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Pour this first

Hot water (oyuwari), in a warm cup. Lemon with it.

Vanilla is volatile and warmth releases it; the same bottle over ice keeps it shut

Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving. Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.

Hot water in the cup first, then the shochu, six parts shochu to four of water. No ice. Then the accent on top. If it's too strong, a little more water next time.

What it tastes like

Kokuto shochu from Nishihira Honke in Kagoshima. Producer's tasting notes: soft, light bodied, sweet. The profile below is built from the tasting notes the producer publishes.

  • kokuto
  • soft
  • light-bodied
  • sweet
  • vanilla
  • melon
  • mineral
  • umami
  • full-bodied
Sweet
4/5
Body
2/5
Aroma
3/5
Fruit
not described
Floral
not described
Grain
1/5
Earth
2/5
Umami
1/5

Read from the words above rather than measured. Where it says not described, none of the sources behind this page mention it, which is not the same as it not being there.

Base
brown sugar with white koji
Koji
white koji
ABV
25%

What to mix with it

Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

A longer wedge is a family we'd reach for sooner with this bottle, worked out from its flavours rather than tasted. It isn't a score, or a comparison with other bottles.

Explore all 83 pairings
  • Lemon

    Strong match

    Juice and peel are two different tools. Fresh juice, never bottled, is the whole basis of the lemon sour and the quickest way to put acid into a distilled base. The peel expressed over the top gives the oil and no acid at all, which is what a sweet or roasted bottle usually wants instead.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Brown sugar and lemon is the daiquiri logic, in a lighter spirit
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Lime

    Strong match

    Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.

    • Cane sugar spirit and lime is the daiquiri, and kokuto shochu is a cane spirit at two thirds the proof.
    • Lime and cane sugar spirit is the oldest pairing in rum, and kokuto shochu is a cane spirit
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Pineapple

    Strong match

    Fresh juice, or grilled wedges for a smokier drink. The awamori fruit.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
    • Brown sugar spirit, pineapple, lime: that is a daiquiri variation
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Matcha

    Strong match

    Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

    • Matcha and brown sugar is a wagashi
    • The bottle is already savoury, and this puts more of that in the glass.
    • Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.
  • Sea salt

    Strong match

    A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.

    • Salt sharpens a mineral note the way it does on a plate of shellfish
    • Salt is the fastest way to make umami louder
    • Salt on melon, which is why a pinch of it lifts a melon drink at all
  • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Brown sugar and bitter orange is rum and orange with the sugar turned down
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Shikuwasa

    Good match

    Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Okinawa's citrus against Amami's sugar, which is the whole southern islands in a glass
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

    • Vanilla is volatile and warmth releases it; the same bottle over ice keeps it shut
    • Kokuto oyuwari smells of brown sugar candy
    • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.
  • Blood orange

    Good match

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Cinnamon

    Strong match

    A stick in hot water with the spirit, or a light syrup. Winter.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Both are warm aromatics rather than sharp ones, so they stack instead of arguing
    • Brown sugar and cinnamon
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Kiwi

    Strong match

    Muddled with the seeds. Green, sour and refreshing, and cheap year round.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Passion fruit

    Strong match

    The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Black pepper

    Strong match

    A few grinds over the top. Aroma more than heat.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Pepper wakes up savory bottles
  • Cardamom

    Strong match

    A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Cardamom and brown sugar is a chai
  • Ginger

    Good match

    Fresh juice, a syrup, or a good ginger beer. The spice that makes a low-proof drink feel like it has a backbone.

    • Ginger and brown sugar is a dark and stormy. Kokuto shochu makes it at half the alcohol.
    • Ginger and brown sugar is a dark and stormy with an Amami accent
  • Star anise

    Good match

    One star, steeped, for the dark bottles.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Star anise and brown sugar is a braise
  • A rim of shichimi, or a slice of fresh chili. Heat on fruit, not on rice.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Brown sugar and chili is a hot honey logic
  • Vanilla

    Good match

    A split bean in a syrup, or a good extract, in small amounts.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Brown sugar and vanilla
    • The bottle already smells of vanilla, and this puts more of it in the glass.
    • This bottle already reads sweet, on aroma rather than on sugar. Adding real sugar to it is the most common way a drink built on it goes wrong.
  • Orange

