Skip to content

Pour this first

Hot water (oyuwari), in a warm cup. Lime with it.

Worked out from kokuto shochu in general, not this bottle.

Kokuto oyuwari smells of brown sugar candy

Cane sugar spirit and lime is the daiquiri, and kokuto shochu is a cane spirit at two thirds the proof. Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.

Hot water in the cup first, then the shochu, six parts shochu to four of water. No ice. Then the accent on top. If it's too strong, a little more water next time.

What it tastes like

Kokuto shochu from Amamioshimakaiun Shuzo in Kagoshima. Its published notes don't name a flavour we can place, so the profile below is the style rather than this bottle.

  • kokuto
  • aged

This is what kokuto shochu usually tastes like, not this bottle's own profile.

Base
black sugar
Aging
Long-aged

What to mix with it

These start from what kokuto shochu usually likes, because nothing we've found places this bottle's own flavours. Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

A longer wedge is a family we'd reach for sooner with this bottle, worked out from its flavours rather than tasted. It isn't a score, or a comparison with other bottles.

Explore all 91 pairings
  • Cardamom

    Strong match

    A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Cardamom and brown sugar is a chai
    • Spice on aged, nutty notes
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Star anise

    Strong match

    One star, steeped, for the dark bottles.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Anise and aged notes are a winter cabinet
    • Star anise and brown sugar is a braise
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Brown sugar and bitter orange is rum and orange with the sugar turned down
    • The peel is doing what the orange twist on an old fashioned does
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Lime

    Strong match

    Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.

    • Cane sugar spirit and lime is the daiquiri, and kokuto shochu is a cane spirit at two thirds the proof.
    • Lime and cane sugar spirit is the oldest pairing in rum, and kokuto shochu is a cane spirit
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Pineapple

    Strong match

    Fresh juice, or grilled wedges for a smokier drink. The awamori fruit.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
    • Brown sugar spirit, pineapple, lime: that is a daiquiri variation
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Amaro

    Strong match

    Montenegro, Nonino, Averna. Equal parts with a dark shochu over ice is a whole drink.

    • Amaro and aged notes are a winter bar
    • Brown sugar and bitter herbs
    • Brown sugar carries bitterness the way a boulevardier carries whiskey. Amaro and red bitter both land.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Aromatic bitters

    Strong match

    Angostura or a Japanese aromatic. Two dashes.

    • Kokuto old fashioned
    • Two dashes wake up an aged bottle
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Angostura or a Japanese aromatic. Two dashes.
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • Black tea's tannin sits well with aged notes
    • Black tea and brown sugar is milk tea logic
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.
  • Hojicha

    Strong match

    Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

    • Roasted tea and aged notes are a fireside
    • Hojicha and kokuto is a tea-house dessert
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.
  • Cinnamon

    Strong match

    A stick in hot water with the spirit, or a light syrup. Winter.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Cinnamon and aged notes are a hot toddy
    • Brown sugar and cinnamon
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Ginger

    Good match

    Fresh juice, a syrup, or a good ginger beer. The spice that makes a low-proof drink feel like it has a backbone.

    • Ginger and brown sugar is a dark and stormy. Kokuto shochu makes it at half the alcohol.
    • Ginger and brown sugar is a dark and stormy with an Amami accent
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • A rim of shichimi, or a slice of fresh chili. Heat on fruit, not on rice.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Brown sugar and chili is a hot honey logic
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Shikuwasa

    Strong match

    Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Okinawa's citrus against Amami's sugar, which is the whole southern islands in a glass
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Blood orange

    Good match

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Grapefruit

    Good match

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Kiwi

    Strong match

    Muddled with the seeds. Green, sour and refreshing, and cheap year round.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Kumquat

    Good match

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Kumquat's bitter peel stands up to aged, nutty notes
    • A Kyushu winter fruit with a Kyushu winter spirit
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Passion fruit

    Good match

    The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a delicate, perfumed one.

    • Brown sugar spirit and coffee is a rum-and-coffee, and Amami makes coffee liqueur from it
    • Tea and coffee meet the molasses in the bottle rather than arguing with it, and the darker the cup the better it holds.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Fernet

    Good match

    A quarter ounce. Menthol and bitterness, for the darkest bottles.

