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Ikenotsuyu Koshu

Amakusa Shuzo · Kumamoto · Imo (sweet potato)

  • white koji
  • honkaku
  • aged
  • aged in ceramic

Pour this first

Ginger ale, tall over ice. Yuzu with it.

The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.

One part shochu to three or four parts mixer, over plenty of ice. If it tastes thin, go two to three next time.

What it tastes like

Imo shochu from Amakusa Shuzo in Kumamoto. Producer's tasting notes: milky, soft, sweet. The profile below is built from the tasting notes the producer publishes.

  • sweet potato
  • milky
  • soft
  • sweet
  • aged
Sweet
4/5
Body
4/5
Aroma
4/5
Fruit
2/5
Floral
1/5
Grain
1/5
Earth
2/5
Umami
2/5
Base
Kogane Sengan sweet potato with domestic rice koji
Koji
white koji
ABV
25%
Aging
aged at least five years in earthenware

What to mix with it

Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

Explore all 97 pairings
  • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • Daidai is the citrus in ponzu, and ponzu is already on the table next to imo shochu
    • The peel is doing what the orange twist on an old fashioned does
    • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.
  • Ginger ale

    Strong match

    The gentle ginger. For bottles that a ginger beer would bully.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
    • Nigori and ginger ale is a float
  • Ginger beer

    Strong match

    A spicy one, not a sweet one. The mule format works for every dark shochu, and it is the most forgiving way to serve one.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
    • Imo shochu mule: ginger beer, lime, over ice
  • Soda water

    Strong match

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
    • Daiyame and other new-wave imo shochu are marketed as highballs by the distilleries themselves
  • Hyuganatsu

    Strong match

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • A Miyazaki citrus and a Miyazaki spirit, which is usually all the reason a pairing needs
    • A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.
  • Yuzu

    Strong match

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • Citrus acid is what cuts sweet potato's weight, which is why Kagoshima bars pour imo shochu with grapefruit and yuzu before anything else.
    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • Kagoshima bartenders reach for yuzu with imo shochu first
  • Amaro

    Strong match

    Montenegro, Nonino, Averna. Equal parts with a dark shochu over ice is a whole drink.

    • Amaro and gentian answer the earth with more earth, which is why a split-base imo drink reads as intentional rather than odd.
    • Amaro and aged notes are a winter bar
    • Amaro's herbs answer imo shochu's earth
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Aromatic bitters

    Strong match

    Angostura or a Japanese aromatic. Two dashes.

    • Two dashes wake up an aged bottle
    • Bitters give imo shochu a stirred-drink shape
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Angostura or a Japanese aromatic. Two dashes.
  • Cinnamon

    Strong match

    A stick in hot water with the spirit, or a light syrup. Winter.

    • Cinnamon and aged notes are a hot toddy
    • Cinnamon on sweet potato is a pie
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A stick in hot water with the spirit, or a light syrup. Winter.
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • Black tea's tannin sits well with aged notes
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.
  • Matcha

    Strong match

    Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

    • Matcha and nigori is a matcha latte; this bar's own Matcha Sake Bomb is proof
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.
  • Oolong tea

    Strong match

    Unsweetened, cold. One part shochu to three or four parts tea, over ice.

    • Oolong's toast meets sweet potato's roast
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Unsweetened, cold. One part shochu to three or four parts tea, over ice.
  • Passion fruit

    Good match

    The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • Tropical acid against sweet-potato depth is a modern Kagoshima cocktail
    • The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.
  • Blood orange

    Good match

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • Orange with a raspberry edge. Winter fruit; worth waiting for.
  • Kabosu

    Good match

    Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.
  • Lime

    Good match

    Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.
  • Shikuwasa

    Good match

    Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.
  • Sudachi

    Good match

    A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.
  • Cardamom

    Good match

    A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

    • Spice on aged, nutty notes
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.
  • Ginger

    Good match

    Fresh juice, a syrup, or a good ginger beer. The spice that makes a low-proof drink feel like it has a backbone.

