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Noguchi Sakekasu Shochu

Noguchi Naohiko Sake Institute · Ishikawa · Shochu

  • yellow koji
  • aged

Pour this first

Ginger ale, tall over ice. Daidai (bitter orange) with it.

These bottles already have one strong flavour in them. Soda gives it room instead of competing with it.

One part shochu to three or four parts mixer, over plenty of ice. If it tastes thin, go two to three next time.

What it tastes like

Shochu from Noguchi Naohiko Sake Institute in Ishikawa. Nobody here has tasted this one and no source we have publishes any tasting notes for it, so the profile below is what this style usually tastes like rather than this particular bottle.

  • aged
  • koji
Sweet
Body
Aroma
Fruit
Floral
Grain
Earth
Umami
Base
sake lees (sakekasu) from the institute's own sake
Koji
yellow koji
Aging
2 years or more

What to mix with it

Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.

Explore all 68 pairings
  • Ginger ale

    Strong match

    The gentle ginger. For bottles that a ginger beer would bully.

    • These bottles already have one strong flavour in them. Soda gives it room instead of competing with it.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Ginger beer

    Strong match

    A spicy one, not a sweet one. The mule format works for every dark shochu, and it is the most forgiving way to serve one.

    • These bottles already have one strong flavour in them. Soda gives it room instead of competing with it.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Soda water

    Strong match

    Cold, and fizzy enough to matter. One part shochu to three or four parts soda; if it tastes thin, go one to two next time.

    • These bottles already have one strong flavour in them. Soda gives it room instead of competing with it.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Dry cava or crémant. Acid and bubbles in one pour, which is exactly what a distilled spirit has none of.

    • These bottles already have one strong flavour in them. Soda gives it room instead of competing with it.
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Bitter orange: sour and aromatic rather than sweet, the citrus that goes into ponzu. Bottled juice is sold for cooking and works straight in a glass. Use the peel too, it carries most of the smell.

    • Acid frames a single strong flavour and keeps it from turning syrupy.
    • The peel is doing what the orange twist on an old fashioned does
  • Kumquat

    Good match

    Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

    • Acid frames a single strong flavour and keeps it from turning syrupy.
    • Kumquat's bitter peel stands up to aged, nutty notes
  • Hoppy Beverage Co. has made it in Tokyo since 1948; at 0.8 percent it is legally a soft drink, and it is hard to find outside Japan. Chill the bottle, the shochu and the mug and no ice is needed.

    • These bottles already have one strong flavour in them. Soda gives it room instead of competing with it.
    • An aged bottle is the one you would not lengthen with a beer substitute
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Kombucha

    Good match

    A plain or ginger kombucha. Acid, bubbles and a little funk, none of which survive a still.

    • These bottles already have one strong flavour in them. Soda gives it room instead of competing with it.
    • No
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • The shortcut to a sour when there is no fresh lemon. Less sweet is better.

    • These bottles already have one strong flavour in them. Soda gives it room instead of competing with it.
    • Sweet soda and aged notes argue
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Tonic water

    Good match

    A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

    • These bottles already have one strong flavour in them. Soda gives it room instead of competing with it.
    • Tonic's sweetness fights aged notes
    • Carbonation carries aroma up out of the glass, so a highball shows an aromatic bottle off rather than diluting the point of it.
  • Amaro

    Good match

    Montenegro, Nonino, Averna. Equal parts with a dark shochu over ice is a whole drink.

    • Amaro and aged notes are a winter bar
    • A strong bitter will argue with the botanical rather than support it. Keep it to a dash.
  • The non-alcoholic koji drink, sweet from rice starch alone. Blend with the spirit and ice; it is a shochu smoothie.

    • Koji meets koji
    • Works for the sweet and nutty bottles, sesame especially. Not for the sharp herbal ones.
  • Angostura or a Japanese aromatic. Two dashes.

    • Two dashes wake up an aged bottle
    • A strong bitter will argue with the botanical rather than support it. Keep it to a dash.
  • Amaretto

    Worth trying

    A bar spoon, not an ounce. It is very sweet, and its job here is the almond smell rather than the sugar.

    • Marzipan against caramel, which is a dessert people already eat
  • Amontillado sherry

    Worth trying

    Lustau or González Byass. Fino is salt and living flor; this is what is left after the flor dies, and at 18 percent an ounce lengthens the glass rather than strengthening it.

    • Both have spent years going quietly brown, and they meet in the middle
  • Apricot

    Worth trying

    Fresh in season, dried the rest of the year. Apricot and umeshu share a family, which is why they get along.