    Good match

    Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • Orange oil sits on top of vanilla. Juice would cut it, which is the opposite of the point
    • Orange and brown sugar is a rum punch instinct that carries over
    • This bottle already reads sweet, on aroma rather than on sugar. Adding real sugar to it is the most common way a drink built on it goes wrong.
  • Hyuganatsu

    Good match

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Kabosu

    Good match

    Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Sudachi

    Good match

    A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Yuzu

    Good match

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Yuzu kosho

    Good match

    The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • The salt in it raises the perceived sweetness of koji
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

    • Ume's salt and sourness pull umami forward
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Kombu

    Good match

    A small piece steeped in the bottle overnight. Savory depth without salt.

    • Kombu pushes the glass further toward the savoury side a bottle with umami is already on
    • Mineral on mineral
  • Mint

    Good match

    Slapped, not muddled to bits. Mint reads as cold, which makes any low-proof drink feel more refreshing.

    • Brown sugar spirit, mint, lime, soda: a mojito with an Amami accent
    • Mint, lime and a cane spirit is a mojito, and Amami has the sugar for it.
  • Miso

    Good match

    White miso whisked into a syrup, a small spoon per drink. Salty, sweet and savory at once.

    • Umami on umami
    • Miso caramel is a dessert, and kokuto is the caramel
  • Pu-erh tea

    Good match

    Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.

    • One of the few mixers that can go under a heavy bottle hot without the drink turning bitter
    • Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.
  • Soda water

    Good match

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • Carbonic acid is itself a mineral edge, so soda extends the thing the bottle already has
    • Kokuto highball, with a lime
  • Coconut

    Good match

    Coconut water for lengthening, coconut milk or cream for weight.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
    • Brown sugar spirit and coconut is Amami and the Caribbean agreeing
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Kumquat

    Good match

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • A Kyushu winter fruit with a Kyushu winter spirit
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Cream

    Good match

    Half-and-half or heavy cream, in the after-dinner glass only.

    • Vanilla and dairy is what a custard is, and here the bottle is bringing the vanilla
    • Brown sugar spirit and cream is a Kyushu flip
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • Molasses and dairy is dessert. Kokuto shochu with milk is an ordinary Amami one, and cream makes it a flip.
  • Banana

    Good match

    Ripe banana, muddled or as a syrup. Isoamyl acetate, the ester behind a ginjo aroma, is the same compound that makes a banana smell of banana.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
    • Banana and brown sugar is bananas foster
    • This bottle already reads sweet, on aroma rather than on sugar. Adding real sugar to it is the most common way a drink built on it goes wrong.
  • Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.

    • A vinegar with savour under it rather than only sharpness, so beside a savoury bottle it reads as family instead of contrast
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Cold brew, unsweetened. For barley, brown-sugar, cask-aged and awamori bottles; it will bury a delicate, perfumed one.

    • No
    • Vanilla is the thing added to a coffee syrup; this bottle has it already
    • Brown sugar spirit and coffee is a rum-and-coffee, and Amami makes coffee liqueur from it
    • Tea and coffee meet the molasses in the bottle rather than arguing with it, and the darker the cup the better it holds.
  • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.

    • The bottle is already savoury, and this puts more of that in the glass.
  • Grapefruit

    Good match

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • On an already sweet bottle it turns to grapefruit candy
    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Sansho pepper

    Good match

    A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.

    • Warm spice meets the brown-sugar aroma the distillate keeps. The sugar itself is gone, so sweeten separately if the drink needs it.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Cranberry

    Worth trying

    Unsweetened juice. Sharp and a little tannic, useful for cutting sweetness.

    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Hibiscus

    Worth trying

    Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Pear

    Worth trying

    Ripe pear, muddled or as nectar. Delicate, so it belongs with delicate bottles.

    • Melon and pear are neighbors on the aroma wheel
    • Soft bottles and pear are quiet together, which is the point
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Raspberry

    Worth trying

    Sour enough to be useful. Muddle a handful, or use a good puree.

    • The sweetness here is aroma rather than sugar, because sugar does not come over a still. Acid is what keeps the impression from turning cloying.
  • Amontillado sherry

    Worth trying

    Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.

