Hot water (oyuwari), in a warm cup. Grapefruit with it.
Heat carries spice aromatics up out of the glass; cold leaves them sitting in it
A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it. Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.
Hot water in the cup first, then the shochu, six parts shochu to four of water. No ice. Then the accent on top. If it's too strong, a little more water next time.
What it tastes like
Mugi shochu from Bungo Meijo in Oita. Published tasting notes: vanilla, chocolate, nutty, earthy. The profile below is built from the tasting notes published for it.
barley
vanilla
chocolate
nutty
earthy
savory
spice
long finish
Sweet
2/5
Body
2/5
Aroma
3/5
Fruit
1/5
Floral
not described
Grain
4/5
Earth
2/5
Umami
2/5
Read from the words above rather than measured. Where it says not described, none of the sources behind this page mention it, which is not the same as it not being there.
Base
100% barley milled to 50%, with barley koji
Koji
white koji (barley)
Distillation
vacuum distillation
ABV
28%
What to mix with it
Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.
A longer wedge is a family we'd reach for sooner with this bottle, worked out from its flavours rather than tasted. It isn't a score, or a comparison with other bottles.
Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.
Roasted buckwheat and roasted barley are one idea arrived at from two grains
Toasty and faintly sweet, with no tannin to fight
The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
Roasted buckwheat, in any Japanese grocery, hot or cold. In a soba restaurant the same serve is made with soba-yu, the starchy water the noodles were boiled in, which is thicker and cannot be bought.
Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.
Heat carries spice aromatics up out of the glass; cold leaves them sitting in it
Vanilla is volatile and warmth releases it; the same bottle over ice keeps it shut
Heat pulls the earth and the sweetness out of a bottle
Barley has less to open up than sweet potato, so water shows you exactly what is there. That is a fair test and not always a flattering one: a thin mugi has nowhere to hide in it.
Zuiyo's Kuririn, from Japanese chestnuts at 11 percent, or Dover's wa-shu kuri, which is on a rum base. A dessert direction, and not the same thing as kuri shochu, which is a base spirit.
Chestnut and cocoa is a dessert that already exists
Nut on nut, and on a kuri shochu one of the two is the bottle's own raw material
The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
Two slices from any Asian grocery, seeds out. It keeps getting more bitter the longer it sits, so taste as you go and pull the slices when it is where you want it.
Bitterness that answers earth without adding any sweetness to it
The Okinawa brewers' association publishes a goya cocktail of its own, so this is not an idea from outside
A clean barley highball takes a garden note without losing its own grain under it.
Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.
The lemon sour is an izakaya staple. Bars usually build it on a neutral shochu, and a clean mugi does the same job with a little more grain behind it.
The lemon sour is the drink most izakaya sell more of than anything else on the list
Blandy's or Barbeito, ten year. It is the one fortified wine that brings real acid, so it can do the lemon's job on a bottle where fresh citrus reads harsh.
The bottle is already nutty, and this puts more of that in the glass.
The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
Giffard's white, or Tempus Fugit's, which is a pale brown rather than colourless. Tempus Fugit publishes 24 percent, so on a 25 percent shochu an ounce lengthens rather than fortifies, and on a 40 percent bottle it pulls the strength down.
The cocoa note is already in the tasting notes; this makes it the point of the drink
The bottle already smells of vanilla, and this puts more of it in the glass.
Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.
A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
Kabosu and barley shochu are both Oita's, and kabosu gets squeezed into drinks there; the gentler acid suits a mugi wherever it was distilled
Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.
A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
Sharper and greener than the lemon a barley sour usually gets, which is what makes it worth the trip from Tokushima
Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.
Hazelnut and dried orange peel land straight on a nutty bottle
The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
Luxardo. It is sweetened, whatever the name suggests: their own account of the process ends by adding a syrup of water and sugar to bring it to 32 percent. What makes it read as dry is the stone. The cherries sit in larch vats for up to three years, pits, leaves and all, before the lot is distilled and the heart rested in ash, and that almond bitterness arrives before the sugar does. So measure it as a sweetener that tastes bitter, not as a dry modifier, and a bar spoon changes a stirred drink completely.