    • Ginger and sweet potato are the same autumn kitchen. Heat gives an earthy bottle a pulse.
    • Ginger and sweet potato is a Japanese autumn kitchen
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

    • Hot water is the Kagoshima serve and it earns its reputation: heat pulls the earth and the sweetness up out of the glass. Cold water does the opposite and lengthens it without changing its shape.
    • Oyuwari: hot water first, then shochu, six to four. Imo shochu opens up in warmth
  • Kumquat

    Good match

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • Kumquat's bitter peel stands up to aged, nutty notes
    • Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.
  • Star anise

    Good match

    One star, steeped, for the dark bottles.

    • Anise and aged notes are a winter cabinet
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • One star, steeped, for the dark bottles.
  • Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.

    • Hot water is the Kagoshima serve and it earns its reputation: heat pulls the earth and the sweetness up out of the glass. Cold water does the opposite and lengthens it without changing its shape.
    • Maewari: mix imo shochu and water a day ahead and it rounds out
  • Hojicha

    Good match

    Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Hojicha and imo shochu: a roasted pair
    • Roasted tea and aged notes are a fireside
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Jasmine tea

    Good match

    Cold-brewed. Floral without sugar. The jasmine highball is a real menu item in Japan.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold-brewed. Floral without sugar. The jasmine highball is a real menu item in Japan.
  • Pu-erh tea

    Good match

    Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.
  • The shortcut to a sour when there is no fresh lemon. Less sweet is better.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Sweet soda and aged notes argue
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
    • A lemon soda softens imo shochu for the unconvinced
  • Tonic water

    Good match

    A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Tonic's sweetness fights aged notes
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
    • Imo shochu and tonic is what Kagoshima distilleries now recommend to first-timers
  • The non-alcoholic koji drink, sweet from rice starch alone. Blend with the spirit and ice; it is a shochu smoothie.

    • Nigori and amazake is a rice smoothie
    • Amazake softens imo shochu into a winter dessert
    • The non-alcoholic koji drink, sweet from rice starch alone. Blend with the spirit and ice; it is a shochu smoothie.
  • Grapefruit

    Good match

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • Citrus acid is what cuts sweet potato's weight, which is why Kagoshima bars pour imo shochu with grapefruit and yuzu before anything else.
    • On an already sweet bottle it turns to grapefruit candy
    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • Grapefruit and imo shochu is a Kagoshima bar staple; the bitterness answers the earth
  • Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

    • Kinmokusei blooms when the new imo shochu is released, same season
    • Honeyed flower on honeyed age
    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.
  • Kiwi

    Good match

    Muddled with the seeds. Green, sour and refreshing, and cheap year round.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • Muddled with the seeds. Green, sour and refreshing, and cheap year round.
  • Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.
  • Pineapple

    Good match

    Fresh juice, or grilled wedges for a smokier drink. The awamori fruit.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • Fresh juice, or grilled wedges for a smokier drink. The awamori fruit.
  • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • Salt-plum and imo shochu in hot water is a Kagoshima winter
  • Eden Foods sells it as Ume Plum Vinegar in most US supermarkets, and it is one of the cheapest things on this list. A bar spoon, and unlike a crushed umeboshi it can go into a shaken drink.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • Eden Foods sells it as Ume Plum Vinegar in most US supermarkets, and it is one of the cheapest things on this list. A bar spoon, and unlike a crushed umeboshi it can go into a shaken drink.
  • Blueberry

    Good match

    Muddled, or as a syrup. Mild; bring acid from elsewhere.

    • Gentle fruit for a gentle bottle
    • Blueberry and nigori is a lassi
  • Coconut

    Good match

    Coconut water for lengthening, coconut milk or cream for weight.

    • Nigori and coconut milk is a piña colada with rice instead of rum
    • Coconut water for lengthening, coconut milk or cream for weight.
  • Ginger liqueur

    Good match

    Barrow's Intense, made in Brooklyn, is the one to look for: much more ginger and much less sugar than most, so it works as the spice in a drink rather than as the sweetener. Domaine de Canton is the easier one to find and the sweeter one. Either gets you the mule flavour without the sugar load of a ginger beer, and both work hot as well as cold. They carry their own alcohol, so they lengthen a shochu less than a juice or a syrup would.

    • Ginger and sweet potato is a winter kitchen pairing before it is a bar one
    • Warm spice against caramel, without the sugar a ginger beer brings
  • Cold-brewed sencha, unsweetened. The green tea highball is one of the most common ways shochu is actually drunk in Japan.

