Hamada Shuzo · Kagoshima · Imo (sweet potato)
Pour this first
Sasshu Sekitoba Shochu Matcha, long, with Ginger beer, and Yuzu.
The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
One part shochu to three or four parts mixer, plenty of ice. If it tastes thin, go two to three next time. That is the whole method.
Imo shochu from Hamada Shuzo in Kagoshima. Importer's tasting notes: tea, sweet. Nobody here has tasted this one, so the profile below is estimated from what its importer publishes rather than from the glass.
Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.
A spicy one, not a sweet one. The mule format works for every dark shochu and most sake.
A plain or ginger kombucha. It brings acid, bubbles and funk, all things sake is short of.
The shortcut to a sour when there is no fresh lemon. Less sweet is better.
Cold, and fizzy enough to matter. One part spirit to three or four parts soda for shochu; one to one for sake.
A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.
The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.
The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.
The gentle ginger. For bottles that a ginger beer would bully.
Dry cava or crémant. Topping sake with it adds the acid and the bubbles sake lacks in one pour.
Orange with a raspberry edge. Winter fruit; worth waiting for.
Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.
Fresh juice, never bottled. The building block of the lemon sour, and the fastest way to give sake the acidity it does not have on its own.
Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.
A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.
Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.
Unsweetened, cold. One part shochu to three or four parts tea, over ice. It is the drink half of Japan orders with dinner.
Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.
Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.
Muddled with the seeds. Green, sour and refreshing, and cheap year round.
Fresh juice, or grilled wedges for a smokier drink. The awamori fruit.
Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.
Montenegro, Nonino, Averna. Equal parts with a dark shochu over ice is a whole drink.
Angostura or a Japanese aromatic. Two dashes.
A stick in hot water with the spirit, or a light syrup. Winter.
Fresh juice, a syrup, or a good ginger beer. The spice that makes a low-proof drink feel like it has a backbone.
A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.
One salted plum, crushed with a spoon in the glass. Salty, sour, savory.
Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.
Cold-brewed. Floral without sugar. The jasmine highball is a real menu item in Japan.
Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.
Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.
Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.
Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.
The non-alcoholic koji drink, sweet from rice starch alone. Blend with the spirit and ice; it is a shochu smoothie.
The concentrate, diluted with soda. Yogurt-sweet and sour. The Calpis sour is a national drink in Japan.
A syrup or a few dried blossoms steeped. See jasmine tea for the long drink.
Cold whole milk. Shochu milk-wari is a real order in Kyushu, not a dare.
Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.
Cold-brewed sencha, unsweetened. The green tea highball is one of the most common ways shochu is actually drunk in Japan.
Unsweetened juice. Sharp and a little tannic, useful for cutting sweetness.
Sour enough to be useful. Muddle a handful, or use a good puree.
Campari, Aperol, or a Japanese bitter like Kina. The aperitivo hour is where sake and shochu make the most sense as cocktails.
A few grinds over the top. Aroma more than heat.
Late summer fruit with a savory edge. For the deeper bottles.
A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.
Coconut water for lengthening, coconut milk or cream for weight.
A quarter ounce. Menthol and bitterness, for the darkest bottles.
Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.
A small piece steeped in the bottle overnight. Savory depth without salt.
Fresh in early summer, canned in syrup the rest of the year (drain it). The signature aroma of a whole school of imo shochu.
A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.
A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.
A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.
One star, steeped, for the dark bottles.
A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.
A rim of shichimi, or a slice of fresh chili. Heat on fruit, not on rice.
Sweet, sour, almondy. A splash does the work of both syrup and citrus.
Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.
Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.
Fresh orange juice for a sparkling sake mimosa; the peel for stirred drinks with aged bottles.
Cold-brewed chamomile as a lengthener, or steeped in the spirit.
Half-and-half or heavy cream, in the after-dinner glass only.
One white, dry-shaken. Texture without flavor.
Cordial or the liqueur. Muscat, lychee and honey in one flower.
The dairy-free milk that tastes of cereal, which is why it likes grain spirits.
A drop of rose water, or a rose syrup. A drop; it takes over.
Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.
Sweet potato shochu is the one people are told they have to drink with hot water. Hot water is genuinely good, and it is also the hardest first sip to sell. Start it long and cold with soda and a wedge of grapefruit, and come back to the hot water once you like the spirit.
Nobody has published a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.
Izakaya Juraku · Izakaya Juraku
Written for a similar bottle
Written for Aka Kirishima Shochu, also a sweet potato shochu. We have this one as the less fruity of the two, which is what will move most in the glass.
Built in the glass.
Full method at Izakaya Juraku →punchdrink.com · Tom Liu, Los Angeles
Written for a different style
Written for iichiko Saiten, which is a barley shochu, not a sweet potato shochu. We have this one as the less grainy of the two, which is what will move most in the glass.
Stirred.
Full method at punchdrink.com →Written for a similar bottle
Written for SG Shochu IMO, also a sweet potato shochu. We have this one as the lighter of the two, which is what will move most in the glass.
Built in the glass.
Full method at thesgshochu.com →Written for a similar bottle
Written for SG Shochu IMO, also a sweet potato shochu. We have this one as the lighter of the two, which is what will move most in the glass.
Written for shochu generally
Built in the glass, topped with soda.
Full method at Cocktail Society →Written for shochu generally
Built in the glass, topped with soda.
Full method at Just One Cookbook →Written for sweet potato shochu
Built in the glass.
Full method at liquor.com →Written for shochu generally
Built in the glass.
Full method at Pickled Plum →Written for sweet potato shochu
Shaken.
Full method at The Japanese Bar →Written for shochu generally
Built in the glass, topped with soda.
Full method at Pickled Plum →punchdrink.com · Brian Evans and George Padilla, Brooklyn, New York
Written for shochu generally
Built in the glass, topped with soda.
Full method at punchdrink.com →Written for Daiyame
Daiyame is a range rather than one bottle, so the strength and the style vary across it. Treat this as a starting point.
Closest on the flavour profile within the same style family, so the mixers below tend to carry across.