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Pour this first

Ginger ale, tall over ice. Grapefruit with it.

Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.

An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration. Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

One part shochu to three or four parts of the long mixer, over plenty of ice, then the accent on top. If it tastes thin, go two to three next time.

What it tastes like

Soba shochu from Kitsukura Shuzo in Nagano. Producer's tasting notes: umami. The profile below is built from the tasting notes the producer publishes.

  • buckwheat
  • umami
Sweet
1/5
Body
3/5
Aroma
4/5
Fruit
not described
Floral
not described
Grain
5/5
Earth
3/5
Umami
2/5

Read from the words above rather than measured. Where it says not described, none of the sources behind this page mention it, which is not the same as it not being there.

Base
80 percent buckwheat, 20 percent rice koji
Koji
yellow koji
ABV
25%

What to mix with it

Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

A longer wedge is a family we'd reach for sooner with this bottle, worked out from its flavours rather than tasted. It isn't a score, or a comparison with other bottles.

Explore all 83 pairings
  • Matcha

    Strong match

    Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

    • The bottle is already savoury, and this puts more of that in the glass.
    • Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.
  • Ginger ale

    Strong match

    The gentle ginger. For bottles that a ginger beer would bully.

    • Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Ginger beer

    Strong match

    A spicy one, not a sweet one. The mule format works for every dark shochu, and it is the most forgiving way to serve one.

    • Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Hoppy Beverage Co. has made it in Tokyo since 1948; at 0.8 percent it is legally a soft drink, and it is hard to find outside Japan. Chill the bottle, the shochu and the mug and no ice is needed.

    • Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Kombucha

    Strong match

    A plain or ginger kombucha. Acid, bubbles and a little funk, all three in one pour.

    • Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • The shortcut to a sour when there is no fresh lemon. Less sweet is better.

    • Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Soda water

    Strong match

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Dry cava or crémant. Acid and bubbles in one pour.

    • Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Tonic water

    Strong match

    A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

    • Soba shochu is usually vacuum distilled and light. That's the profile a highball flatters. The soba highball is a standard order in a soba restaurant, not an experiment.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Oolong tea

    Strong match

    Unsweetened, cold. One part shochu to three or four parts tea, over ice. Drinks with food better than almost anything else here.

    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • Unsweetened, cold. One part shochu to three or four parts tea, over ice. Drinks with food better than almost anything else here.
  • Green tea (sencha)

    Strong match

    Cold-brewed sencha, unsweetened. Ocha-wari is one of the everyday ways shochu is drunk in Japan, alongside the oolong version.

    • Green tea has umami of its own; it meets the bottle's
    • Cold-brewed sencha, unsweetened. Ocha-wari is one of the everyday ways shochu is drunk in Japan, alongside the oolong version.
  • Pu-erh tea

    Good match

    Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.

    • One of the few mixers that can go under a heavy bottle hot without the drink turning bitter
    • Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.
  • Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.

    • A vinegar with savour under it rather than only sharpness, so beside a savoury bottle it reads as family instead of contrast
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Blood orange

    Good match

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
  • Grapefruit

    Good match

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
  • Lemon

    Good match

    Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
  • Lime

    Good match

    Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
  • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

    • Ume's salt and sourness pull umami forward
    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
  • Eden Foods sells it as Ume Plum Vinegar in most US supermarkets, and it is one of the cheapest things on this list. A bar spoon, and unlike a crushed umeboshi it can go into a shaken drink.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Eden Foods sells it as Ume Plum Vinegar in most US supermarkets, and it is one of the cheapest things on this list. A bar spoon, and unlike a crushed umeboshi it can go into a shaken drink.
  • Amaretto

    Good match

    A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.

    • Soba and almond share a toasted, nutty middle
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.

    • Flor leaves a savoury edge behind it, and koji leaves the same one
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Fino sherry

    Good match

    Fino or manzanilla. Savory, salty, bone dry.

    • Fino's salt and yeast meet the savour koji leaves behind
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Genever

    Good match

    Bols Genever, around thirty-five dollars. The split base for a grain shochu, in a way plain gin is not.