    • Long aging turns a spirit towards stone fruit; the apricot joins what is already there
  • Apricot liqueur

    Worth trying

    Rothman and Winter, or a Japanese anzu liqueur. Closer to umeshu than to a candy liqueur if you buy a good one.

    • Long aging turns towards stone fruit anyway; this meets it there
  • Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

    • Black tea's tannin sits well with aged notes
  • Blood orange

    Worth trying

    Orange with a raspberry edge. Winter fruit; worth waiting for.

    • Acid frames a single strong flavour and keeps it from turning syrupy.
  • Cardamom

    Worth trying

    A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

    • Spice on aged, nutty notes
  • Cherry

    Worth trying

    Fresh in early summer; morello or amarena in syrup otherwise. Dark cherry for aged bottles, bright cherry for sparkling.

    • Dark cherry against aged, oxidative notes
  • Cinnamon

    Worth trying

    A stick in hot water with the spirit, or a light syrup. Winter.

    • Cinnamon and aged notes are a hot toddy
  • Fig

    Worth trying

    Fresh figs muddled, or fig jam. For the aged and the brown-sugar bottles only.

    • Fig meets the dried fruit that kusu awamori and long aged shochu already carry
  • Fino sherry

    Worth trying

    Fino or manzanilla. Savory, salty, bone dry.

    • Oxidative on oxidative
  • Ginger liqueur

    Worth trying

    Domaine de Canton or similar. The mule flavour without the sugar load of a ginger beer, and it works hot as well as cold.

    • Warm spice against caramel, without the sugar a ginger beer brings
  • Grapefruit

    Worth trying

    Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

    • Acid frames a single strong flavour and keeps it from turning syrupy.
  • Honey

    Worth trying

    Diluted one to one with warm water so it mixes cold. A little goes far; taste before adding more.

    • Honey and aged notes
  • Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

    • Water dilutes the botanical without adding anything to argue with it. Useful when the bottle is strong enough that soda would only make it louder.
  • Hyuganatsu

    Worth trying

    A Miyazaki citrus eaten with the white pith left on, which is sweet rather than bitter. Gentler and more floral than lemon, so it flavours a drink without taking it over.

    • Acid frames a single strong flavour and keeps it from turning syrupy.
  • Kabosu

    Worth trying

    Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

    • Acid frames a single strong flavour and keeps it from turning syrupy.
  • Sakamoto's, fermented outdoors in earthenware jars in Fukuyama and aged at least a year; Toiro and Japanese Taste ship it in the US. A teaspoon in a mizuwari is the whole intervention, and a second one is usually a mistake.

    • Black vinegar is rice fermented with koji and then soured, so it is the same mould arriving a second time
  • Lime

    Worth trying

    Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.

    • Acid frames a single strong flavour and keeps it from turning syrupy.
  • Maple syrup

    Worth trying

    Dark, in small amounts, for the cask and sweet-potato bottles.

    • Maple and aged, caramel notes
  • Maraschino

    Worth trying

    Luxardo. Dry rather than sweet despite the name, and a bar spoon changes a stirred drink completely.

    • Maraschino is what makes a stirred aged drink taste finished rather than flat
  • Mikan (satsuma)

    Worth trying

    Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

    • Acid frames a single strong flavour and keeps it from turning syrupy.
  • Orange

    Worth trying

    Fresh juice when you want it long and easy; the peel when the bottle is aged and the drink is stirred.

    • Acid frames a single strong flavour and keeps it from turning syrupy.
  • Orange liqueur

    Worth trying

    Cointreau or a dry curaçao. The sweet-and-citrus half of any sour.

    • Aged bottles and orange peel liqueur
  • Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

    • Honeyed flower on honeyed age
  • A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.

    • Koji meets koji
  • Shiitake

    Worth trying

    A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

    • A long aged spirit and dried mushroom share a forest floor note
  • Shikuwasa

    Worth trying

    Okinawa's own citrus, picked green and sharp, more bitter than lime and more floral than sudachi. Squeezed over awamori and soda it is what the islands actually drink.

    • Acid frames a single strong flavour and keeps it from turning syrupy.
  • Star anise

    Worth trying

    One star, steeped, for the dark bottles.

    • Anise and aged notes are a winter cabinet
  • Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.

    • Water dilutes the botanical without adding anything to argue with it. Useful when the bottle is strong enough that soda would only make it louder.
  • Sudachi

    Worth trying

    A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

    • Acid frames a single strong flavour and keeps it from turning syrupy.
  • Carpano Antica or Cocchi. A quarter of the shochu's volume, stirred cold, is a manhattan at well under half the usual proof.

