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Pour this first

Jasmine tea, tall over ice. Chamomile with it.

Jasmine tea on a floral bottle is a flower shop

Chamomile is faint enough to be lost, and a smooth bottle leaves it the room it needs. Cold-brewed chamomile as a lengthener, or steeped in the spirit.

One part shochu to three or four parts of the long mixer, over plenty of ice, then the accent on top. If it tastes thin, go two to three next time.

What it tastes like

Shochu from Oki no Hikari Shuzo in Okinawa. Producer's tasting notes: floral, smooth. The profile below is built from the tasting notes the producer publishes.

  • floral
  • smooth
  • aged
Sweet
2/5
Body
3/5
Aroma
5/5
Fruit
1/5
Floral
2/5
Grain
2/5
Earth
1/5
Umami
1/5

Read from the words above rather than measured. Where it says not described, none of the sources behind this page mention it, which is not the same as it not being there.

Base
rice
ABV
25%
Aging
aged

What to mix with it

Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

A longer wedge is a family we'd reach for sooner with this bottle, worked out from its flavours rather than tasted. It isn't a score, or a comparison with other bottles.

Explore all 50 pairings
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • Black tea's tannin sits well with aged notes
    • The bottle is already floral, and this puts more of that in the glass.
  • Chamomile

    Good match

    Cold-brewed chamomile as a lengthener, or steeped in the spirit.

    • Chamomile is faint enough to be lost, and a smooth bottle leaves it the room it needs
    • The bottle is already floral, and this puts more of that in the glass.
  • Maraschino

    Good match

    Luxardo. It is sweetened, whatever the name suggests: their own account of the process ends by adding a syrup of water and sugar to bring it to 32 percent. What makes it read as dry is the stone. The cherries sit in larch vats for up to three years, pits, leaves and all, before the lot is distilled and the heart rested in ash, and that almond bitterness arrives before the sugar does. So measure it as a sweetener that tastes bitter, not as a dry modifier, and a bar spoon changes a stirred drink completely.

    • Maraschino is what makes a stirred aged drink taste finished rather than flat
    • The bottle is already floral, and this puts more of that in the glass.
  • Dry cava or crémant. Acid and bubbles in one pour.

    • Bubbles carry floral notes to the nose
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Cardamom

    Good match

    A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

    • Cardamom is a floral spice; floral bottles meet it
    • Spice on aged, nutty notes
  • Elderflower

    Good match

    The cordial, sweet and alcohol-free, poured like a syrup. Muscat, lychee and honey in one flower. The liqueur has its own entry below: a different product rather than a stronger or weaker version of this one, and it brings alcohol along with the flower.

    • Nothing here is sharp enough to cut the elderflower down, so it survives at the strength it was poured
    • Elderflower on a floral bottle is the obvious spritz
  • Honey

    Good match

    Diluted one to one with warm water so it mixes cold. A little goes far; taste before adding more.

    • Honey and flowers are one thing
    • Honey and aged notes
  • Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

    • Autumn blossom on a floral bottle
    • Honeyed flower on honeyed age
  • Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.

    • Cherry blossom is the first thing a rough bottle destroys, and this one has no rough edge to do it with
    • Blossom on blossom
  • Dry vermouth

    Good match

    Dolin dry or Noilly Prat. A quarter of the shochu's volume, stirred cold.

    • The bottle is already floral, and this puts more of that in the glass.
  • Hibiscus

    Good match

    Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

    • The bottle is already floral, and this puts more of that in the glass.
  • Lemongrass

    Good match

    Bruised stalks steeped in the spirit, or a syrup. Citrus without acid, which is useful when you want aroma but not sourness.

    • The bottle is already floral, and this puts more of that in the glass.
  • Melon liqueur

    Good match

    Midori, or a drier Japanese one if you can find it. Half an ounce is plenty; this is a flavour, not a base.

    • The bottle is already floral, and this puts more of that in the glass.
  • Almond syrup with a touch of orange blossom. The tiki sweetener, and kokuto shochu is a tiki spirit waiting to happen.

    • The bottle is already floral, and this puts more of that in the glass.
  • Peach liqueur

    Good match

    A good one (Giffard, Merlet). A shortcut to the bellini when peaches are out of season.

    • The bottle is already floral, and this puts more of that in the glass.
  • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. The bark is the point of it, and it carries a quinine bitterness no citrus will give you.

