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Bottle of Towari, a 100 percent buckwheat shochu
Photo: Takara Shuzo

Tasted at Juraku

Towari Soba Shochu

Takara Shuzo · Miyazaki (Takanabe) · Soba (buckwheat)

  • honkaku

Pour this first

Ginger beer, tall over ice. Grapefruit with it.

Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.

An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration. Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

One part shochu to three or four parts of the long mixer, over plenty of ice, then the accent on top. If it tastes thin, go two to three next time.

What it tastes like

A soba shochu made entirely from buckwheat, including the koji, so there is no rice or barley to soften it. The aroma is savory and wide ranging, fresh and charred vegetables, sesame seed and a leathery note, with a nutty roasted-buckwheat taste and a buttery, smooth texture.

  • buckwheat
  • savory
  • nutty
  • earthy
  • smooth
  • creamy texture
Sweet
1/5
Body
3/5
Aroma
4/5
Fruit
not described
Floral
not described
Grain
4/5
Earth
3/5
Umami
2/5

Read from the words above rather than measured. Where it says not described, none of the sources behind this page mention it, which is not the same as it not being there.

Base
100% buckwheat, grown in China
Koji
soba koji (100% buckwheat, Takara's proprietary technology)
Distillation
a blend of atmospheric and vacuum distilled spirit
ABV
25%

What to mix with it

Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

A longer wedge is a family we'd reach for sooner with this bottle, worked out from its flavours rather than tasted. It isn't a score, or a comparison with other bottles.

Explore all 82 pairings
  • Ginger beer

    Strong match

    A spicy one, not a sweet one. The mule format works for every dark shochu, and it is the most forgiving way to serve one.

    • Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.
    • Ginger heat gives earthy bottles a pulse
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Eden Foods sells it as Ume Plum Vinegar in most US supermarkets, and it is one of the cheapest things on this list. A bar spoon, and unlike a crushed umeboshi it can go into a shaken drink.

    • Salt and acid arrive together, which is what a salted rim does for a margarita
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Eden Foods sells it as Ume Plum Vinegar in most US supermarkets, and it is one of the cheapest things on this list. A bar spoon, and unlike a crushed umeboshi it can go into a shaken drink.
  • Amaretto

    Strong match

    A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.

    • It lands on a nutty note the bottle already has
    • Soba and almond share a toasted, nutty middle
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Almond syrup with a touch of orange blossom. The tiki sweetener, and kokuto shochu is a tiki spirit waiting to happen.

    • Almond syrup on a nutty bottle
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • Buckwheat's sweetness is dark rather than bright, so a dark syrup extends it and a pale one sits on top.
  • Toasted sesame

    Strong match

    A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.

    • Nut on nut
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.
  • Ginger ale

    Strong match

    The gentle ginger. For bottles that a ginger beer would bully.

    • Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Hoppy Beverage Co. has made it in Tokyo since 1948; at 0.8 percent it is legally a soft drink, and it is hard to find outside Japan. Chill the bottle, the shochu and the mug and no ice is needed.

    • Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Kombucha

    Good match

    A plain or ginger kombucha. Acid, bubbles and a little funk, all three in one pour.

    • Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • The shortcut to a sour when there is no fresh lemon. Less sweet is better.

    • Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Soda water

    Good match

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Dry cava or crémant. Acid and bubbles in one pour.

    • Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Tonic water

    Good match

    A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

    • Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Oolong tea

    Strong match

    Unsweetened, cold. One part shochu to three or four parts tea, over ice. Drinks with food better than almost anything else here.

    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • Unsweetened, cold. One part shochu to three or four parts tea, over ice. Drinks with food better than almost anything else here.
  • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • The one mixer that puts the bottle's own raw material back into the glass
    • Toasty and faintly sweet, with no tannin to fight
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

    • Heat is what makes buckwheat smell toasted rather than merely nutty. That's most of the reason to pick a soba shochu at all.
    • Heat pulls the earth and the sweetness out of a bottle
  • Matcha

    Strong match

    Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

    • A creamy bottle is already doing what milk does in a matcha latte
    • Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.
  • Pu-erh tea

    Good match

    Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.

    • Fermented and dark where oolong is astringent and light, so it meets earth instead of covering it
    • Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.
  • Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.

    • Acid with a savoury depth behind it, which suits the koji side better than a lemon does
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Coconut

    Good match

    Coconut water for lengthening, coconut milk or cream for weight.