The stone in the distillate reads as almond, which meets a nutty bottle
The bottle carries the grain and the mixer carries it roasted, so it is one ingredient reaching the glass two ways.
Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.
Six parts shochu to four parts water, the classic
Barley has less to open up than sweet potato, so water shows you exactly what is there. That is a fair test and not always a flattering one: a thin mugi has nowhere to hide in it.
Hoppy Beverage Co. has made it in Tokyo since 1948; at 0.8 percent it is legally a soft drink, and it is hard to find outside Japan. Chill the bottle, the shochu and the mug and no ice is needed.
The barley highball is one of the most common ways shochu gets drunk in Japan. Clean spirit, cold soda, nothing in the way.
Dolin blanc. Sweeter and more floral than dry; for the aromatic bottles. Lillet Blanc stands in the same place in a drink, but its maker says plainly that it is a wine aperitif and not a vermouth, because there is no wormwood in it.
The bottle already smells of vanilla, and this puts more of it in the glass.
Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.
A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.
A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.
A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.
A clean mugi does under citrus what a neutral shochu does, with a little more grain left behind it.
Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
Cold-pressed juice or thin slices. Green apple is already in the aroma of a lot of rice shochu, so this amplifies what is there rather than adding something new.
Barley's light sweetness reads as orchard fruit already, so apple and pear extend the bottle rather than decorate it.
Barrow's Intense, made in Brooklyn, or Domaine de Canton, which is the easier one to find. Ginger and sugar arrive together either way, and both work hot as well as cold. Being spirits themselves they add alcohol along with the volume, which a juice or a syrup does not.
It joins the pepper already in the glass rather than arguing with it
Mikawa Mirin from Sumiya Bunjiro Shoten, made from glutinous rice, koji and shochu since 1911 with no added sugar. Not the sweetened seasoning sold as mirin-fu chomiryo, which is a different product.
Sweet and savoury at once is what mirin is for in a kitchen, and the glass is no different
Cynar, 16.5 percent, which is weaker than most shochu, so equal parts with a 25 percent bottle lands near 20 and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.
Vegetal bitterness against earth, which is a closer match than a caramel amaro makes
Both halves of the glass are savoury, which is unusual for a bitter drink
This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.
Acid with a savoury depth behind it, which suits the koji side better than a lemon does
Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.
Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
Young sansho leaves, clapped between the palms and floated. Hard to find outside Japanese markets in spring, worth the hunt.
A clean barley spirit takes herbs the way vodka does, but with a cereal sweetness underneath that gives them something to sit on.
Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
Torn leaves steeped briefly. Perfumed citrus without juice.
A clean barley spirit takes herbs the way vodka does, but with a cereal sweetness underneath that gives them something to sit on.
Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.
The chili leaves warmth at the back rather than heat on the tongue
Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
The Korean-style yuzu preserve sold in jars. A spoon in hot water with shochu, or shaken cold.
Yuzu tea and barley shochu in hot water is a winter izakaya drink
Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
A drop. Think of it as salt with depth, for the savory glass only.
A drop. Think of it as salt with depth, for the savory glass only.
Ways to serve it
Mizuwari (with water)
On the rocks
Barley is the easiest shochu to hand to someone who has never had any. It behaves like a clean grain spirit with a little cereal sweetness, so a highball with lemon needs no explaining and no apology.
Cocktails other people made
We haven't found a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.
Written for Nikaido Kitchomu Barley Shochu, also a barley shochu. We have this one as the more savoury of the two, which is what will move most in the glass.
·nikaido kitchomu (mugi shochu) 40ml
·fuutan (imo shochu with kuro koji) 10ml
·lillet blanc (mixed with roasted rice and yuzu peel) 10ml
If a recipe calls for something else and this is what you have. The verdict is for this bottle rather than for its style, so a bottle without the strength a stirred drink needs is not offered for one.