    • Fernet and cane spirit is an Argentine instinct
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • A quarter ounce. Menthol and bitterness, for the darkest bottles.
  • Matcha

    Good match

    Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

    • Matcha and brown sugar is a wagashi
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.
  • Black pepper

    Good match

    A few grinds over the top. Aroma more than heat.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Wasabi

    Good match

    A rice-grain amount, dissolved. For the savory, cucumber glass, not the fruit one.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Vanilla

    Good match

    A split bean in a syrup, or a good extract, in small amounts.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Brown sugar and vanilla
    • This bottle already reads sweet, on aroma rather than on sugar. Adding real sugar to it is the most common way a drink built on it goes wrong.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Hyuganatsu

    Good match

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Kabosu

    Good match

    Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Sudachi

    Good match

    A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Yuzu

    Good match

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Lemon

    Good match

    Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Fresh lemon reads harsh against aged, caramel notes
    • Brown sugar and lemon is the daiquiri logic, in a lighter spirit
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Sansho pepper

    Good match

    A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Yuzu kosho

    Good match

    The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Cream

    Good match

    Half-and-half or heavy cream, in the after-dinner glass only.

    • Brown sugar spirit and cream is a Kyushu flip
    • Molasses and dairy is dessert. Kokuto shochu with milk is an ordinary Amami one, and cream makes it a flip.
  • Fig

    Good match

    Fresh figs muddled, or fig jam. For the aged and the brown-sugar bottles only.

    • Fig meets the dried fruit that kusu awamori and long aged shochu already carry
    • Fig and brown sugar is a dessert plate
  • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

    • Kokuto oyuwari smells of brown sugar candy
    • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.
  • Milk

    Good match

    Cold whole milk. Fat rounds a spirit off the way it does in coffee, and it is not a dare.

    • Kokuto shochu and milk is an Amami dessert
    • Molasses and dairy is dessert. Kokuto shochu with milk is an ordinary Amami one, and cream makes it a flip.
  • Unsweetened, four parts shochu to six parts soy milk, which is how the Japanese recipes write it. Stronger than it tastes, so pour it knowing that.

    • Bean sweetness and brown sugar land on the same note
    • Unsweetened, four parts shochu to six parts soy milk, which is how the Japanese recipes write it. Stronger than it tastes, so pour it knowing that.
  • Campari, Aperol, or a Japanese bitter like Kina. Bitter and sweet at once, and it wants a base with something of its own to answer back.

    • Kokuto shochu and red bitter is a boulevardier logic
    • Brown sugar carries bitterness the way a boulevardier carries whiskey. Amaro and red bitter both land.
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
  • Coconut

    Good match

    Coconut water for lengthening, coconut milk or cream for weight.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
    • Brown sugar spirit and coconut is Amami and the Caribbean agreeing
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.
  • Cynar, 16.5 percent, which is weaker than most shochu, so equal parts with a 25 percent bottle lands near 20 and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cynar, 16.5 percent, which is weaker than most shochu, so equal parts with a 25 percent bottle lands near 20 and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.
  • Celery bitters

    Good match

    Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.
  • Genmaicha

    Good match

    Green tea with popped, toasted rice. Cold-brew it.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Green tea with popped, toasted rice. Cold-brew it.
  • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.
  • Cold-brewed sencha, unsweetened. Ocha-wari is one of the everyday ways shochu is drunk in Japan, alongside the oolong version.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold-brewed sencha, unsweetened. Ocha-wari is one of the everyday ways shochu is drunk in Japan, alongside the oolong version.
  • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.
  • Jasmine tea

    Good match

    Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.
  • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.
  • Oolong tea

    Good match

    Unsweetened, cold. One part shochu to three or four parts tea, over ice. Drinks with food better than almost anything else here.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Unsweetened, cold. One part shochu to three or four parts tea, over ice. Drinks with food better than almost anything else here.
  • Pu-erh tea

    Good match

    Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.
  • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. The bark is the point of it, and it carries a quinine bitterness no citrus will give you.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. The bark is the point of it, and it carries a quinine bitterness no citrus will give you.
  • Cappelletti Sfumato, where sfumato means smoked and the smoke is the point, or the sweeter Zucca. At 20 percent it can take a third of the glass and still leave the drink weaker than the bottle it started from.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Cappelletti Sfumato, where sfumato means smoked and the smoke is the point, or the sweeter Zucca. At 20 percent it can take a third of the glass and still leave the drink weaker than the bottle it started from.
  • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.

    • There is enough weight here to stand up to a bitter or a spice without disappearing under it.
    • Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.
  • Banana

    Good match

    Ripe banana, muddled or as a syrup. Isoamyl acetate, the ester behind a ginjo aroma, is the same compound that makes a banana smell of banana.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
    • Banana and brown sugar is bananas foster
    • This bottle already reads sweet, on aroma rather than on sugar. Adding real sugar to it is the most common way a drink built on it goes wrong.
  • Orange

    Good match

    Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Orange and brown sugar is a rum punch instinct that carries over
    • This bottle already reads sweet, on aroma rather than on sugar. Adding real sugar to it is the most common way a drink built on it goes wrong.
  • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.

