
  • Blandy's or Barbeito, ten year. It is the one fortified wine that brings real acid, so it can do the lemon's job on a bottle where fresh citrus reads harsh.

    • Barrel against barrel, except this one brings back the acid the cask took away
  • Maraschino

    Worth trying

    Luxardo. It is sweetened, whatever the name suggests: their own account of the process ends by adding a syrup of water and sugar to bring it to 32 percent. What makes it read as dry is the stone. The cherries sit in larch vats for up to three years, pits, leaves and all, before the lot is distilled and the heart rested in ash, and that almond bitterness arrives before the sugar does. So measure it as a sweetener that tastes bitter, not as a dry modifier, and a bar spoon changes a stirred drink completely.

    • Maraschino is what makes a stirred aged drink taste finished rather than flat
  • Oat milk

    Worth trying

    The dairy-free milk that tastes of cereal, which is why it likes grain spirits.

    • The dairy-free milk that tastes of cereal, which is why it likes grain spirits.
  • Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

    • Honeyed flower on honeyed age
  • Lustau San Emilio. Effectively a raisin syrup that happens to be wine, so a bar spoon sweetens and adds body where sugar syrup would only add sugar.

    • Brown sugar and dried fig, with the sugar already oxidised so it does not read as dessert
  • Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.

    • Cherry blossom is the first thing a rough bottle destroys, and this one has no rough edge to do it with
  • Sea salt

    Worth trying

    A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.

    • Salt and brown sugar
  • Shiitake

    Worth trying

    A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

    • A long aged spirit and dried mushroom share a forest floor note
  • Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.

    • Warmth brings the molasses aroma forward. Cold water lengthens without pushing it further, which is the better choice when that aroma is already doing enough.
  • Thyme

    Worth trying

    Gentler than rosemary. Steep a sprig, or use a thyme syrup.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
  • Toasted sesame

    Worth trying

    A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.

    • Sesame and brown sugar is a wagashi
  • The non-alcoholic koji drink, sweet from rice starch alone. Blend with the spirit and ice; it is a shochu smoothie.

    • The non-alcoholic koji drink, sweet from rice starch alone. Blend with the spirit and ice; it is a shochu smoothie.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Young sansho leaves, clapped between the palms and floated. Hard to find outside Japanese markets in spring, worth the hunt.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Makrut lime leaf

    Worth trying

    Torn leaves steeped briefly. Perfumed citrus without juice.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Dewazakura's from Yamagata plums, or Machida Shuzo's on Amami kokuto shochu. It does umeshu's job and leaves the glass drier, which matters when the bottle is already sweet.

    • The Amami bottlings are literally kokuto shochu with plum steeped in it
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Mint

    Worth trying

    Slapped, not muddled to bits. Mint reads as cold, which makes any low-proof drink feel more refreshing.

    • Mint's brightness argues with aged notes
    • Brown sugar spirit, mint, lime, soda: a mojito with an Amami accent
    • Mint, lime and a cane spirit is a mojito, and Amami has the sugar for it.
  • Agave syrup

    Worth trying

    The neutral sweetener. Use when you want to balance acid without adding a flavor.

    • It reads sweet without carrying any sugar, so added sweetness is easy to overdo. Put it in only to balance a sharp acid.
  • Gum syrup (gomme)

    Worth trying

    Small Hand Foods', or sugar, water and gum arabic from the baking aisle at home. Worth knowing that most Japanese gum syrup on a shelf today has no arabic gum in it at all.

    • It reads sweet without carrying any sugar, so added sweetness is easy to overdo. Put it in only to balance a sharp acid.
  • The Korean-style yuzu preserve sold in jars. A spoon in hot water with shochu, or shaken cold.

    • It reads sweet without carrying any sugar, so added sweetness is easy to overdo. Put it in only to balance a sharp acid.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.

Ways to serve it

  • On the rocks
  • Mizuwari (with water)

Brown sugar shochu is legally only made on the Amami islands, and it is a cane spirit in everything but name. Every rum drink you know is available to it at two thirds the alcohol.

Cocktails other people made

We haven't found a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 8 more
  • Nankai Shochu

    Amami Sazerac

    Written for a similar bottle

    Written for Nankai Gold Shochu, also a brown sugar shochu.

    • 2 oz Nankai Gold
    • 0.25 oz absinthe or Herbsaint, as a rinse
    • 1 sugar cube
    • 0.25 oz fresh lemon juice
    • 2 to 3 dashes aromatic bitters, Peychaud's or Angostura
    • Lemon peel, expressed

    Stirred.

    Full method at Nankai Shochu →
  • Nankai Shochu

    Nankai Coffee Tonic

    Written for a similar bottle

    Written for Nankai Gold Shochu, also a brown sugar shochu.

    • 1 oz Nankai Gold
    • 1 oz cold brew coffee
    • 2 oz tonic water
    • 0.5 oz simple syrup
    • Orange peel, for garnish

    Built in the glass.

    Full method at Nankai Shochu →
  • Nankai Shochu · Gersom Gamez

    Habu's Neck, aka the Shochu Buck

    Written for a similar bottle

    Written for Nankai Gold Shochu, also a brown sugar shochu.

    • 1.5 oz Nankai Gold
    • 0.5 oz pomelo juice
    • 4 oz ginger beer
    • A long pomelo peel, for garnish

    Built in the glass.

    Full method at Nankai Shochu →
  • Nankai Shochu · Carey Jones and John McCarthy

    Sencha Shochu

    Written for a similar bottle

    Written for Nankai Shochu (Original), also a brown sugar shochu.

    • 2 oz Nankai Shochu
    • 0.75 oz fresh lemon juice
    • 0.5 oz simple syrup
    • 1 egg white
    • 1 tbsp sencha tea leaves

    Shaken.

    Full method at Nankai Shochu →
  • Nankai Shochu

    Nankai Greyhound

    Written for a similar bottle

    Written for Nankai Shochu (Original), also a brown sugar shochu.

    • 1.5 oz Nankai Shochu
    • 3 oz grapefruit juice
    • 0.5 oz elderflower liqueur
    • A pinch of sea salt, or a salt rimmed glass

    Built in the glass.

    Full method at Nankai Shochu →
  • Nankai Shochu

    Yuzu Martini

    Written for a similar bottle

    Written for Nankai Shochu (Original), also a brown sugar shochu.

    • 2.25 oz Nankai Shochu
    • 0.75 oz dry vermouth
    • 2 to 5 dashes yuzu juice
    • 1 dash orange bitters
    • Lemon peel, expressed

    Stirred.

    Full method at Nankai Shochu →
  • Nankai Shochu · Carey Jones and John McCarthy

    Shiso Highball

    Written for a similar bottle

    Written for Nankai Shochu (Original), also a brown sugar shochu.

    • 1.5 oz Nankai Shochu
    • 3 oz club soda
    • 5 shiso leaves
    • 0.25 oz simple syrup

    Built tall in the glass.

    Full method at Nankai Shochu →
  • Nankai Shochu

    Hana Hana Highball

    Written for brown sugar shochu

    • 2 oz Nankai Shochu or Nankai Gold
    • 4 oz soda water, the more carbonated the better
    • One third of a lemon, squeezed in

    Built tall in the glass.

    Full method at Nankai Shochu →

What this can stand in for

If a recipe calls for something else and this is what you have. The verdict is for this bottle rather than for its style, so a bottle without the strength a stirred drink needs is not offered for one.

Sources and verification

Filed under kokuto shochu.