    • Flor leaves a savoury edge behind it, and koji leaves the same one
  • Aquavit

    Worth trying

    Linie, around thirty-five dollars, rested in oloroso casks at sea so it brings a little wood as well. A quarter ounce as a split base.

    • It reads as seasoning rather than as perfume, which is what a savoury bottle wants
  • Basil

    Worth trying

    Muddled gently with citrus. Thai basil brings anise, Italian basil brings pepper.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
  • Chamomile

    Worth trying

    Cold-brewed chamomile as a lengthener, or steeped in the spirit.

    • Gentle flower, gentle bottle
  • Fino sherry

    Worth trying

    Fino or manzanilla. Savory, salty, bone dry.

    • Fino's salt and yeast meet the savour koji leaves behind
  • Genmaicha

    Worth trying

    Green tea with popped, toasted rice. Cold-brew it.

    • Green tea with popped, toasted rice. Cold-brew it.
  • Hoppy Beverage Co. has made it in Tokyo since 1948; at 0.8 percent it is legally a soft drink, and it is hard to find outside Japan. Chill the bottle, the shochu and the mug and no ice is needed.

    • One part shochu to five parts Hoppy drinks like a pint with none of beer's body. A 25 percent bottle lands just under 5; the figure follows the bottle, so a 40 percent one is nearer 7
  • Jasmine tea

    Worth trying

    Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.

    • Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.
  • Lemongrass

    Worth trying

    Bruised stalks steeped in the spirit, or a syrup. Citrus without acid, which is useful when you want aroma but not sourness.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
  • Makgeolli

    Worth trying

    Hana Makgeolli is brewed in Greenpoint, Brooklyn; Makku sells a canned one. Strength varies widely across the category, from around 6 percent in a can to the mid teens for an unfiltered takju, so read the label before deciding how much to pour.

    • The yeasty haze gives back the body distillation took out
  • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.

    • Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.
  • Oolong tea

    Worth trying

    Unsweetened, cold. One part shochu to three or four parts tea, over ice. Drinks with food better than almost anything else here.

    • Unsweetened, cold. One part shochu to three or four parts tea, over ice. Drinks with food better than almost anything else here.
  • Buy the drinking grade from a shop with a liquor licence, not the salted cooking bottle, which will wreck the drink. A bar spoon is enough.

    • Two savoury ferments, one brewed and one distilled
  • Shiitake

    Worth trying

    A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

    • Dried shiitake is the umami bomb of the Japanese pantry
  • Dry cava or crémant. Acid and bubbles in one pour.

    • A kokuto shochu French 75
  • Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.

    • Warmth brings the molasses aroma forward. Cold water lengthens without pushing it further, which is the better choice when that aroma is already doing enough.
  • Thyme

    Worth trying

    Gentler than rosemary. Steep a sprig, or use a thyme syrup.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
  • Toasted sesame

    Worth trying

    A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.

    • Sesame and brown sugar is a wagashi
  • Umeboshi

    Worth trying

    One salted plum, crushed with a spoon in the glass. Salty, sour, savory.

    • Salt and sour pull umami forward
  • Lychee

    Worth trying

    Fresh in early summer, canned in syrup the rest of the year (drain it). The signature aroma of a whole school of imo shochu.

    • Everything the tiki canon does with rum works here, and works better, because the drink does not end the evening.
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Amaro

    Worth trying

    Montenegro, Nonino, Averna. Equal parts with a dark shochu over ice is a whole drink.

    • Brown sugar and bitter herbs
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • Brown sugar carries bitterness the way a boulevardier carries whiskey. Amaro and red bitter both land.
  • Aromatic bitters

    Worth trying

    Angostura or a Japanese aromatic. Two dashes.

    • Kokuto old fashioned
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • Angostura or a Japanese aromatic. Two dashes.
  • Cynar, 16.5 percent, which is weaker than most shochu, so equal parts with a 25 percent bottle lands near 20 and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.

    • With a 25 percent bottle under it the bitterness reads as celery and walnut skin instead of being scorched off
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • Cynar, 16.5 percent, which is weaker than most shochu, so equal parts with a 25 percent bottle lands near 20 and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.
  • Celery bitters

    Worth trying

    Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.

    • Celery seed and salt make a savoury note louder, and a bottle described as having umami has one to work on
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.
  • Fernet

    Worth trying

    A quarter ounce. Menthol and bitterness, for the darkest bottles.