    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Apricot

    Worth trying

    Fresh in season, dried the rest of the year. Apricot and umeshu share a family, which is why they get along.

    • Long aging turns a spirit towards stone fruit; the apricot joins what is already there
    • Apricot and brown sugar is a jam logic
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Coffee liqueur

    Worth trying

    Mr Black or a good Japanese one. Awamori and shochu makers bottle their own, so this is not a foreign idea imposed on the spirit.

    • Brown sugar and coffee is the pairing Amami distillers make themselves
    • An espresso martini on an aged base has the caramel the coffee is looking for
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Cranberry

    Worth trying

    Unsweetened juice. Sharp and a little tannic, useful for cutting sweetness.

    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Ginger liqueur

    Worth trying

    Barrow's Intense, made in Brooklyn, or Domaine de Canton, which is the easier one to find. Ginger and sugar arrive together either way, and both work hot as well as cold. Being spirits themselves they add alcohol along with the volume, which a juice or a syrup does not.

    • Warm spice against caramel, without the sugar a ginger beer brings
    • Brown sugar and ginger is the oldest warm drink there is
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Hibiscus

    Worth trying

    Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Orange liqueur

    Worth trying

    Cointreau or a dry curaçao. The sweet-and-citrus half of any sour.

    • Kokuto shochu, orange liqueur, lime: a margarita shape with a cane spirit
    • Aged bottles and orange peel liqueur
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Raspberry

    Worth trying

    Sour enough to be useful. Muddle a handful, or use a good puree.

    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Carpano Antica or Cocchi. A quarter of the shochu's volume, stirred cold, makes a manhattan-style drink: on a 25 percent shochu that is about 23 before the ice gets to it, where a 40 percent rye starts nearer 35.

    • An aged bottle already has the caramel a manhattan wants; this brings the botanicals
    • Brown sugar and sweet vermouth read as one long caramel note
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Eden Foods sells it as Ume Plum Vinegar in most US supermarkets, and it is one of the cheapest things on this list. A bar spoon, and unlike a crushed umeboshi it can go into a shaken drink.

    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Amontillado sherry

    Worth trying

    Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.

    • Both have spent years going quietly brown, and they meet in the middle
  • Basil

    Worth trying

    Muddled gently with citrus. Thai basil brings anise, Italian basil brings pepper.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
  • Dill

    Worth trying

    Fronds, gently muddled. For the savory, saline glass.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
  • Egg white

    Worth trying

    One white, dry-shaken. Texture without flavor.

    • One white, dry-shaken. Texture without flavor.
  • Fino sherry

    Worth trying

    Fino or manzanilla. Savory, salty, bone dry.

    • Oxidative on oxidative
  • Lemongrass

    Worth trying

    Bruised stalks steeped in the spirit, or a syrup. Citrus without acid, which is useful when you want aroma but not sourness.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
  • Miso

    Worth trying

    White miso whisked into a syrup, a small spoon per drink. Salty, sweet and savory at once.

    • Miso caramel is a dessert, and kokuto is the caramel
  • Oat milk

    Worth trying

    The dairy-free milk that tastes of cereal, which is why it likes grain spirits.

    • The dairy-free milk that tastes of cereal, which is why it likes grain spirits.
  • Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

    • Honeyed flower on honeyed age
  • Rosemary

    Worth trying

    A sprig, lightly toasted with a lighter, as garnish or stirred. Strong; a little.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
  • Sea salt

    Worth trying

    A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.

    • Salt and brown sugar
  • Shiitake

    Worth trying

    A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

    • A long aged spirit and dried mushroom share a forest floor note
  • Soda water

    Worth trying

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • Kokuto highball, with a lime
  • Soy sauce

    Worth trying

    A drop. Think of it as salt with depth, for the savory glass only.

    • A long aged spirit and aged soy share the same brown, oxidative notes
  • Dry cava or crémant. Acid and bubbles in one pour.

    • A kokuto shochu French 75
  • Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.

    • Warmth brings the molasses aroma forward. Cold water lengthens without pushing it further, which is the better choice when that aroma is already doing enough.
  • Thyme

    Worth trying

    Gentler than rosemary. Steep a sprig, or use a thyme syrup.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
  • Toasted sesame

    Worth trying

    A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.

    • Sesame and brown sugar is a wagashi
  • Lychee

    Worth trying

    Fresh in early summer, canned in syrup the rest of the year (drain it). The signature aroma of a whole school of imo shochu.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Mango

    Worth trying

    Ripe mango puree. Needs lime beside it or it goes flat.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
    • This bottle already reads sweet, on aroma rather than on sugar. Adding real sugar to it is the most common way a drink built on it goes wrong.
  • Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.