    • Against a soba bottle it reads as more of the same thing, not a second idea
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Almond syrup with a touch of orange blossom. The tiki sweetener, and kokuto shochu is a tiki spirit waiting to happen.

    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • Buckwheat's sweetness is dark rather than bright, so a dark syrup extends it and a pale one sits on top.
  • Toasted sesame

    Good match

    A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.

    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.
  • Kombu

    Good match

    A small piece steeped in the bottle overnight. Savory depth without salt.

    • Kombu pushes the glass further toward the savoury side a bottle with umami is already on
    • A small piece steeped in the bottle overnight. Savory depth without salt.
  • Olive brine

    Good match

    A bar spoon, no more. Salt, and the savory note that comes with it.

    • Salt brings umami forward
    • A bar spoon, no more. Salt, and the savory note that comes with it.
  • Sea salt

    Good match

    A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.

    • Salt is the fastest way to make umami louder
    • A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.
  • Shiitake

    Good match

    A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

    • Dried shiitake is the umami bomb of the Japanese pantry
    • A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.
  • Umeboshi

    Good match

    One salted plum, crushed with a spoon in the glass. Salty, sour, savory.

    • Salt and sour pull umami forward
    • One salted plum, crushed with a spoon in the glass. Salty, sour, savory.
  • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • The one mixer that puts the bottle's own raw material back into the glass
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.
  • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

    • Heat is what makes buckwheat smell toasted rather than merely nutty. That's most of the reason to pick a soba shochu at all.
  • Jasmine tea

    Good match

    Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.

    • Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.
  • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Hyuganatsu

    Good match

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Kabosu

    Good match

    Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Shikuwasa

    Good match

    Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Sudachi

    Good match

    A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Yuzu

    Good match

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Hibiscus

    Good match

    Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
    • The nutty base will swallow a delicate flower unless the drink is otherwise very plain.
  • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
  • Cranberry

    Good match

    Unsweetened juice. Sharp and a little tannic, useful for cutting sweetness.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
  • Kiwi

    Good match

    Muddled with the seeds. Green, sour and refreshing, and cheap year round.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
  • Passion fruit

    Good match

    The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
  • Pineapple

    Good match

    Fresh juice, or grilled wedges for a smokier drink. The awamori fruit.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
  • Raspberry

    Good match

    Sour enough to be useful. Muddle a handful, or use a good puree.

    • An earthy, heavy spirit flattens out without acid. This is the ingredient doing structural work, not decoration.
  • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.

    • The bottle is already savoury, and this puts more of that in the glass.
  • Coconut

    Worth trying

    Coconut water for lengthening, coconut milk or cream for weight.

    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Falernum

    Worth trying

    John D. Taylor's Velvet Falernum, about twenty dollars. At 11 percent it behaves like a syrup, so it sweetens and thickens without raising the drink.

    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Zuiyo's Kuririn, from Japanese chestnuts at 11 percent, or Dover's wa-shu kuri, which is on a rum base. A dessert direction, and not the same thing as kuri shochu, which is a base spirit.

    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Blandy's or Barbeito, ten year. It is the one fortified wine that brings real acid, so it can do the lemon's job on a bottle where fresh citrus reads harsh.

    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Maraschino

    Worth trying

    Luxardo. It is sweetened, whatever the name suggests: their own account of the process ends by adding a syrup of water and sugar to bring it to 32 percent. What makes it read as dry is the stone. The cherries sit in larch vats for up to three years, pits, leaves and all, before the lot is distilled and the heart rested in ash, and that almond bitterness arrives before the sugar does. So measure it as a sweetener that tastes bitter, not as a dry modifier, and a bar spoon changes a stirred drink completely.

    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Soy milk (tonyu)

    Worth trying

    Unsweetened, four parts shochu to six parts soy milk, which is how the Japanese recipes write it. Stronger than it tastes, so pour it knowing that.

    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Agave syrup

    Worth trying

    The neutral sweetener. Use when you want to balance acid without adding a flavor.