    • Fernet and cane spirit is an Argentine instinct
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • A quarter ounce. Menthol and bitterness, for the darkest bottles.
  • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.

    • The Umami expression is kelp, shiitake and bonito, aimed at the savoury side the bottle is described with
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.
  • Milk

    Worth trying

    Cold whole milk. Fat rounds a spirit off the way it does in coffee, and it is not a dare.

    • Kokuto shochu and milk is an Amami dessert
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • Molasses and dairy is dessert. Kokuto shochu with milk is an ordinary Amami one, and cream makes it a flip.
  • Soy milk (tonyu)

    Worth trying

    Unsweetened, four parts shochu to six parts soy milk, which is how the Japanese recipes write it. Stronger than it tastes, so pour it knowing that.

    • Bean sweetness and brown sugar land on the same note
    • This is a light bottle and this is a heavy ingredient. It will not taste bad, it will taste like the ingredient.
    • Unsweetened, four parts shochu to six parts soy milk, which is how the Japanese recipes write it. Stronger than it tastes, so pour it knowing that.
  • Lustau San Emilio. Effectively a raisin syrup that happens to be wine, so a bar spoon sweetens and adds body where sugar syrup would only add sugar.

    • Raisin and vanilla are both what long wood ageing leaves, so a bar spoon deepens rather than adds
    • Brown sugar and dried fig, with the sugar already oxidised so it does not read as dessert
    • This bottle already reads sweet, on aroma rather than on sugar. Adding real sugar to it is the most common way a drink built on it goes wrong.
  • Blanc vermouth

    Worth trying

    Dolin blanc. Sweeter and more floral than dry; for the aromatic bottles. Lillet Blanc stands in the same place in a drink, but its maker says plainly that it is a wine aperitif and not a vermouth, because there is no wormwood in it.

    • The bottle already smells of vanilla, and this puts more of it in the glass.
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Giffard's white, or Tempus Fugit's, which is a pale brown rather than colourless. Tempus Fugit publishes 24 percent, so on a 25 percent shochu an ounce lengthens rather than fortifies, and on a 40 percent bottle it pulls the strength down.

    • The bottle already smells of vanilla, and this puts more of it in the glass.
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Watermelon

    Worth trying

    Fresh juice, strained. Add a pinch of salt.

    • The bottle already smells of melon, and this puts more of it in the glass.
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
  • Young sansho leaves, clapped between the palms and floated. Hard to find outside Japanese markets in spring, worth the hunt.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Makrut lime leaf

    Worth trying

    Torn leaves steeped briefly. Perfumed citrus without juice.

    • Amami's molasses aroma is already in the bottle, so a green herb has something to sit against.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Dewazakura's from Yamagata plums, or Machida Shuzo's on Amami kokuto shochu. It does umeshu's job and leaves the glass drier, which matters when the bottle is already sweet.

    • The Amami bottlings are literally kokuto shochu with plum steeped in it
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • Tannin and melon do not agree
    • Black tea and brown sugar is milk tea logic
    • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.
  • Green tea (sencha)

    Worth trying

    Cold-brewed sencha, unsweetened. Ocha-wari is one of the everyday ways shochu is drunk in Japan, alongside the oolong version.

    • Bitter tea and a sweet bottle argue
    • Green tea has umami of its own; it meets the bottle's
    • Cold-brewed sencha, unsweetened. Ocha-wari is one of the everyday ways shochu is drunk in Japan, alongside the oolong version.
  • Gum syrup (gomme)

    Worth trying

    Small Hand Foods', or sugar, water and gum arabic from the baking aisle at home. Worth knowing that most Japanese gum syrup on a shelf today has no arabic gum in it at all.

    • A 25 percent spirit brings far less viscosity than a 40 percent one, so a shaken sour goes thin
    • This mixer is sweetened too, so it lengthens the drink without cutting the sweetness that is already there.
    • It reads sweet without carrying any sugar, so added sweetness is easy to overdo. Put it in only to balance a sharp acid.
  • Hojicha

    Worth trying

    Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

    • Melon disappears under roast
    • Hojicha and kokuto is a tea-house dessert
    • Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.
  • Mikan (satsuma)

    Worth trying

    Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

    • Kokuto shochu is a cane spirit at two thirds the proof, and citrus acid is what keeps its sugar moving.
    • This bottle already reads sweet, on aroma rather than on sugar. Adding real sugar to it is the most common way a drink built on it goes wrong.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.

