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Pour this first

Kombucha, tall over ice. Black pepper with it.

Tea is in this bottle, not just on its nose, so this doubles it rather than introducing it.

Pepper wakes up savory bottles. A few grinds over the top. Aroma more than heat.

One part shochu to three or four parts of the long mixer, over plenty of ice, then the accent on top. If it tastes thin, go two to three next time.

What it tastes like

Distilled with gyokuro, Japan's most expensive tea leaf, alongside Fukuoka rice and yellow koji, which keeps the result light and fragrant rather than bitter. Rich green tea aroma with seaweed and bergamot, savory and mellow on the palate, finishing smooth like green tea ice cream, with no added sugar.

  • tea
  • umami
  • savory
  • rich
  • smooth
  • creamy texture
Sweet
1/5
Body
3/5
Aroma
4/5
Fruit
not described
Floral
not described
Grain
1/5
Earth
2/5
Umami
3/5

Read from the words above rather than measured. Where it says not described, none of the sources behind this page mention it, which is not the same as it not being there.

Base
gyokuro tea leaves and Fukuoka-grown rice
Koji
yellow koji (sake koji)
ABV
25%

What to mix with it

This bottle is made with tea, not merely reminiscent of it. A mixer meets the tea first and the grain second, so read these as answers to the tea rather than to the barley or the rice. Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

A longer wedge is a family we'd reach for sooner with this bottle, worked out from its flavours rather than tasted. It isn't a score, or a comparison with other bottles.

Explore all 44 pairings
  • Cold-brewed sencha, unsweetened. Ocha-wari is one of the everyday ways shochu is drunk in Japan, alongside the oolong version.

    • Tea is in this bottle, not just on its nose, so this doubles it rather than introducing it.
    • Green tea has umami of its own; it meets the bottle's
  • Matcha

    Good match

    Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

    • Tea is in this bottle, not just on its nose, so this doubles it rather than introducing it.
    • A creamy bottle is already doing what milk does in a matcha latte
  • Pu-erh tea

    Good match

    Loose or bagged, brewed weak: at full strength it takes the glass over. Takara's own guide to tea-wari lists it alongside mugicha and sobacha.

    • Tea is in this bottle, not just on its nose, so this doubles it rather than introducing it.
    • One of the few mixers that can go under a heavy bottle hot without the drink turning bitter
  • Kombu

    Good match

    A small piece steeped in the bottle overnight. Savory depth without salt.

    • Kombu pushes the glass further toward the savoury side a bottle with umami is already on
    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself. The pairing reads as strange and drinks as obvious.
  • Kombucha

    Good match

    A plain or ginger kombucha. Acid, bubbles and a little funk, all three in one pour.

    • Tea is in this bottle, not just on its nose, so this doubles it rather than introducing it.
    • Tea on tea
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Olive brine

    Good match

    A bar spoon, no more. Salt, and the savory note that comes with it.

    • Salt brings umami forward
    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself. The pairing reads as strange and drinks as obvious.
  • Sea salt

    Good match

    A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.

    • Salt is the fastest way to make umami louder
    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself. The pairing reads as strange and drinks as obvious.
  • Umeboshi

    Good match

    One salted plum, crushed with a spoon in the glass. Salty, sour, savory.

    • Salt and sour pull umami forward
    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself. The pairing reads as strange and drinks as obvious.
  • Eden Foods sells it as Ume Plum Vinegar in most US supermarkets, and it is one of the cheapest things on this list. A bar spoon, and unlike a crushed umeboshi it can go into a shaken drink.

    • Salt and acid arrive together, which is what a salted rim does for a margarita
    • Salt does not make a drink salty in small amounts. It makes a savoury bottle taste more like itself. The pairing reads as strange and drinks as obvious.
  • Aquavit

    Good match

    Linie, around thirty-five dollars, rested in oloroso casks at sea so it brings a little wood as well. A quarter ounce as a split base.

    • Caraway and dill point at the dashi and miso end of the table, where juniper does not go
    • It reads as seasoning rather than as perfume, which is what a savoury bottle wants
  • Cynar, 16.5 percent, which is weaker than most shochu, so equal parts with a 25 percent bottle lands near 20 and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.

