Shiso Shochu Mojito
Written for this bottle
- 3 oz tan taka tan red shiso shochu
- 2 shiso leaves
- 1/2 of a lime, quartered
- 3 barspoons of ginger marmalade
- club soda
- shiso leaf (for garnish)
Built in the glass.
Full method at Umami Mart blog →Godo Shusei · Hokkaido · Shiso shochu
Pour this first
Tan Taka Tan, long, with Ginger ale, and Blood orange.
The botanical is the whole point of the bottle, so the job of the mixer is to carry it, not to add to it.
One part shochu to three or four parts mixer, plenty of ice. If it tastes thin, go two to three next time. That is the whole method.
Shiso shochu from Godo Shusei in Hokkaido. Nobody here has tasted this one, so the profile below is estimated from what its importer publishes rather than from the glass.
Tap a family to narrow it down. Every suggestion carries its reasoning, so if the reasoning does not convince you, ignore the suggestion.
The gentle ginger. For bottles that a ginger beer would bully.
A spicy one, not a sweet one. The mule format works for every dark shochu and most sake.
A plain or ginger kombucha. It brings acid, bubbles and funk, all things sake is short of.
The shortcut to a sour when there is no fresh lemon. Less sweet is better.
Cold, and fizzy enough to matter. One part spirit to three or four parts soda for shochu; one to one for sake.
Dry cava or crémant. Topping sake with it adds the acid and the bubbles sake lacks in one pour.
A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.
Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.
Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.
Orange with a raspberry edge. Winter fruit; worth waiting for.
Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.
Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.
Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.
Fresh juice, never bottled. The building block of the lemon sour, and the fastest way to give sake the acidity it does not have on its own.
Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.
Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.
Fresh orange juice for a sparkling sake mimosa; the peel for stirred drinks with aged bottles.
A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.
The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.
Muddled gently with citrus. Thai basil brings anise, Italian basil brings pepper.
Fronds, gently muddled. For the savory, saline glass.
Young sansho leaves, clapped between the palms and floated. Hard to find outside Japanese markets in spring, worth the hunt.
Bruised stalks steeped in the spirit, or a syrup. Citrus without acid, which is useful when you want aroma but not sourness.
Torn leaves steeped briefly. Perfumed citrus without juice.
Slapped, not muddled to bits. Mint reads as cold, which makes any low-proof drink feel more refreshing.
Green shiso leaves, slapped or muddled gently. Red shiso as a syrup. Japan already makes shiso shochu, which tells you it works.
Gentler than rosemary. Steep a sprig, or use a thyme syrup.
These are shochu with one loud idea in them, shiso or sesame or green tea. Treat the botanical as the drink's flavour and everything else as its frame, and do not try to add a second loud idea.
Written for this bottle
Built in the glass.
Full method at Umami Mart blog →punchdrink.com · Karen Fu, Thunderbolt, Los Angeles
Written for a different style
Written for Mizu Lemongrass Shochu, which is a rice shochu, not a shiso shochu. This bottle is lighter, 20% against 35%, so cut the mixer back or it will disappear.
Shaken.
Full method at punchdrink.com →punchdrink.com · Tom Liu, Los Angeles
Written for a different style
Written for iichiko Saiten, which is a barley shochu, not a shiso shochu. This bottle is lighter, 20% against 43%, so cut the mixer back or it will disappear.
Stirred.
Full method at punchdrink.com →punchdrink.com · Kenta Goto, New York City
Written for a different style
Written for iichiko Saiten, which is a barley shochu, not a shiso shochu. This bottle is lighter, 20% against 43%, so cut the mixer back or it will disappear.
Shaken.
Full method at punchdrink.com →Written for shochu generally
Built in the glass, topped with soda.
Full method at Cocktail Society →Written for shochu generally
Built in the glass, topped with soda.
Full method at Just One Cookbook →Written for shochu generally
Built in the glass, topped with soda.
Full method at Pickled Plum →Written for shochu generally
Built in the glass.
Full method at Pickled Plum →punchdrink.com · Brian Evans and George Padilla, Brooklyn, New York
Written for shochu generally
Built in the glass, topped with soda.
Full method at punchdrink.com →punchdrink.com · Teppoudama, Tokyo, Japan
Written for shochu generally
Built in the glass, topped with soda.
Full method at punchdrink.com →punchdrink.com · Kelly Brophy, Cheu Noodle Bar, Philadelphia, PA
Written for Gyokuo
We hold no record for that bottle, so treat this as a starting point rather than a match.
Shaken.
Full method at punchdrink.com →punchdrink.com · Xavier Herit, New York City
Written for Akanone Carrot Shochu
We hold no record for that bottle, so treat this as a starting point rather than a match.
Shaken.
Full method at punchdrink.com →Closest on the flavour profile within the same style family, so the mixers below tend to carry across.
Imported in the US by Sakaya NYC
Filed under shiso, sesame, tea and other single-botanical shochu.