    • The bottle is already floral, and this puts more of that in the glass.
  • Thyme

    Good match

    Gentler than rosemary. Steep a sprig, or use a thyme syrup.

    • The bottle is already floral, and this puts more of that in the glass.
  • Ginger ale

    Worth trying

    The gentle ginger. For bottles that a ginger beer would bully.

    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Soda water

    Worth trying

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Food-grade citric and malic powder from the canning aisle, 10 grams whisked into 100 grams of cold water; two parts citric to one malic is close to lime. Some bartenders find a drink with no juice in it thin, so it is worth trying both ways.

    • Sourness with nothing attached to it, so the bottle's own perfume stays in front
  • Amaretto

    Worth trying

    A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.

    • Marzipan against caramel, which is a dessert people already eat
  • Apricot

    Worth trying

    Fresh in season, dried the rest of the year. Apricot and umeshu share a family, which is why they get along.

    • Long aging turns a spirit towards stone fruit; the apricot joins what is already there
  • Apricot liqueur

    Worth trying

    Rothman and Winter, or a Japanese anzu liqueur. Closer to umeshu than to a candy liqueur if you buy a good one.

    • Long aging turns towards stone fruit anyway; this meets it there
  • Blanc vermouth

    Worth trying

    Dolin blanc. Sweeter and more floral than dry; for the aromatic bottles. Lillet Blanc stands in the same place in a drink, but its maker says plainly that it is a wine aperitif and not a vermouth, because there is no wormwood in it.

    • Blanc vermouth's flowers and vanilla meet floral bottles
  • Blood orange

    Worth trying

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • Its berry side flatters floral bottles
  • Cherry

    Worth trying

    Fresh in early summer; morello or amarena in syrup otherwise. Dark cherry for aged bottles, bright cherry for sparkling.

    • Dark cherry against aged, oxidative notes
  • Cinnamon

    Worth trying

    A stick in hot water with the spirit, or a light syrup. Winter.

    • Cinnamon and aged notes are a hot toddy
  • St-Germain or similar: the flower with alcohol behind it, for stirred drinks. A half ounce is enough. For a long drink, the cordial above does the same flavour without the proof.

    • The liqueur version of the flower, for stirred drinks
  • Fig

    Worth trying

    Fresh figs muddled, or fig jam. For the aged and the brown-sugar bottles only.

    • Fig meets the dried fruit that kusu awamori and long aged shochu already carry
  • Grapefruit

    Worth trying

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • Its bitter peel gives floral bottles a spine
  • Jasmine

    Worth trying

    A syrup or a few dried blossoms steeped. See jasmine tea for the long drink.

    • Jasmine amplifies whatever floral note the bottle has
  • Jasmine tea

    Worth trying

    Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.

    • Jasmine tea on a floral bottle is a flower shop
  • Kumquat

    Worth trying

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • Kumquat's bitter peel stands up to aged, nutty notes
  • Lychee

    Worth trying

    Fresh in early summer, canned in syrup the rest of the year (drain it). The signature aroma of a whole school of imo shochu.

    • Lychee is half fruit, half flower, and floral bottles agree
  • Lychee liqueur

    Worth trying

    Kwai Feh or Dita. Perfumed and quite sweet, so treat it as the aroma and let the shochu stay the drink.

    • Lychee and a floral bottle are one perfume, not two
  • Maple syrup

    Worth trying

    Dark, in small amounts, for the cask and sweet-potato bottles.

    • Maple and aged, caramel notes
  • Muscat grape

    Worth trying

    Green muscat grapes, halved or juiced. Shine Muscat if you can find it.

    • Muscat is the most floral grape there is
  • Orange liqueur

    Worth trying

    Cointreau or a dry curaçao. The sweet-and-citrus half of any sour.

    • Aged bottles and orange peel liqueur
  • Passion fruit

    Worth trying

    The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

    • Its own floral note joins the bottle's
  • Raspberry

    Worth trying

    Sour enough to be useful. Muddle a handful, or use a good puree.

    • Raspberry has a rose note that floral bottles meet
  • Rose

    Worth trying

    A drop of rose water, or a rose syrup. A drop; it takes over.