    • The bottle is already nutty, and this puts more of that in the glass.
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Falernum

    Good match

    John D. Taylor's Velvet Falernum, about twenty dollars. At 11 percent it behaves like a syrup, so it sweetens and thickens without raising the drink.

    • The bottle is already nutty, and this puts more of that in the glass.
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Blandy's or Barbeito, ten year. It is the one fortified wine that brings real acid, so it can do the lemon's job on a bottle where fresh citrus reads harsh.

    • The bottle is already nutty, and this puts more of that in the glass.
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Blood orange

    Good match

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
  • Grapefruit

    Good match

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
  • Lemon

    Good match

    Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
  • Lime

    Good match

    Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
  • Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.

    • Hazelnut and dried orange peel land straight on a nutty bottle
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Fino sherry

    Good match

    Fino or manzanilla. Savory, salty, bone dry.

    • Nut on nut
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Genever

    Good match

    Bols Genever, around thirty-five dollars. The split base for a grain shochu, in a way plain gin is not.

    • Against a soba bottle it reads as more of the same thing, not a second idea
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Zuiyo's Kuririn, from Japanese chestnuts at 11 percent, or Dover's wa-shu kuri, which is on a rum base. A dessert direction, and not the same thing as kuri shochu, which is a base spirit.

    • Nut on nut, and on a kuri shochu one of the two is the bottle's own raw material
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Maraschino

    Good match

    Luxardo. It is sweetened, whatever the name suggests: their own account of the process ends by adding a syrup of water and sugar to bring it to 32 percent. What makes it read as dry is the stone. The cherries sit in larch vats for up to three years, pits, leaves and all, before the lot is distilled and the heart rested in ash, and that almond bitterness arrives before the sugar does. So measure it as a sweetener that tastes bitter, not as a dry modifier, and a bar spoon changes a stirred drink completely.

    • The stone in the distillate reads as almond, which meets a nutty bottle
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Unsweetened, four parts shochu to six parts soy milk, which is how the Japanese recipes write it. Stronger than it tastes, so pour it knowing that.

    • Body and a bean sweetness without dairy fat, so the bottle stays legible
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Cynar, 16.5 percent, which is weaker than most shochu, so equal parts with a 25 percent bottle lands near 20 and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.

    • Vegetal bitterness against earth, which is a closer match than a caramel amaro makes
    • Both halves of the glass are savoury, which is unusual for a bitter drink
  • Two slices from any Asian grocery, seeds out. It keeps getting more bitter the longer it sits, so taste as you go and pull the slices when it is where you want it.

    • Bitterness that answers earth without adding any sweetness to it
    • The Okinawa brewers' association publishes a goya cocktail of its own, so this is not an idea from outside
  • Shiitake

    Good match

    A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

    • Earth on earth
    • A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.
  • Hojicha

    Good match

    Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Roasted tea and buckwheat are one flavour from two plants. Hojicha and soba-yu are the same instinct.
    • Hojicha's toasted note meets nutty bottles
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.
  • Cold-brewed sencha, unsweetened. Ocha-wari is one of the everyday ways shochu is drunk in Japan, alongside the oolong version.

    • Cold-brewed sencha, unsweetened. Ocha-wari is one of the everyday ways shochu is drunk in Japan, alongside the oolong version.
  • Jasmine tea

    Good match

    Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.

    • Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.
  • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Hyuganatsu

    Good match

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Kabosu

    Good match

    Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Sudachi

    Good match

    A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Yuzu

    Good match

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Hibiscus

    Good match

    Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The nutty base will swallow a delicate flower unless the drink is otherwise very plain.
  • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
  • Cranberry

    Good match

    Unsweetened juice. Sharp and a little tannic, useful for cutting sweetness.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
  • Kiwi

    Good match

    Muddled with the seeds. Green, sour and refreshing, and cheap year round.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
  • Passion fruit

    Good match

    The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
  • Pineapple

    Good match

    Fresh juice, or grilled wedges for a smokier drink. The awamori fruit.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
  • Raspberry

    Good match

    Sour enough to be useful. Muddle a handful, or use a good puree.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
  • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
  • Chamomile

    Good match

    Cold-brewed chamomile as a lengthener, or steeped in the spirit.

