Kuro Kirishima Carton (1.8L)

A spicy one, not a sweet one. The mule format works for every dark shochu and most sake.

The shortcut to a sour when there is no fresh lemon. Less sweet is better.

Cold, and fizzy enough to matter. One part spirit to three or four parts soda for shochu; one to one for sake.

A dry tonic (Fever-Tree, Q). One part spirit, three parts tonic, a citrus wedge.

The gentle ginger. For bottles that a ginger beer would bully.

A plain or ginger kombucha. It brings acid, bubbles and funk, all things sake is short of.

Dry cava or crémant. Topping sake with it adds the acid and the bubbles sake lacks in one pour.

Bitter, bright and forgiving. Ruby or white both work; white is drier. The grapefruit sour is a real bar order in Japan, not a novelty.

Cold-brewed sencha, unsweetened. The green tea highball is one of the most common ways shochu is actually drunk in Japan.

Hot water in the glass first, spirit poured on top so it mixes itself. Around 40C in the glass is the sweet spot. This is not the only way, it is one way.

Sweet, low-acid Japanese mandarin. Juice it or drop segments in a glass. It needs a squeeze of something sharper alongside.

Unsweetened, cold. One part shochu to three or four parts tea, over ice. It is the drink half of Japan orders with dinner.

Soft water, cold, over ice or not. One to one is normal. Mix a day ahead (maewari) and the edges round off.

The Japanese citrus that tastes like grapefruit, mandarin and lemon at once, with a floral peel. A little zest or juice goes a long way.

The non-alcoholic koji drink, sweet from rice starch alone. Blend with the spirit and ice; it is a shochu smoothie.

Montenegro, Nonino, Averna. Equal parts with a dark shochu over ice is a whole drink.

Angostura or a Japanese aromatic. Two dashes.

A stick in hot water with the spirit, or a light syrup. Winter.

Fresh juice, a syrup, or a good ginger beer. The spice that makes a low-proof drink feel like it has a backbone.

The most useful tropical fruit for mixing: intensely aromatic and properly sour. Pulp with seeds, or a good puree.

A pinch in the glass or a half rim. Salt does not make a drink salty in small amounts; it makes it taste more like itself.

One salted plum, crushed with a spoon in the glass. Salty, sour, savory.

Cold-brewed Earl Grey brings bergamot; plain black tea brings tannin. For the aged and brown-sugar bottles.

Orange with a raspberry edge. Winter fruit; worth waiting for.

Cold-brewed. Floral without sugar. The jasmine highball is a real menu item in Japan.

Oita's citrus, softer than sudachi. Bartenders in Oita mix it with the local barley shochu and soda.

Eaten whole, peel and all. Muddle a few in a glass; the peel gives bitterness, the flesh gives tartness.

Fresh juice, never bottled. The building block of the lemon sour, and the fastest way to give sake the acidity it does not have on its own.

Sharper and greener than lemon. The citrus for anything built on brown sugar or tropical fruit.

Whisked into a slurry first, never dumped in dry. Bitter, umami and creamy at once.

Fresh orange juice for a sparkling sake mimosa; the peel for stirred drinks with aged bottles.

A small green citrus from Tokushima, sharper and more herbal than lime. Sold frozen or as juice in Japanese markets.

The concentrate, diluted with soda. Yogurt-sweet and sour. The Calpis sour is a national drink in Japan.

A syrup or a few dried blossoms steeped. See jasmine tea for the long drink.

Dried osmanthus flowers steeped, or the syrup. Apricot and honey, and the smell of October in Japan.

Campari, Aperol, or a Japanese bitter like Kina. The aperitivo hour is where sake and shochu make the most sense as cocktails.

Ripe banana, muddled or as a syrup. The banana note in ginjo sake is real chemistry, not a metaphor.

A few grinds over the top. Aroma more than heat.

Late summer fruit with a savory edge. For the deeper bottles.

A few crushed pods, or a syrup. Floral, citrusy and warm at once; it bridges fruit and spice.

Coconut water for lengthening, coconut milk or cream for weight.

A quarter ounce. Menthol and bitterness, for the darkest bottles.

Suze or Salers. Bitter root, bright yellow. A little in a highball changes everything.

Muddled with the seeds. Green, sour and refreshing, and cheap year round.

Okinawan or Amami kokuto dissolved one to one in water. Molasses, minerals, a little salt.

A small piece steeped in the bottle overnight. Savory depth without salt.

Fresh in early summer, canned in syrup the rest of the year (drain it). The signature aroma of a whole school of imo shochu.

Ripe mango puree. Needs lime beside it or it goes flat.

Dark, in small amounts, for the cask and sweet-potato bottles.

White miso whisked into a syrup, a small spoon per drink. Salty, sweet and savory at once.

A bar spoon, no more. Salt, and the savory note that comes with it.

A spoon of the brine, and a slice as garnish. Sweet, sour and hot at once.

Fresh juice, or grilled wedges for a smokier drink. The awamori fruit.

A dry junmai as the lengthener for rice shochu, one to two. Low proof, all rice.

A pinch of ground sansho over the top, or a few peppercorns steeped. Numbing, citrusy, green.

A dried shiitake steeped in the spirit for a day. Savory and strange in the best way.

One star, steeped, for the dark bottles.

A sesame syrup, or a rim of ground sesame and salt. Toasty and rich.

A rim of shichimi, or a slice of fresh chili. Heat on fruit, not on rice.

Umeboshi (salt-pickled), ume syrup, or the fruit's own liqueur. Sour, salty and savory at once.

Sweet, sour, almondy. A splash does the work of both syrup and citrus.

A split bean in a syrup, or a good extract, in small amounts.

A rice-grain amount, dissolved. For the savory, cucumber glass, not the fruit one.

The Korean-style yuzu preserve sold in jars. A spoon in hot water with shochu, or shaken cold.

Cold-brewed or hot. Roasted green tea, low in bitterness, high in toast. The oyuwari of teas.

Cold, unsweetened barley tea. Every Japanese fridge has a pitcher in summer. Mix one to three over ice.

Cold-brewed chamomile as a lengthener, or steeped in the spirit.

Half-and-half or heavy cream, in the after-dinner glass only.

One white, dry-shaken. Texture without flavor.

Cordial or the liqueur. Muscat, lychee and honey in one flower.

Cold-brewed hibiscus tea: sour, cranberry-red and floral. Acid and color in one pour.

Cold whole milk. Shochu milk-wari is a real order in Kyushu, not a dare.

The dairy-free milk that tastes of cereal, which is why it likes grain spirits.

A drop of rose water, or a rose syrup. A drop; it takes over.

Salt-pickled blossoms (rinsed) or sakura syrup. Floral, faintly almond, a touch of salt.