    • Rose on a floral bottle is a perfume counter
  • Carpano Antica or Cocchi. A quarter of the shochu's volume, stirred cold, makes a manhattan-style drink: on a 25 percent shochu that is about 23 before the ice gets to it, where a 40 percent rye starts nearer 35.

    • An aged bottle already has the caramel a manhattan wants; this brings the botanicals
  • Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.

    • Bottled tonic's sugar is set for a 40 percent spirit, which is why shochu tonics can taste like lemonade
  • White peach

    Worth trying

    The bellini fruit. Nectar from a Japanese market, or a ripe peach muddled through a strainer.

    • Peach and floral notes are one perfume
  • Sweet yuzu liqueur, usually on a sake or shochu base. A shortcut to yuzu when the fruit is out of season.

    • Yuzu perfume and floral notes
  • Hyuganatsu

    Good match

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • The bottle is already floral, and this puts more of that in the glass.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Torn leaves steeped briefly. Perfumed citrus without juice.

    • The bottle is already floral, and this puts more of that in the glass.
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Tonic water

    Worth trying

    A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

    • Tonic's sweetness fights aged notes
    • Tonic's quinine lets floral bottles show
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Ayagiku's, on a shochu base, or Kikusui's. Quince is too hard and astringent to eat raw, so the liqueur is the convenient way to get that scent into a glass; it opens up in hot water.

    • The perfume sits beside a floral bottle rather than over it
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Yuzu

    Worth trying

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • Yuzu's perfume sits beside floral notes instead of covering them
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.

Ways to serve it

  • With soda
  • On the rocks

The bases with no family of their own: sake lees, chestnut, corn. There are no style rules on this page, which is deliberate. What each bottle is described as tasting of is doing the whole job, so the suggestions come from that rather than from anything the category is supposed to want.

Cocktails other people made

We haven't found a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 6 more
  • Just One Cookbook

    Japanese Yuzu Cocktail (Yuzu Chuhai)

    Written for shochu generally

    • ½ cup club soda (soda water)
    • ¼ cup shochu (any brand or type)
    • 1 tbsp homemade simple syrup
    • 1 tsp yuzu juice (extract)
    • ice cubes
    • 1, 2 tsp korean citron tea (yuja cha) (optional)
    • lime (optional; can use lemon)

    Built tall in the glass.

    Full method at Just One Cookbook →
  • punchdrink.com · Brian Evans and George Padilla, Brooklyn, New York

    The Rule of Thirds Chu-Hai

    Written for shochu generally

    • 1 1/2 ounces shochu
    • 1 1/4 ounce grapefruit juice
    • 3/4 ounce sweetened hojicha tea (see editor's note)
    • club soda, to top

    Built tall in the glass.

    Full method at punchdrink.com →
  • Pickled Plum

    Lemon Sour (Japanese)

    Written for shochu generally

    • juice of 1/2 lemon
    • 1/4 cup shōchū (or soju)
    • 1/2 cup soda water
    • 1 tablespoon simple syrup (1 tablespoon sugar mixed with 1 tablespoon water)
    • ice cubes

    Built tall in the glass.

    Full method at Pickled Plum →
  • punchdrink.com · Teppoudama, Tokyo, Japan

    Gari Hai

    Written for shochu generally

    • scant 1 3/4 ounces shochu
    • 6 to 7 ounces soda water, to top
    • Garnish: 1 large pinch of gari (pickled ginger slices, pink or yellow)

    Built tall in the glass.

    Full method at punchdrink.com →
  • punchdrink.com · Tokyo Record Bar, New York

    Miso Dark 'n' Stormy

    Written for shochu generally

    • 2 ounces shochu
    • 1 ounce miso syrup (see editor's note)
    • 3/4 ounce yuzu juice
    • cynar, to top
    • soda, to top

    Built tall in the glass.

    Full method at punchdrink.com →
  • punchdrink.com · Don Lee, Existing Conditions, New York

    Iichiko "Oyuwari"

    Written for iichiko

    iichiko is a range rather than one bottle, so the strength and the style vary across it. Treat this as a starting point.

    • 2 ounces iichiko shochu
    • 1 1/2 ounces grapefruit juice
    • 2 pinches genmai
    • 1/2 ounce water
    • 2 teaspoons sugar
    Full method at punchdrink.com →

Sources and verification

Filed under kasutori, chestnut and other bases.