    • Chamomile is faint enough to be lost, and a smooth bottle leaves it the room it needs
    • The nutty base will swallow a delicate flower unless the drink is otherwise very plain.
  • Elderflower

    Good match

    The cordial, sweet and alcohol-free, poured like a syrup. Muscat, lychee and honey in one flower. The liqueur has its own entry below: a different product rather than a stronger or weaker version of this one, and it brings alcohol along with the flower.

    • Nothing here is sharp enough to cut the elderflower down, so it survives at the strength it was poured
    • The nutty base will swallow a delicate flower unless the drink is otherwise very plain.
  • Agave syrup

    Worth trying

    The neutral sweetener. Use when you want to balance acid without adding a flavor.

    • Buckwheat's sweetness is dark rather than bright, so a dark syrup extends it and a pale one sits on top.
  • Allspice dram

    Worth trying

    St. Elizabeth, in 375ml. A bar spoon is the whole dose: concentrated enough to flavour a low-proof drink without diluting it or raising it.

    • Clove and cinnamon give an earthy bottle the warmth hot water usually provides, in a cold glass
  • Aquavit

    Worth trying

    Linie, around thirty-five dollars, rested in oloroso casks at sea so it brings a little wood as well. A quarter ounce as a split base.

    • Caraway and dill point at the dashi and miso end of the table, where juniper does not go
  • Black pepper

    Worth trying

    A few grinds over the top. Aroma more than heat.

    • Pepper and earth
  • Blackberry

    Worth trying

    Late summer fruit with a savory edge. For the deeper bottles.

    • Dark fruit meets earthy depth without either backing down
  • Celery bitters

    Worth trying

    Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.

    • Alcohol suppresses savoury perception, so at 25 percent these notes stay audible
  • Giffard's white, or Tempus Fugit's, which is a pale brown rather than colourless. Tempus Fugit publishes 24 percent, so on a 25 percent shochu an ounce lengthens rather than fortifies, and on a 40 percent bottle it pulls the strength down.

    • Cocoa wants a little weight under it, and a creamy bottle has it
  • Fig

    Worth trying

    Fresh figs muddled, or fig jam. For the aged and the brown-sugar bottles only.

    • Fig and nut is a natural pair
  • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.

    • Gentian is earth in a bottle; earthy shochu meets it
  • Ginger

    Worth trying

    Fresh juice, a syrup, or a good ginger beer. The spice that makes a low-proof drink feel like it has a backbone.

    • Ginger heat gives earthy bottles a pulse
  • Hon-mirin

    Worth trying

    Mikawa Mirin from Sumiya Bunjiro Shoten, made from glutinous rice, koji and shochu since 1911 with no added sugar. Not the sweetened seasoning sold as mirin-fu chomiryo, which is a different product.

    • Sweet and savoury at once is what mirin is for in a kitchen, and the glass is no different
  • Honey

    Worth trying

    Diluted one to one with warm water so it mixes cold. A little goes far; taste before adding more.

    • Honey and buckwheat is a known pair, and buckwheat honey is the proof of it.
  • Okinawan or Amami kokuto dissolved one to one in water. Molasses, minerals, a little salt.

    • Buckwheat's sweetness is dark rather than bright, so a dark syrup extends it and a pale one sits on top.
  • Kombu

    Worth trying

    A small piece steeped in the bottle overnight. Savory depth without salt.

    • A small piece steeped in the bottle overnight. Savory depth without salt.
  • Kumquat

    Worth trying

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
  • Maple syrup

    Worth trying

    Dark, in small amounts, for the cask and sweet-potato bottles.

    • Buckwheat's sweetness is dark rather than bright, so a dark syrup extends it and a pale one sits on top.
  • Olive brine

    Worth trying

    A bar spoon, no more. Salt, and the savory note that comes with it.

    • A bar spoon, no more. Salt, and the savory note that comes with it.
  • A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.

    • A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.
  • Sea salt

    Worth trying

    A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.

    • A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.
  • Umeboshi

    Worth trying

    One salted plum, crushed with a spoon in the glass. Salty, sour, savory.

    • One salted plum, crushed with a spoon in the glass. Salty, sour, savory.
  • Coffee (cold brew)

    Worth trying

    Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a delicate, perfumed one.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a delicate, perfumed one.
  • Genmaicha

    Worth trying

    Green tea with popped, toasted rice. Cold-brew it.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • Green tea with popped, toasted rice. Cold-brew it.
  • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.
  • Mikan (satsuma)

    Worth trying

    Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Yuzu kosho

    Worth trying

    The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.