    • An aged bottle already has the caramel a manhattan wants; this brings the botanicals
  • Eden Foods sells it as Ume Plum Vinegar in most US supermarkets, and it is one of the cheapest things on this list. A bar spoon, and unlike a crushed umeboshi it can go into a shaken drink.

    • Salt and lactic acid land on the sweetness koji leaves behind
  • Yuzu

    Worth trying

    The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

    • Acid frames a single strong flavour and keeps it from turning syrupy.
  • Braulio, made in Bormio from gentian, juniper, peppermint and yarrow, around forty-five dollars. A summer drink on shochu and a winter one on whisky, which is one bottle behaving two ways.

    • A strong bitter will argue with the botanical rather than support it. Keep it to a dash.
  • Campari, Aperol, or a Japanese bitter like Kina. Shochu is low enough in proof to make an aperitivo you can actually have two of.

    • A strong bitter will argue with the botanical rather than support it. Keep it to a dash.
  • Basil

    Worth trying

    Muddled gently with citrus. Thai basil brings anise, Italian basil brings pepper.

    • Only where the herb agrees with the bottle's own botanical. Shiso on shiso works; rosemary on shiso does not.
  • Cynar, 16.5 percent, which is weaker than the shochu itself, so equal parts lands near 20 percent and the drink stays long. Soda or a grapefruit soda over the top is the producer's own serve.

    • A strong bitter will argue with the botanical rather than support it. Keep it to a dash.
  • Celery bitters

    Worth trying

    Scrappy's leads with the seed, Fee Brothers has garlic and ginger behind it, The Bitter Truth reads more astringent than bitter. Two dashes.

    • A strong bitter will argue with the botanical rather than support it. Keep it to a dash.
  • Cream

    Worth trying

    Half-and-half or heavy cream, in the after-dinner glass only.

    • Works for the sweet and nutty bottles, sesame especially. Not for the sharp herbal ones.
  • Dill

    Worth trying

    Fronds, gently muddled. For the savory, saline glass.

    • Only where the herb agrees with the bottle's own botanical. Shiso on shiso works; rosemary on shiso does not.
  • Egg white

    Worth trying

    One white, dry-shaken. Texture without flavor.

    • Works for the sweet and nutty bottles, sesame especially. Not for the sharp herbal ones.
  • Fernet

    Worth trying

    A quarter ounce. Menthol and bitterness, for the darkest bottles.

    • A strong bitter will argue with the botanical rather than support it. Keep it to a dash.
  • Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.

    • A strong bitter will argue with the botanical rather than support it. Keep it to a dash.
  • The Japanese Bitters, five 100ml expressions, sold at Astor Wines in New York. Angostura at nearly 45 percent is a small spike in a 25 percent drink in a way these are not.

    • A strong bitter will argue with the botanical rather than support it. Keep it to a dash.
  • Young sansho leaves, clapped between the palms and floated. Hard to find outside Japanese markets in spring, worth the hunt.

    • Only where the herb agrees with the bottle's own botanical. Shiso on shiso works; rosemary on shiso does not.
  • Lemongrass

    Worth trying

    Bruised stalks steeped in the spirit, or a syrup. Citrus without acid, which is useful when you want aroma but not sourness.

    • Only where the herb agrees with the bottle's own botanical. Shiso on shiso works; rosemary on shiso does not.
  • Makrut lime leaf

    Worth trying

    Torn leaves steeped briefly. Perfumed citrus without juice.

    • Only where the herb agrees with the bottle's own botanical. Shiso on shiso works; rosemary on shiso does not.
  • Milk

    Worth trying

    Cold whole milk. Shochu milk-wari is a real order in Kyushu, not a dare.

    • Works for the sweet and nutty bottles, sesame especially. Not for the sharp herbal ones.
  • Oat milk

    Worth trying

    The dairy-free milk that tastes of cereal, which is why it likes grain spirits.

    • Works for the sweet and nutty bottles, sesame especially. Not for the sharp herbal ones.
  • Cocchi Americano: moscato steeped with cinchona bark, gentian and bitter orange. Lillet dropped its quinine in 1985, so only the Americano side of the category still tastes of the bark, and equal parts with a shochu is about 21 percent.

    • A strong bitter will argue with the botanical rather than support it. Keep it to a dash.
  • Shiso

    Worth trying

    Green shiso leaves, slapped or muddled gently. Red shiso as a syrup. Japan already makes shiso shochu, which tells you it works.