    • With a 25 percent bottle under it the bitterness reads as celery and walnut skin instead of being scorched off
    • Both halves of the glass are savoury, which is unusual for a bitter drink
  • Celery bitters

    Good match

    Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.

    • Celery seed and salt make a savoury note louder, and a bottle described as having umami has one to work on
    • Alcohol suppresses savoury perception, so at 25 percent these notes stay audible
  • Hon-mirin

    Good match

    Mikawa Mirin from Sumiya Bunjiro Shoten, made from glutinous rice, koji and shochu since 1911 with no added sugar. Not the sweetened seasoning sold as mirin-fu chomiryo, which is a different product.

    • It adds body and savour where a sugar syrup would only add sugar
    • Sweet and savoury at once is what mirin is for in a kitchen, and the glass is no different
  • Yuzu kosho

    Good match

    The Kyushu condiment, in a tube in any Japanese grocer: fermented yuzu peel, green chili and salt. A quarter teaspoon stirred into an oyuwari, which is the serve Asahi publishes.

    • The salt in it raises the perceived sweetness of koji
    • The chili leaves warmth at the back rather than heat on the tongue
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • Tea is in this bottle, not just on its nose, so this doubles it rather than introducing it.
  • Jasmine tea

    Good match

    Cold-brewed, unsweetened. The floral top note sits above a dry spirit without adding weight to it.

    • Tea is in this bottle, not just on its nose, so this doubles it rather than introducing it.
  • Oolong tea

    Good match

    Unsweetened, cold. One part shochu to three or four parts tea, over ice. Drinks with food better than almost anything else here.

    • Tea is in this bottle, not just on its nose, so this doubles it rather than introducing it.
  • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.

    • The bottle is already savoury, and this puts more of that in the glass.
  • Ginger ale

    Worth trying

    The gentle ginger. For bottles that a ginger beer would bully.

    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Ginger beer

    Worth trying

    A spicy one, not a sweet one. The mule format works for every dark shochu, and it is the most forgiving way to serve one.

    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Hoppy Beverage Co. has made it in Tokyo since 1948; at 0.8 percent it is legally a soft drink, and it is hard to find outside Japan. Chill the bottle, the shochu and the mug and no ice is needed.

    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • The shortcut to a sour when there is no fresh lemon. Less sweet is better.

    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Soda water

    Worth trying

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Dry cava or crémant. Acid and bubbles in one pour.

    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Tonic water

    Worth trying

    A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Amontillado sherry

    Worth trying

    Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.

    • Flor leaves a savoury edge behind it, and koji leaves the same one
  • Black pepper

    Worth trying

    A few grinds over the top. Aroma more than heat.

    • Pepper wakes up savory bottles
  • Celery

    Worth trying

    Juiced, or a stalk as the stirrer. Savory, salty and cold.

    • Celery's salt and green note pull umami forward
  • Chamomile

    Worth trying

    Cold-brewed chamomile as a lengthener, or steeped in the spirit.

    • Chamomile is faint enough to be lost, and a smooth bottle leaves it the room it needs
  • Giffard's white, or Tempus Fugit's, which is a pale brown rather than colourless. Tempus Fugit publishes 24 percent, so on a 25 percent shochu an ounce lengthens rather than fortifies, and on a 40 percent bottle it pulls the strength down.

    • Cocoa wants a little weight under it, and a creamy bottle has it
  • Elderflower

    Worth trying

    The cordial, sweet and alcohol-free, poured like a syrup. Muscat, lychee and honey in one flower. The liqueur has its own entry below: a different product rather than a stronger or weaker version of this one, and it brings alcohol along with the flower.

    • Nothing here is sharp enough to cut the elderflower down, so it survives at the strength it was poured
  • Fino sherry

    Worth trying

    Fino or manzanilla. Savory, salty, bone dry.

    • Fino's salt and yeast meet the savour koji leaves behind
  • Two slices from any Asian grocery, seeds out. It keeps getting more bitter the longer it sits, so taste as you go and pull the slices when it is where you want it.