    • The chili leaves warmth at the back rather than heat on the tongue
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • The Korean-style yuzu preserve sold in jars. A spoon in hot water with shochu, or shaken cold.

    • Buckwheat's sweetness is dark rather than bright, so a dark syrup extends it and a pale one sits on top.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Jasmine

    Worth trying

    A syrup or a few dried blossoms steeped. See jasmine tea for the long drink.

    • The nutty base will swallow a delicate flower unless the drink is otherwise very plain.
  • Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

    • The nutty base will swallow a delicate flower unless the drink is otherwise very plain.
  • Shikuwasa

    Worth trying

    Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.

    • A heavy earthy bottle swallows it, and the fruit is too good to waste that way
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.

Ways to serve it

  • Oyuwari (with hot water)
  • On the rocks
  • Straight
  • Mizuwari (with water)

Buckwheat shochu is nutty and quiet, and roasted things meet it on its own terms rather than covering it. Hojicha and mugicha pick up the nuttiness; citrus and ginger work differently, by cutting the quiet rather than matching it.

Cocktails other people made

We haven't found a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 8 more
  • Just One Cookbook

    Japanese Yuzu Cocktail (Yuzu Chuhai)

    Written for shochu generally

    • ½ cup club soda (soda water)
    • ¼ cup shochu (any brand or type)
    • 1 tbsp homemade simple syrup
    • 1 tsp yuzu juice (extract)
    • ice cubes
    • 1, 2 tsp korean citron tea (yuja cha) (optional)
    • lime (optional; can use lemon)

    Built tall in the glass.

    Full method at Just One Cookbook →
  • Pickled Plum

    Umeboshi Sour (Pickled Plum Cocktail)

    Written for shochu generally

    • ice cubes
    • 1/4 cup shōchū (such as iichiko)
    • 3/4 cup sparkling water
    • 1 1/2 tablespoon umezu (plum vinegar)
    • 1/2 teaspoon plain rice vinegar
    • 1/2 teaspoon honey (optional)
    • 1 large soft umeboshi (japanese pickled plum)
    • 1 shiso leaf, whole or shredded, for garnish (optional)

    Built in the glass.

    Full method at Pickled Plum →
  • punchdrink.com · Brian Evans and George Padilla, Brooklyn, New York

    The Rule of Thirds Chu-Hai

    Written for shochu generally

    • 1 1/2 ounces shochu
    • 1 1/4 ounce grapefruit juice
    • 3/4 ounce sweetened hojicha tea (see editor's note)
    • club soda, to top

    Built tall in the glass.

    Full method at punchdrink.com →
  • Pickled Plum

    Lemon Sour (Japanese)

    Written for shochu generally

    • juice of 1/2 lemon
    • 1/4 cup shōchū (or soju)
    • 1/2 cup soda water
    • 1 tablespoon simple syrup (1 tablespoon sugar mixed with 1 tablespoon water)
    • ice cubes

    Built tall in the glass.

    Full method at Pickled Plum →
  • punchdrink.com · Teppoudama, Tokyo, Japan

    Gari Hai

    Written for shochu generally

    • scant 1 3/4 ounces shochu
    • 6 to 7 ounces soda water, to top
    • Garnish: 1 large pinch of gari (pickled ginger slices, pink or yellow)

    Built tall in the glass.

    Full method at punchdrink.com →
  • punchdrink.com · Tokyo Record Bar, New York

    Miso Dark 'n' Stormy

    Written for shochu generally

    • 2 ounces shochu
    • 1 ounce miso syrup (see editor's note)
    • 3/4 ounce yuzu juice
    • cynar, to top
    • soda, to top

    Built tall in the glass.

    Full method at punchdrink.com →
  • punchdrink.com · Don Lee, Existing Conditions, New York

    Iichiko "Oyuwari"

    Written for iichiko

    iichiko is a range rather than one bottle, so the strength and the style vary across it. Treat this as a starting point.

    • 2 ounces iichiko shochu
    • 1 1/2 ounces grapefruit juice
    • 2 pinches genmai
    • 1/2 ounce water
    • 2 teaspoons sugar
    Full method at punchdrink.com →