    • Buckwheat's sweetness is dark rather than bright, so a dark syrup extends it and a pale one sits on top.
  • Aquavit

    Worth trying

    Linie, around thirty-five dollars, rested in oloroso casks at sea so it brings a little wood as well. A quarter ounce as a split base.

    • It reads as seasoning rather than as perfume, which is what a savoury bottle wants
  • Black pepper

    Worth trying

    A few grinds over the top. Aroma more than heat.

    • Pepper wakes up savory bottles
  • Cynar, 16.5 percent, which is weaker than most shochu, so equal parts with a 25 percent bottle lands near 20 and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.

    • With a 25 percent bottle under it the bitterness reads as celery and walnut skin instead of being scorched off
  • Celery

    Worth trying

    Juiced, or a stalk as the stirrer. Savory, salty and cold.

    • Celery's salt and green note pull umami forward
  • Celery bitters

    Worth trying

    Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.

    • Celery seed and salt make a savoury note louder, and a bottle described as having umami has one to work on
  • Gum syrup (gomme)

    Worth trying

    Small Hand Foods', or sugar, water and gum arabic from the baking aisle at home. Worth knowing that most Japanese gum syrup on a shelf today has no arabic gum in it at all.

    • Buckwheat's sweetness is dark rather than bright, so a dark syrup extends it and a pale one sits on top.
  • Hon-mirin

    Worth trying

    Mikawa Mirin from Sumiya Bunjiro Shoten, made from glutinous rice, koji and shochu since 1911 with no added sugar. Not the sweetened seasoning sold as mirin-fu chomiryo, which is a different product.

    • It adds body and savour where a sugar syrup would only add sugar
  • Honey

    Worth trying

    Diluted one to one with warm water so it mixes cold. A little goes far; taste before adding more.

    • Honey and buckwheat is a known pair, and buckwheat honey is the proof of it.
  • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.

    • The Umami expression is kelp, shiitake and bonito, aimed at the savoury side the bottle is described with
  • Okinawan or Amami kokuto dissolved one to one in water. Molasses, minerals, a little salt.

    • Buckwheat's sweetness is dark rather than bright, so a dark syrup extends it and a pale one sits on top.
  • Kumquat

    Worth trying

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
  • Maple syrup

    Worth trying

    Dark, in small amounts, for the cask and sweet-potato bottles.

    • Buckwheat's sweetness is dark rather than bright, so a dark syrup extends it and a pale one sits on top.
  • Orange

    Worth trying

    Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.

    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
  • A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.

    • A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.
  • Tomato

    Worth trying

    Good tomato juice, or a ripe tomato muddled and strained. Savoury and acidic at once.

    • Tomato is savoury, and so is a bottle described as having umami, so the two meet rather than compete
  • Coffee (cold brew)

    Worth trying

    Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a delicate, perfumed one.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a delicate, perfumed one.
  • Genmaicha

    Worth trying

    Green tea with popped, toasted rice. Cold-brew it.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • Green tea with popped, toasted rice. Cold-brew it.
  • Hojicha

    Worth trying

    Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • Roasted tea and buckwheat are one flavour from two plants. Hojicha and soba-yu are the same instinct.
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
  • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.

    • This bottle's aroma is the reason to own it, and a roasted or smoky mixer covers exactly that.
    • The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
    • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.
  • Mikan (satsuma)

    Worth trying

    Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

    • Buckwheat is nutty and low in acid, so citrus is doing structural work rather than adding a flavour.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Yuzu kosho

    Worth trying

    The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.

    • The salt in it raises the perceived sweetness of koji
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • The Korean-style yuzu preserve sold in jars. A spoon in hot water with shochu, or shaken cold.

    • Buckwheat's sweetness is dark rather than bright, so a dark syrup extends it and a pale one sits on top.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Chamomile

    Worth trying

    Cold-brewed chamomile as a lengthener, or steeped in the spirit.

    • The nutty base will swallow a delicate flower unless the drink is otherwise very plain.
  • Elderflower

    Worth trying

    The cordial, sweet and alcohol-free, poured like a syrup. Muscat, lychee and honey in one flower. The liqueur has its own entry below: a different product rather than a stronger or weaker version of this one, and it brings alcohol along with the flower.