    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Young sansho leaves, clapped between the palms and floated. Hard to find outside Japanese markets in spring, worth the hunt.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Makrut lime leaf

    Worth trying

    Torn leaves steeped briefly. Perfumed citrus without juice.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Dewazakura's from Yamagata plums, or Machida Shuzo's on Amami kokuto shochu. It does umeshu's job and leaves the glass drier, which matters when the bottle is already sweet.

    • The Amami bottlings are literally kokuto shochu with plum steeped in it
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Mint

    Worth trying

    Slapped, not muddled to bits. Mint reads as cold, which makes any low-proof drink feel more refreshing.

    • Mint's brightness argues with aged notes
    • Brown sugar spirit, mint, lime, soda: a mojito with an Amami accent
    • Mint, lime and a cane spirit is a mojito, and Amami has the sugar for it.
  • Mikan (satsuma)

    Worth trying

    Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • This bottle already reads sweet, on aroma rather than on sugar. Adding real sugar to it is the most common way a drink built on it goes wrong.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.

Ways to serve it

  • On the rocks
  • Mizuwari (with water)

Brown sugar shochu is legally only made on the Amami islands, and it is a cane spirit in everything but name. Every rum drink you know is available to it at two thirds the alcohol.

Cocktails other people made

We haven't found a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 8 more
  • Nankai Shochu

    Nankai Coffee Tonic

    Written for a similar bottle

    Written for Nankai Gold Shochu, also a brown sugar shochu.

    • 1 oz Nankai Gold
    • 1 oz cold brew coffee
    • 2 oz tonic water
    • 0.5 oz simple syrup
    • Orange peel, for garnish

    Built in the glass.

    Full method at Nankai Shochu →
  • Nankai Shochu · Matthew Biancaniello and Adam Chapman

    Shiitake Old Fashioned

    Written for a similar bottle

    Written for Nankai White Oak Shochu, also a brown sugar shochu. We have this one as the sweeter of the two, which is what will move most in the glass.

    • 2 oz shiitake-infused Nankai White Oak
    • 0.25 oz kokuto syrup
    • 1 dash candy cap bitters
    • For the infusion: 1 bottle Nankai White Oak, 2 dried shiitake, 2 fresh shiitake
    • For the bitters: 180 ml aromatic bitters, 1 handful candy cap mushrooms
    • For the syrup: 1 cup kokuto sugar

    Stirred.

    Full method at Nankai Shochu →
  • Nankai Shochu

    Thai Kokuto Gimlet

    Written for a similar bottle

    Written for Nankai Shochu (Original), also a brown sugar shochu.

    • 3 oz Nankai Shochu
    • 1 oz lime juice
    • 1 oz Thai kokuto syrup
    • 3 to 6 drops olive oil, optional
    • For the syrup: 1 cup water, half a cup raw sugar, half a cup kokuto black sugar, 4 to 6 makrut lime leaves

    Shaken.

    Full method at Nankai Shochu →
  • Nankai Shochu

    Yuzu Martini

    Written for a similar bottle

    Written for Nankai Shochu (Original), also a brown sugar shochu.

    • 2.25 oz Nankai Shochu
    • 0.75 oz dry vermouth
    • 2 to 5 dashes yuzu juice
    • 1 dash orange bitters
    • Lemon peel, expressed

    Stirred.

    Full method at Nankai Shochu →
  • Nankai Shochu

    Nankai Greyhound

    Written for a similar bottle

    Written for Nankai Shochu (Original), also a brown sugar shochu.

    • 1.5 oz Nankai Shochu
    • 3 oz grapefruit juice
    • 0.5 oz elderflower liqueur
    • A pinch of sea salt, or a salt rimmed glass

    Built in the glass.

    Full method at Nankai Shochu →
  • Nankai Shochu · Gersom Gamez

    Habu's Neck, aka the Shochu Buck

    Written for a similar bottle

    Written for Nankai Gold Shochu, also a brown sugar shochu.

    • 1.5 oz Nankai Gold
    • 0.5 oz pomelo juice
    • 4 oz ginger beer
    • A long pomelo peel, for garnish

    Built in the glass.

    Full method at Nankai Shochu →
  • Nankai Shochu

    Hana Hana Highball

    Written for brown sugar shochu

    • 2 oz Nankai Shochu or Nankai Gold
    • 4 oz soda water, the more carbonated the better
    • One third of a lemon, squeezed in

    Built tall in the glass.

    Full method at Nankai Shochu →

What this can stand in for

If a recipe calls for something else and this is what you have. The verdict is for this bottle rather than for its style, so a bottle without the strength a stirred drink needs is not offered for one.

Sources and verification

Filed under kokuto shochu.