Kirishima Melt Barley 720ml

Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a daiginjo.

Green tea with popped, toasted rice. Cold-brew it. Comfort in a glass.

Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.

Unsweetened, cold. One part shochu to three or four parts tea, over ice. It is the drink half of Japan orders with dinner.

A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

Fresh in early summer; morello or amarena in syrup otherwise. Dark cherry for aged bottles, bright cherry for sparkling.

Orange with a raspberry edge. Winter fruit; worth waiting for.

Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.

The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

The gentle ginger. For bottles that a ginger beer would bully.

Cold-brewed. Floral without sugar. The jasmine highball is a real menu item in Japan.

Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

Cold, and fizzy enough to matter. One part spirit to three or four parts soda for shochu; one to one for sake.

Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.

Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

Fresh juice, never bottled. The building block of the lemon sour, and the fastest way to give sake the acidity it does not have on its own.

Fino or manzanilla. Savory, salty, bone dry.

Montenegro, Nonino, Averna. Equal parts with a dark shochu over ice is a whole drink.

Cold-pressed juice or thin slices. Green apple is the aroma many ginjo sake already carry, so this is amplification rather than addition.

Fresh in season, dried the rest of the year. Apricot and umeshu share a family, which is why they get along.

Angostura or a Japanese aromatic. Two dashes.

A stick in hot water with the spirit, or a light syrup. Winter.

Ribbons or muddled slices. Cucumber is what turns a glass of sake into something you would drink on a porch.

Fresh figs muddled, or fig jam. For the aged and the brown-sugar bottles only.

Bruised stalks steeped in the spirit, or a syrup. Citrus without acid, which is useful when you want aroma but not sourness.

A sprig, lightly toasted with a lighter, as garnish or stirred. Strong; a little.

Green shiso leaves, slapped or muddled gently. Red shiso as a syrup. Japan already makes shiso shochu, which tells you it works.

Gentler than rosemary. Steep a sprig, or use a thyme syrup.

Bolder than white peach, closer to apricot. For bottles with more weight.

A spicy one, not a sweet one. The mule format works for every dark shochu and most sake.

Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

Dry cava or crémant. Topping sake with it adds the acid and the bubbles sake lacks in one pour.

A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.

One white, dry-shaken. Texture without flavor.

Cold whole milk. Shochu milk-wari is a real order in Kyushu, not a dare.

The dairy-free milk that tastes of cereal, which is why it likes grain spirits.

A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.

A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

One salted plum, crushed with a spoon in the glass. Salty, sour, savory.

Cold-brewed sencha, unsweetened. The green tea highball is one of the most common ways shochu is actually drunk in Japan.

The shortcut to a sour when there is no fresh lemon. Less sweet is better.

A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

Coconut water for lengthening, coconut milk or cream for weight.

Unsweetened juice. Sharp and a little tannic, useful for cutting sweetness.

Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

Muddled with the seeds. Green, sour and refreshing, and cheap year round.

The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

Fresh juice, or grilled wedges for a smokier drink. The awamori fruit.

Sour enough to be useful. Muddle a handful, or use a good puree.

Campari, Aperol, or a Japanese bitter like Kina. The aperitivo hour is where sake and shochu make the most sense as cocktails.

Muddled gently with citrus. Thai basil brings anise, Italian basil brings pepper.

Late summer fruit with a savory edge. For the deeper bottles.

Sweeter and muskier than honeydew. Prosciutto logic: it likes salt nearby.

A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

A bar spoon. Cassis-oolong is one of the most common izakaya orders in Japan.

Cold-brewed chamomile as a lengthener, or steeped in the spirit.

Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.

Ripe honeydew, juiced or in cubes. If a bottle says melon on the label, this is the proof.

Young sansho leaves, clapped between the palms and floated. Hard to find outside Japanese markets in spring, worth the hunt.

Torn leaves steeped briefly. Perfumed citrus without juice.

Green muscat grapes, halved or juiced. Shine Muscat if you can find it.

Cointreau or a dry curaçao. The sweet-and-citrus half of any sour.

Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

A good one (Giffard, Merlet). A shortcut to the bellini when peaches are out of season.

Ripe pear, muddled or as nectar. Delicate, so it belongs with delicate bottles.

One star, steeped, for the dark bottles.

Sweet, sour, almondy. A splash does the work of both syrup and citrus.

The bellini fruit. Nectar from a Japanese market, or a ripe peach muddled through a strainer.

Sweet yuzu liqueur, usually on a sake or shochu base. A shortcut to yuzu when the fruit is out of season.

Diluted one to one with warm water so it mixes cold. A little goes far; taste before adding more.

Dark, in small amounts, for the cask and sweet-potato bottles.

Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

Fresh orange juice for a sparkling sake mimosa; the peel for stirred drinks with aged bottles.

Juiced, or a stalk as the stirrer. Savory, salty and cold.

Good tomato juice, or a ripe tomato muddled and strained. Sake's umami and tomato's are chemically the same thing.

The non-alcoholic koji drink, sweet from rice starch alone. Blend with the spirit and ice; it is a shochu smoothie.

Half-and-half or heavy cream, in the after-dinner glass only.

A small piece steeped in the bottle overnight. Savory depth without salt.

White miso whisked into a syrup, a small spoon per drink. Salty, sweet and savory at once.

A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.