    • Green tea and oolong are how shochu is drunk with dinner across Kyushu. Tea's tannin meets the earth without covering it.
    • Bitter tea and a sweet bottle argue
    • Green tea softens the earth in imo shochu without hiding it
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Lychee

    Good match

    Fresh in early summer, canned in syrup the rest of the year (drain it). The signature aroma of a whole school of imo shochu.

    • The newer imo shochu are bred for lychee and tropical aromatics, so tropical fruit is agreeing with the bottle rather than fighting it.
    • Lychee and nigori is a milk-tea shop idea that works
  • Sea salt

    Good match

    A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.

    • A salt rim on an imo shochu drink is a Kagoshima bar trick
    • A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.
  • Shiitake

    Good match

    A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

    • A long aged spirit and dried mushroom share a forest floor note
    • A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.
  • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.
  • Black pepper

    Good match

    A few grinds over the top. Aroma more than heat.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A few grinds over the top. Aroma more than heat.
  • Cynar, 16.5 percent, which is weaker than the shochu itself, so equal parts lands near 20 percent and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cynar, 16.5 percent, which is weaker than the shochu itself, so equal parts lands near 20 percent and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.
  • Celery bitters

    Good match

    Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.
  • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.
  • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. Lillet dropped its quinine in 1985, so only the Americano side of the category still tastes of the bark, and equal parts with a shochu is about 21 percent.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. Lillet dropped its quinine in 1985, so only the Americano side of the category still tastes of the bark, and equal parts with a shochu is about 21 percent.
  • Sansho pepper

    Good match

    A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.
  • Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.
  • Yuzu kosho

    Good match

    The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.
  • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Mugicha softens imo shochu's earth into something you drink all evening
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.
  • Mikan (satsuma)

    Good match

    Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

    • This bottle brings its own sweetness. More sugar is the most common way a drink built on it goes wrong.
    • Kagoshima bartenders pair imo shochu with mikan when it is in season
    • Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.
  • Vanilla

    Good match

    A split bean in a syrup, or a good extract, in small amounts.

    • This bottle brings its own sweetness. More sugar is the most common way a drink built on it goes wrong.
    • Vanilla and nigori is a milkshake
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A split bean in a syrup, or a good extract, in small amounts.
  • Hibiscus

    Good match

    Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.
  • Hoppy Beverage Co. has made it in Tokyo since 1948; at 0.8 percent it is legally a soft drink, and it is hard to find outside Japan. Chill the bottle, the shochu and the mug and no ice is needed.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • An aged bottle is the one you would not lengthen with a beer substitute
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Kombucha

    Good match

    A plain or ginger kombucha. Acid, bubbles and a little funk, none of which survive a still.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • No
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Dry cava or crémant. Acid and bubbles in one pour, which is exactly what a distilled spirit has none of.

    • The distilleries themselves now sell imo shochu as a highball. Soda lifts the aroma off the glass instead of burying it.
    • Nigori and dry bubbles is texture on texture
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Chamomile

    Good match

    Cold-brewed chamomile as a lengthener, or steeped in the spirit.

    • Gentle flower, gentle bottle
    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.
  • Cream

    Good match

    Half-and-half or heavy cream, in the after-dinner glass only.

    • Nigori and cream is a dessert, and it sells
    • Half-and-half or heavy cream, in the after-dinner glass only.
  • Jasmine

    Good match

    A syrup or a few dried blossoms steeped. See jasmine tea for the long drink.

    • Jasmine against imo shochu's floral side is a real Kagoshima cocktail idea
    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.
  • Lemon

    Good match

    Fresh juice, never bottled. It is the whole basis of the lemon sour, and the quickest way to put acid into a spirit that has almost none of its own.

    • Fresh lemon reads harsh against aged, caramel notes
    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
    • Fresh juice, never bottled. It is the whole basis of the lemon sour, and the quickest way to put acid into a spirit that has almost none of its own.
  • Milk

    Good match

    Cold whole milk. Shochu milk-wari is a real order in Kyushu, not a dare.

    • Nigori and milk is a cloudy, sweet, low-proof glass Japan already drinks
    • Milk and Calpis do soften imo shochu, and that is exactly the point for someone who thinks they dislike it. It is a gateway, not a destination.
  • Oat milk

    Good match

    The dairy-free milk that tastes of cereal, which is why it likes grain spirits.