    • Only where the herb agrees with the bottle's own botanical. Shiso on shiso works; rosemary on shiso does not.
  • Soy milk (tonyu)

    Worth trying

    Unsweetened, four parts shochu to six parts soy milk, which is how the Japanese recipes write it. Stronger than it tastes, so pour it knowing that.

    • Works for the sweet and nutty bottles, sesame especially. Not for the sharp herbal ones.
  • Thyme

    Worth trying

    Gentler than rosemary. Steep a sprig, or use a thyme syrup.

    • Only where the herb agrees with the bottle's own botanical. Shiso on shiso works; rosemary on shiso does not.
  • Jack Rudy's Extra Bitter, made with real cinchona bark, or Small Hand Foods'. Half a teaspoon and soda, set to the bottle in front of you rather than to a tonic maker's idea of a spirit.

    • A strong bitter will argue with the botanical rather than support it. Keep it to a dash.

Ways to serve it

  • With soda
  • On the rocks

These are shochu with one loud idea in them, shiso or sesame or green tea. Treat the botanical as the drink's flavour and everything else as its frame, and do not try to add a second loud idea.

Cocktails other people made

Nobody has published a cocktail written for this exact bottle. These were written for other bottles, so each one says which, and what changes if you pour this instead.

Show 8 more
  • Just One Cookbook

    Japanese Yuzu Cocktail (Yuzu Chuhai)

    Written for shochu generally

    • ½ cup club soda (soda water)
    • ¼ cup shochu (any brand or type)
    • 1 tbsp homemade simple syrup
    • 1 tsp yuzu juice (extract)
    • ice cubes
    • 1, 2 tsp korean citron tea (yuja cha) (optional)
    • lime (optional; can use lemon)

    Built in the glass, topped with soda.

    Full method at Just One Cookbook →
  • Pickled Plum

    Umeboshi Sour (Pickled Plum Cocktail)

    Written for shochu generally

    • ice cubes
    • 1/4 cup shōchū (such as iichiko)
    • 3/4 cup sparkling water
    • 1 1/2 tablespoon umezu (plum vinegar)
    • 1/2 teaspoon plain rice vinegar
    • 1/2 teaspoon honey (optional)
    • 1 large soft umeboshi (japanese pickled plum)
    • 1 shiso leaf, whole or shredded, for garnish (optional)

    Built in the glass.

    Full method at Pickled Plum →
  • punchdrink.com · Brian Evans and George Padilla, Brooklyn, New York

    The Rule of Thirds Chu-Hai

    Written for shochu generally

    • 1 1/2 ounces shochu
    • 1 1/4 ounce grapefruit juice
    • 3/4 ounce sweetened hojicha tea (see editor's note)
    • club soda, to top

    Built in the glass, topped with soda.

    Full method at punchdrink.com →
  • Pickled Plum

    Lemon Sour (Japanese)

    Written for shochu generally

    • juice of 1/2 lemon
    • 1/4 cup shōchū (or soju)
    • 1/2 cup soda water
    • 1 tablespoon simple syrup (1 tablespoon sugar mixed with 1 tablespoon water)
    • ice cubes

    Built in the glass, topped with soda.

    Full method at Pickled Plum →
  • liquor.com

    Koji-San

    Written for shochu generally

    • 1 ounce 5 teaspoons shochu
    • 1 teaspoon mezcal
    • 3/4 ounce lime juice, freshly squeezed
    • 4/5 ounce cane syrup
    • 1/4 ounce celery juice

    Shaken.

    Full method at liquor.com →
  • punchdrink.com · Kelly Brophy, Cheu Noodle Bar, Philadelphia, PA

    Blue Calpico Chu-Hai

    Written for Gyokuo

    We hold no record for that bottle, so treat this as a starting point rather than a match.

    • 1/4 ounce blue curaçao, preferably bols
    • 1 ounce calpico concentrate
    • 1 ounce green tea shochu, preferably gyokuo
    • 1 ounce gin, preferably bluecoat
    • 1/4 ounce lemon juice
    • soda water

    Shaken.

    Full method at punchdrink.com →
  • punchdrink.com · Xavier Herit, New York City

    Sho Sho

    Written for Akanone Carrot Shochu

    We hold no record for that bottle, so treat this as a starting point rather than a match.

    • 1 ounce akanone carrot shochu
    • 1 ounce oloroso sherry
    • 3/4 ounce lime juice
    • 3/4 ounce carrot-ginger syrup (see editor's note)
    • root beer

    Shaken.

    Full method at punchdrink.com →

Sources and verification

Filed under shiso, sesame, tea and other single-botanical shochu.