    • The nutty base will swallow a delicate flower unless the drink is otherwise very plain.
  • Jasmine

    Worth trying

    A syrup or a few dried blossoms steeped. See jasmine tea for the long drink.

    • The nutty base will swallow a delicate flower unless the drink is otherwise very plain.
  • Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

    • The nutty base will swallow a delicate flower unless the drink is otherwise very plain.
  • Rose

    Worth trying

    A drop of rose water, or a rose syrup. A drop; it takes over.

    • The nutty base will swallow a delicate flower unless the drink is otherwise very plain.
  • Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.

    • The nutty base will swallow a delicate flower unless the drink is otherwise very plain.

Ways to serve it

  • On the rocks
  • Mizuwari (with water)

Buckwheat shochu is nutty and quiet, and roasted things meet it on its own terms rather than covering it. Hojicha and mugicha pick up the nuttiness; citrus and ginger work differently, by cutting the quiet rather than matching it.

Cocktails other people made

We haven't found a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 8 more
  • Just One Cookbook

    Japanese Yuzu Cocktail (Yuzu Chuhai)

    Written for shochu generally

    • ½ cup club soda (soda water)
    • ¼ cup shochu (any brand or type)
    • 1 tbsp homemade simple syrup
    • 1 tsp yuzu juice (extract)
    • ice cubes
    • 1, 2 tsp korean citron tea (yuja cha) (optional)
    • lime (optional; can use lemon)

    Built tall in the glass.

    Full method at Just One Cookbook →
  • Pickled Plum

    Umeboshi Sour (Pickled Plum Cocktail)

    Written for shochu generally

    • ice cubes
    • 1/4 cup shōchū (such as iichiko)
    • 3/4 cup sparkling water
    • 1 1/2 tablespoon umezu (plum vinegar)
    • 1/2 teaspoon plain rice vinegar
    • 1/2 teaspoon honey (optional)
    • 1 large soft umeboshi (japanese pickled plum)
    • 1 shiso leaf, whole or shredded, for garnish (optional)

    Built in the glass.

    Full method at Pickled Plum →
  • punchdrink.com · Brian Evans and George Padilla, Brooklyn, New York

    The Rule of Thirds Chu-Hai

    Written for shochu generally

    • 1 1/2 ounces shochu
    • 1 1/4 ounce grapefruit juice
    • 3/4 ounce sweetened hojicha tea (see editor's note)
    • club soda, to top

    Built tall in the glass.

    Full method at punchdrink.com →
  • Pickled Plum

    Lemon Sour (Japanese)

    Written for shochu generally

    • juice of 1/2 lemon
    • 1/4 cup shōchū (or soju)
    • 1/2 cup soda water
    • 1 tablespoon simple syrup (1 tablespoon sugar mixed with 1 tablespoon water)
    • ice cubes

    Built tall in the glass.

    Full method at Pickled Plum →
  • punchdrink.com · Teppoudama, Tokyo, Japan

    Gari Hai

    Written for shochu generally

    • scant 1 3/4 ounces shochu
    • 6 to 7 ounces soda water, to top
    • Garnish: 1 large pinch of gari (pickled ginger slices, pink or yellow)

    Built tall in the glass.

    Full method at punchdrink.com →
  • punchdrink.com · Tokyo Record Bar, New York

    Miso Dark 'n' Stormy

    Written for shochu generally

    • 2 ounces shochu
    • 1 ounce miso syrup (see editor's note)
    • 3/4 ounce yuzu juice
    • cynar, to top
    • soda, to top

    Built tall in the glass.

    Full method at punchdrink.com →
  • punchdrink.com · Don Lee, Existing Conditions, New York

    Iichiko "Oyuwari"

    Written for iichiko

    iichiko is a range rather than one bottle, so the strength and the style vary across it. Treat this as a starting point.

    • 2 ounces iichiko shochu
    • 1 1/2 ounces grapefruit juice
    • 2 pinches genmai
    • 1/2 ounce water
    • 2 teaspoons sugar
    Full method at punchdrink.com →

Sources and verification

Filed under soba shochu.