    • Nigori and oat milk is a rice-and-oat latte
    • The dairy-free milk that tastes of cereal, which is why it likes grain spirits.
  • Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.

    • Sakura and nigori looks and tastes like spring
    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.
  • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
  • Cranberry

    Worth trying

    Unsweetened juice. Sharp and a little tannic, useful for cutting sweetness.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
  • Raspberry

    Worth trying

    Sour enough to be useful. Muddle a handful, or use a good puree.

    • There is real sugar in this bottle already, and acid is what keeps it from reading as syrup.
  • Amaretto

    Worth trying

    A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.

    • Marzipan against caramel, which is a dessert people already eat
  • Amontillado sherry

    Worth trying

    Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.

    • Both have spent years going quietly brown, and they meet in the middle
  • Apricot

    Worth trying

    Fresh in season, dried the rest of the year. Apricot and umeshu share a family, which is why they get along.

    • Long aging turns a spirit towards stone fruit; the apricot joins what is already there
  • Apricot liqueur

    Worth trying

    Rothman and Winter, or a Japanese anzu liqueur. Closer to umeshu than to a candy liqueur if you buy a good one.

    • Long aging turns towards stone fruit anyway; this meets it there
  • Blackberry

    Worth trying

    Late summer fruit with a savory edge. For the deeper bottles.

    • Blackberry and imo shochu is a bramble with a Kyushu accent
  • Cherry

    Worth trying

    Fresh in early summer; morello or amarena in syrup otherwise. Dark cherry for aged bottles, bright cherry for sparkling.

    • Dark cherry against aged, oxidative notes
  • Fig

    Worth trying

    Fresh figs muddled, or fig jam. For the aged and the brown-sugar bottles only.

    • Fig meets the dried fruit that kusu awamori and long aged shochu already carry
  • Fino sherry

    Worth trying

    Fino or manzanilla. Savory, salty, bone dry.

    • Oxidative on oxidative
  • Kombu

    Worth trying

    A small piece steeped in the bottle overnight. Savory depth without salt.

    • A small piece steeped in the bottle overnight. Savory depth without salt.
  • Pear

    Worth trying

    Ripe pear, muddled or as nectar. Delicate, so it belongs with delicate bottles.

    • Soft bottles and pear are quiet together, which is the point
  • A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.

    • A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.
  • Strawberry

    Worth trying

    Fresh, muddled. Japanese strawberries in winter and spring are the ideal; any ripe strawberry works.

    • Strawberry and nigori is strawberry milk, and adults order it
  • Carpano Antica or Cocchi. A quarter of the shochu's volume, stirred cold, is a manhattan at well under half the usual proof.

    • An aged bottle already has the caramel a manhattan wants; this brings the botanicals
  • Toasted sesame

    Worth trying

    A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.

    • A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.
  • Umeshu

    Worth trying

    Sweet, sour, almondy. A splash does the work of both syrup and citrus.

    • Umeshu rounds imo shochu for a first-timer
  • Banana

    Worth trying

    Ripe banana, muddled or as a syrup. Isoamyl acetate, the ester behind a ginjo aroma, is the same compound that makes a banana smell of banana.

    • This bottle brings its own sweetness. More sugar is the most common way a drink built on it goes wrong.
    • Banana and nigori is a smoothie
    • Ripe banana, muddled or as a syrup. Isoamyl acetate, the ester behind a ginjo aroma, is the same compound that makes a banana smell of banana.
  • Coffee (cold brew)

    Worth trying

    Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a daiginjo.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a daiginjo.
  • Genmaicha

    Worth trying

    Green tea with popped, toasted rice. Cold-brew it.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Green tea with popped, toasted rice. Cold-brew it.
  • Mango

    Worth trying

    Ripe mango puree. Needs lime beside it or it goes flat.

    • This bottle brings its own sweetness. More sugar is the most common way a drink built on it goes wrong.
    • Mango lassi logic: nigori is the yogurt
    • Ripe mango puree. Needs lime beside it or it goes flat.
  • Maple syrup

    Worth trying

    Dark, in small amounts, for the cask and sweet-potato bottles.