    • The Okinawa brewers' association publishes a goya cocktail of its own, so this is not an idea from outside
  • Green tea liqueur

    Worth trying

    Sweeter and rounder than brewing your own matcha, and it dissolves properly, which matcha powder in a cold drink does not.

    • Tea is in this bottle, not just on its nose, so this doubles it rather than introducing it.
    • It doubles a tea note the bottle already has
  • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

    • Rich bottles are built for warmth
  • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.

    • The Umami expression is kelp, shiitake and bonito, aimed at the savoury side the bottle is described with
  • Milk

    Worth trying

    Cold whole milk. Fat rounds a spirit off the way it does in coffee, and it is not a dare.

    • Milk softens tannin, so a tea that would be harsh against a spirit turns creamy instead
  • Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.

    • Cherry blossom is the first thing a rough bottle destroys, and this one has no rough edge to do it with
  • Shiitake

    Worth trying

    A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

    • Dried shiitake is the umami bomb of the Japanese pantry
  • Carpano Antica or Cocchi. A quarter of the shochu's volume, stirred cold, makes a manhattan-style drink: on a 25 percent shochu that is about 23 before the ice gets to it, where a 40 percent rye starts nearer 35.

    • There is enough weight here to carry vermouth without being flattened
  • Tomato

    Worth trying

    Good tomato juice, or a ripe tomato muddled and strained. Savoury and acidic at once.

    • Tomato is savoury, and so is a bottle described as having umami, so the two meet rather than compete
  • Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

    • Ume's salt and sourness pull umami forward
  • Yellow peach

    Worth trying

    Bolder than white peach, closer to apricot. For bottles with more weight.

    • A richer peach for a richer bottle
  • Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.

    • A vinegar with savour under it rather than only sharpness, so beside a savoury bottle it reads as family instead of contrast
    • Harder to find outside Japan than most of this list. Worth ordering or a trip to a Japanese grocery, and where something easier works as well, that comes first.

Ways to serve it

  • On the rocks
  • Mizuwari (with water)
  • With soda

The bases with no family of their own: sake lees, chestnut, corn. There are no style rules on this page, which is deliberate. What each bottle is described as tasting of is doing the whole job, so the suggestions come from that rather than from anything the category is supposed to want.

Cocktails other people made

We haven't found a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 5 more
  • Just One Cookbook

    Japanese Yuzu Cocktail (Yuzu Chuhai)

    Written for shochu generally

    • ½ cup club soda (soda water)
    • ¼ cup shochu (any brand or type)
    • 1 tbsp homemade simple syrup
    • 1 tsp yuzu juice (extract)
    • ice cubes
    • 1, 2 tsp korean citron tea (yuja cha) (optional)
    • lime (optional; can use lemon)

    Built tall in the glass.

    Full method at Just One Cookbook →
  • Pickled Plum

    Lemon Sour (Japanese)

    Written for shochu generally

    • juice of 1/2 lemon
    • 1/4 cup shōchū (or soju)
    • 1/2 cup soda water
    • 1 tablespoon simple syrup (1 tablespoon sugar mixed with 1 tablespoon water)
    • ice cubes

    Built tall in the glass.

    Full method at Pickled Plum →
  • punchdrink.com · Teppoudama, Tokyo, Japan

    Gari Hai

    Written for shochu generally

    • scant 1 3/4 ounces shochu
    • 6 to 7 ounces soda water, to top
    • Garnish: 1 large pinch of gari (pickled ginger slices, pink or yellow)

    Built tall in the glass.

    Full method at punchdrink.com →
  • punchdrink.com · Brian Evans and George Padilla, Brooklyn, New York

    The Rule of Thirds Chu-Hai

    Written for shochu generally

    • 1 1/2 ounces shochu
    • 1 1/4 ounce grapefruit juice
    • 3/4 ounce sweetened hojicha tea (see editor's note)
    • club soda, to top

    Built tall in the glass.

    Full method at punchdrink.com →

Sources and verification

Filed under kasutori, chestnut and other bases.