Ways to serve it

  • Oyuwari (with hot water)
  • On the rocks
  • Mizuwari (with water)

Brown sugar shochu is legally only made on the Amami islands, and it is a cane spirit in everything but name. Every rum drink you know is available to it at two thirds the alcohol.

Cocktails other people made

We haven't found a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 8 more
  • Nankai Shochu

    Amami Sazerac

    Written for a similar bottle

    Written for Nankai Gold Shochu, also a brown sugar shochu. This bottle is lighter, 25% against 43%, so cut the mixer back or it will disappear.

    • 2 oz Nankai Gold
    • 0.25 oz absinthe or Herbsaint, as a rinse
    • 1 sugar cube
    • 0.25 oz fresh lemon juice
    • 2 to 3 dashes aromatic bitters, Peychaud's or Angostura
    • Lemon peel, expressed

    Stirred.

    Full method at Nankai Shochu →
  • Nankai Shochu

    Nankai Coffee Tonic

    Written for a similar bottle

    Written for Nankai Gold Shochu, also a brown sugar shochu. This bottle is lighter, 25% against 43%, so cut the mixer back or it will disappear.

    • 1 oz Nankai Gold
    • 1 oz cold brew coffee
    • 2 oz tonic water
    • 0.5 oz simple syrup
    • Orange peel, for garnish

    Built in the glass.

    Full method at Nankai Shochu →
  • Nankai Shochu · Carey Jones and John McCarthy

    Sencha Shochu

    Written for a similar bottle

    Written for Nankai Shochu (Original), also a brown sugar shochu.

    • 2 oz Nankai Shochu
    • 0.75 oz fresh lemon juice
    • 0.5 oz simple syrup
    • 1 egg white
    • 1 tbsp sencha tea leaves

    Shaken.

    Full method at Nankai Shochu →
  • Nankai Shochu

    Thai Kokuto Gimlet

    Written for a similar bottle

    Written for Nankai Shochu (Original), also a brown sugar shochu.

    • 3 oz Nankai Shochu
    • 1 oz lime juice
    • 1 oz Thai kokuto syrup
    • 3 to 6 drops olive oil, optional
    • For the syrup: 1 cup water, half a cup raw sugar, half a cup kokuto black sugar, 4 to 6 makrut lime leaves

    Shaken.

    Full method at Nankai Shochu →
  • Nankai Shochu · Gersom Gamez

    Habu's Neck, aka the Shochu Buck

    Written for a similar bottle

    Written for Nankai Gold Shochu, also a brown sugar shochu. This bottle is lighter, 25% against 43%, so cut the mixer back or it will disappear.

    • 1.5 oz Nankai Gold
    • 0.5 oz pomelo juice
    • 4 oz ginger beer
    • A long pomelo peel, for garnish

    Built in the glass.

    Full method at Nankai Shochu →
  • Nankai Shochu · Matthew Biancaniello and Adam Chapman

    Shiitake Old Fashioned

    Written for a similar bottle

    Written for Nankai White Oak Shochu, also a brown sugar shochu. We have this one as the sweeter of the two, which is what will move most in the glass.

    • 2 oz shiitake-infused Nankai White Oak
    • 0.25 oz kokuto syrup
    • 1 dash candy cap bitters
    • For the infusion: 1 bottle Nankai White Oak, 2 dried shiitake, 2 fresh shiitake
    • For the bitters: 180 ml aromatic bitters, 1 handful candy cap mushrooms
    • For the syrup: 1 cup kokuto sugar

    Stirred.

    Full method at Nankai Shochu →
  • Nankai Shochu

    Hana Hana Highball

    Written for brown sugar shochu

    • 2 oz Nankai Shochu or Nankai Gold
    • 4 oz soda water, the more carbonated the better
    • One third of a lemon, squeezed in

    Built tall in the glass.

    Full method at Nankai Shochu →

What this can stand in for

If a recipe calls for something else and this is what you have. The verdict is for this bottle rather than for its style, so a bottle without the strength a stirred drink needs is not offered for one.

Sources and verification

Filed under kokuto shochu.