    • This bottle brings its own sweetness. More sugar is the most common way a drink built on it goes wrong.
    • Maple on sweet potato
    • Maple and aged, caramel notes
  • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.
  • The concentrate, diluted with soda. Yogurt-sweet and sour. The Calpis sour is a national drink in Japan.

    • Calpico and aged notes do not agree
    • Calpico and nigori is milk on milk, and it works
    • Calpis softens imo shochu for people who think they do not like it
    • The concentrate, diluted with soda. Yogurt-sweet and sour. The Calpis sour is a national drink in Japan.
  • Orange

    Worth trying

    Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.

    • This bottle brings its own sweetness. More sugar is the most common way a drink built on it goes wrong.
    • Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.
  • Umeboshi

    Worth trying

    One salted plum, crushed with a spoon in the glass. Salty, sour, savory.

    • Umeboshi in nigori is a mistake
    • Umeboshi in hot shochu is a Kagoshima winter, and salt is the fastest way to make an earthy bottle taste like more of itself.
    • Imo shochu, hot water, umeboshi: a Kagoshima winter
  • Elderflower

    Worth trying

    Cordial or the liqueur. Muscat, lychee and honey in one flower.

    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.
  • Rose

    Worth trying

    A drop of rose water, or a rose syrup. A drop; it takes over.

    • Only for the lychee-scented bottles. On a heavy, roasted imo the flowers simply disappear.
  • Soy milk (tonyu)

    Worth trying

    Unsweetened, four parts shochu to six parts soy milk, which is how the Japanese recipes write it. Stronger than it tastes, so pour it knowing that.

    • Unsweetened, four parts shochu to six parts soy milk, which is how the Japanese recipes write it. Stronger than it tastes, so pour it knowing that.

Ways to serve it

  • On the rocks
  • Mizuwari (with water)

Sweet potato shochu is the one people are told they have to drink with hot water. Hot water is genuinely good, and it is also the hardest first sip to sell. Start it long and cold with soda and a wedge of grapefruit, and come back to the hot water once you like the spirit.

Cocktails other people made

Nobody has published a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 8 more
  • thesgshochu.com

    Coffee & Tonic

    Written for a similar bottle

    Written for SG Shochu IMO, also a sweet potato shochu. This bottle is lighter, 25% against 38%, so cut the mixer back or it will disappear.

    • the sg shochu imo 35ml
    • cold brew coffee 45ml
    • maple shrub (maple syrup 3: apple vinegar2) 10ml
    • tonic water
    • fresh rosemary

    Built in the glass, topped with soda.

    Full method at thesgshochu.com →
  • thesgshochu.com

    Satsuma Libre

    Written for a similar bottle

    Written for SG Shochu IMO, also a sweet potato shochu. This bottle is lighter, 25% against 38%, so cut the mixer back or it will disappear.

    • the sg shochu imo 45ml
    • lime wedge 1/8
    • cola
    • salt rim

    Built in the glass.

    Full method at thesgshochu.com →
  • thesgshochu.com

    Hybrid Highball [IMO]

    Written for a similar bottle

    Written for SG Shochu IMO, also a sweet potato shochu. This bottle is lighter, 25% against 38%, so cut the mixer back or it will disappear.

    • the sg shochu imo 30ml
    • pisco 15ml
    • soda
    • grapefruit peel

    Built in the glass, topped with soda.

    Full method at thesgshochu.com →
  • Umami Mart blog

    Oolong-Hai (Shochu Iced Tea)

    Written for sweet potato shochu

    • 6 parts oolong tea (substitute with sencha (green tea) for a sencha-hai)
    • 4 parts shochu (i recommend satsuma imo (sweet potato) or mugi (barley))
    • ice

    Built in the glass, topped with soda.

    Full method at Umami Mart blog →
  • Tokyo Weekender

    Hana Shigure

    Written for Daiyame

    Daiyame is a range rather than one bottle, so the strength and the style vary across it. Treat this as a starting point.

    • daiyame (imo shochu) 30ml
    • aphrodite sakura 15ml
    • bols parfait amour 5ml
    • 1883 maison routin lemon syrup 10ml
    • hinoki bitters 2 dashes
    • narutomaki beet slice to garnish
    • lime peel to garnish
    Full method at Tokyo Weekender →

Sources and verification

Filed under imo shochu.